A Room with a View (film)

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A Room with a View

original movie poster
Directed by James Ivory
Produced by Ismail Merchant
Written by Ruth Prawer Jhabvala (based on the novel by E.M. Forster)
Starring Maggie Smith
Helena Bonham Carter
Denholm Elliott
Julian Sands
Daniel Day Lewis
Judi Dench
Music by Richard Robbins (score)
Giacomo Puccini (sung by Kiri Te Kanawa)
Cinematography Tony Pierce-Roberts
Editing by Humphrey Dixon
Distributed by Curzon (UK)
Cinecom (US)
Release date(s) Flag of the United Kingdom December, 1985 (premiere)
11 April 1986 (wide)
Flag of the United States 7 March 1986 (NYC)
April, 1986 (wide)
Running time UK:117 min
Country Flag of the United Kingdom United Kingdom
Language English
Budget $3,000,000 (estimated)
IMDb profile

A Room with a View is a 1986 Merchant Ivory Productions' Academy Award-winning feature film, with a screenplay by Ruth Prawer Jhabvala. The film was directed by James Ivory and produced by Ismail Merchant.

The film is based upon the novel A Room with a View by E.M. Forster and stars Maggie Smith (Charlotte Bartlett), Helena Bonham Carter (Lucy Honeychurch), Denholm Elliott (Mr. Emerson), Julian Sands (George Emerson), Simon Callow (Mr. Beebe), Judi Dench (Miss Eleanor Lavish), Daniel Day-Lewis (Cecil Vyse), and Rupert Graves (Freddy Honeychurch).

Contents

The film tells the story of a woman struggling with her individuality in the face of the restrictive Edwardian culture of turn-of-the century England and her love for a free-spirited young man. The story begins in Florence then moves to England.

The film is a close adaptation of Forster's novel (but for its unequivocally happy ending), and even uses his chapter titles to divide the film into sections.

The premise of the story centers on the development of Miss Lucy Honeychurch. We first encounter Lucy as she is on holiday in Italy with her chaperone, Charlotte Bartlett. Both Lucy and Charlotte are conventionally English in contrast with the more free-thinking and free-spirited backdrop of Italy. It is at a small pensione in Italy that Lucy meets elderly Mr. Emerson and his handsome son, George. These men, although English, represent the forward-thinking ideals of the turn-of-the-century. They are the living embodiment of change, seeking to leave behind the repression and caution that was the norm in Victorian times. At first, the two Emerson men seem strange and unfamiliar to Lucy and Charlotte. However, as Lucy begins her journey to maturity and selfhood, she finds herself drawn to the men, especially the handsome George.

In an unguarded moment, George embraces and passionately kisses Lucy as she approaches him to ask a question. The scene takes place in a rural barley field, but is seen by chaperone Charlotte and quickly stopped. George's lust and unrestrained passion shocks Lucy, but lights a secret desire and romance in her heart for the handsome young man.

Upon returning to England, Lucy forgets her passionate kiss and brief friendship with George Emerson. She accepts a marriage proposal from an uptight, emotionally impotent, arrogant man named Cecil Vyse. Assuming that she will never see George Emerson again, Lucy moves forward with Cecil. However, she soon learns that both George and his father have moved to her small village and will be neighbors in her community.

At first, Lucy seems happy and pleased to make an engagement with Cecil, who is a respected and wealthy man. They both seem destined to follow a path of doing what is expected of them, reacting in a dispassionate way to life, and never experiencing any fluctuations of emotions. Lucy's innocence and desire to be the perfect young English lady suggest that she would prefer Cecil's safety and stability. Her passionate piano playing suggests that deeper emotions lie beneath the surface of Lucy's cool, calm exterior. The appearance of George Emerson soon disrupts her plans and forces her to make a choice between the dull, dry security she would find with Cecil or the wild uncertainty she would have with George.

After a period of living in Lucy's small village, the Emerson men decide that they do not fit in with the locals. The two men make plans to move out of their home, and find a more open-minded place to live. Lucy has already broken her ties to Cecil, and wants to travel for a while. She yearns to separate herself from the antics of her brother, Freddy, as well as the sweet-yet-tiresome older neighbors (including Charlotte Bartlett and Lucy's own mother). Just as she is about to leave Windy Corner to set out on an independent adventure, she reunites with George Emerson; they elope to Florence.

The film was nominated for several Academy Awards:

and

The film also won the BAFTA Award for Best Film and Maggie Smith won the Golden Globe Award for Best Supporting Actress.

  1. O mio babbino caro (from Gianni Schicchi by Puccini) - Kiri Te Kanawa
  2. The Pensione Bertollini - London PO/Sir John Pritchard
  3. Lucy, Charlotte And Miss Lavish See The City - London PO/Sir John Pritchard
  4. In The Piazza Signoria - London PO/Sir John Pritchard
  5. The Embankment - London PO/Sir John Pritchard
  6. Phaeton And Persephone - London PO/Sir John Pritchard
  7. Chi Il Bel Sogno De Doretta (from La Rondine, Act One by Puccini) - Kiri Te Kanawa
  8. The Storm - London PO/Sir John Pritchard
  9. Home, And The Betrothal - London PO/Sir John Pritchard
  10. The Sacred Lake - London PO/Sir John Pritchard
  11. The Allan Sisters - London PO/Sir John Pritchard
  12. In The National Gallery - London PO/Sir John Pritchard
  13. Windy Corner - London PO/Sir John Pritchard
  14. Habanera - London PO/Sir John Pritchard
  15. The Broken Engagement - London PO/Sir John Pritchard
  16. Return To Florence - London PO/Sir John Pritchard L
  17. End Titles - London PO/Sir John Pritchard

Preceded by
The Purple Rose of Cairo
BAFTA Award for Best Film
1987
Succeeded by
Jean de Florette


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