55 Days at Peking

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55 Days at Peking

The characters (L to R) are Maj. Matt Lewis (Charlton Heston), Baroness Natalie Ivanoff (Ava Gardner), and Sir Arthur Robertson (David Niven)
Directed by Nicholas Ray
Produced by Samuel Bronston
Written by Philip Yordan
Bernard Gordon
Robert Hamer
Ben Barzman
Starring Charlton Heston
Ava Gardner
David Niven
Flora Robson
John Ireland
Leo Genn
Robert Helpmann
Kurt Kasznar
Paul Lukas
Music by Dimitri Tiomkin
Cinematography Jack Hildyard
Editing by Robert Lawrence
Distributed by Allied Artists Pictures Corporation
Release date(s) Flag of United States 29 May 1963
Running time Runtime: 150 min
Country USA
Language English
Budget US $17,000,000
All Movie Guide profile
IMDb profile

55 Days at Peking is a 1963 historical epic film made by Samuel Bronston Productions and released by Allied Artists. It was produced by Samuel Bronston and directed by Nicholas Ray, Andrew Marton (credited as the second unit director) and Guy Green (uncredited). The screenplay was by Philip Yordan, Bernard Gordon, Ben Barzman and Robert Hamer, the music score by Dimitri Tiomkin and the cinematography by Jack Hildyard.

The large cast was toplined by Charlton Heston, Ava Gardner and David Niven. In addition to directing, Nicholas Ray plays the minor role of the head of the American diplomatic mission in China. This film is also the first known appearance of future martial arts film star Yuen Siu Tien.

Contents

55 Days at Peking is a dramatization of the Boxer Rebellion which took place in 1900 China. Fed up by foreign encroachment, the Dowager Empress Tzu-Hsi uses the Boxer secret societies to attack the foreigners within China, culminating in the siege of the foreign legations' compounds in Beijing. The film concentrates on the defense of the legations from the point of view of the foreign powers, and the title refers to the length of the defense by the colonial powers of the legations district of Peking (now Beijing). The film, however, gives little background on how the various colonial powers exerted influence over China, nor of the humiliating military defeats suffered during the Opium Wars, a great source of outrage that drove many Chinese to violence.

Spoiler warning: Plot and/or ending details follow.

The foreign embassies in Peking are being held in a grip of terror as the Boxers set about massacring Christians in an anti-Christian nationalistic fever. Major Matt Lewis (Charlton Heston) heads an army of multinational soldiers making its way to Peking. Inside the besieged compound, the British ambassador (David Niven) gathers the beleaguered ambassadors into a defensive formation. Included in the group of high-level dignitaries is the sultry Russian Baroness Natalie Ivanoff (Ava Gardner) who begins a romantic liaison with Lewis. As Lewis and the group conserve food and water and try to save some hungry children, they await the arrival of expected reinforcements, but the wily Empress Tzu Hsi (Flora Robson) is, in the meantime, plotting with the Boxers to break the siege at the compound with the aid of Chinese recruits.

The film received two Academy Award nominations for Dimitri Tiomkin (Best Song and Original Music Score.

55 Days at Peking was filmed in Technicolor and Technirama, which involved the horizontal use of 35-millimeter film, resulting in 70-millimeter printed film format. The aspect ratio was 2.20:1, with the image viewed at 2.35:1 on 35-millimeter prints. DVD release came on February 28, 2001, nearly thirty-eight years after the film's premiere

Original Poster
Original Poster
  • The film maintains a certain curiosity value for cinephiles due to its credited director Nicholas Ray. Best known for his 1955 movie Rebel Without a Cause, starring James Dean, Ray was a tortured individual at the time of the production of 55 Days at Peking, somewhat akin to the Dean persona he helped to create for Rebel. Paid a very high salary by producer Samuel Bronston to direct 55 Days, Ray had an inkling that taking on the project, a massive epic, would mean the end of him and that he would never direct another film again. The premonition proved correct when Ray collapsed on the set, half-way through the shooting. Unable to resume working (the film was finished by Andrew Marton and Guy Green), he never received another directorial assignment. In the final months of his life, he collaborated with Wim Wenders, on the 1979 feature Lightning Over Water aka Nick's Film/Nick's Movie, which recorded his last moments.
  • According to the writer and critic Stephen Teo, the opening scene of 55 Days at Peking, showing various Western powers causing a din in the Peking marketplace by playing their respective national anthems, was "quoted" by the Hong Kong director Tsui Hark in his 1991 film Once Upon a Time in China (Chinese title: Huang Feihong)[1]
  • The film was shot in the vicinity of Madrid, and most of the Chinese residents of Spain, and some from other parts of Europe were hired as extras.

  1. ^ see Teo's essay "Tsui Hark: National Style and Polemic" in Yau, Esther C. M. (ed.). At Full Speed: Hong Kong Cinema in a Borderless World, page 158. Minneapolis and London: University of Minnesota Press.
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