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A Shropshire Lad (1896) is a cycle of sixty-three poems by the English poet Alfred Edward Housman.

Contents 1 Reception 2 Themes and style 3 Legacy 4 References in literature 5 External links

A Shropshire Lad was first published in 1896 at Housman's own expense after several publishers had turned it down, much to the surprise of his colleagues and students. At first the book sold slowly, but during the Second Boer War, Housman's nostalgic depiction of rural life and young men's early deaths struck a chord with English readers and the book became a bestseller. Later, World War I further increased its popularity. Arthur Somervell and other composers were inspired by the folksong-like simplicity of the poems, and the most famous musical settings are by George Butterworth and Ralph Vaughan Williams, with others by Ivor Gurney, John Ireland and Ernest John Moeran.

Housman was surprised by the success of A Shropshire Lad because it, like all his poetry, is imbued with a deep pessimism and an obsession with death, with no place for the consolations of religion. Set in a half-imaginative pastoral Shropshire, "the land of lost content" (in fact Housman wrote most of the poems before visiting the county), the poems explore the fleetingness of love and decay of youth in a spare, uncomplicated style which many critics of the time found out-of-date as compared to the exuberance of some Romantic poets. Housman himself acknowledged the influence of the songs of William Shakespeare, the Scottish Border Ballads and Heinrich Heine, but specifically denied any influence of Greek and Latin classics in his poetry.

The main theme of A Shropshire Lad is mortality, and so living life to its fullest, since death can strike at any time. For example, number IV, titled "Reveille," urges an unnamed "lad" to stop sleeping in the daylight, for "When the journey's over/There'll be time enough to sleep."

One of Housman's most familiar poems is number XIII from A Shropshire Lad, untitled but often anthologized under a title taken from its first line. The Oxford Dictionary of Quotations includes no fewer than fourteen of its sixteen lines:

When I was one-and-twenty

I heard a wise man say,

"Give crowns and pounds and guineas

But not your heart away;

Give pearls away and rubies

But keep your fancy free."

But I was one-and-twenty,

No use to talk to me.

When I was one-and-twenty

I heard him say again,

"The heart out of the bosom

Was never given in vain;

'Tis paid with sighs a plenty

And sold for endless rue."

And I am two-and-twenty

And oh, 'tis true, 'tis true.

Poem XXVII, "Is my team ploughing?" is a dialogue between a dead youth and a friend who has survived him. The dead youth asks:

"Is my girl happy,

That I thought hard to leave,

And is she tired of weeping

As she lies down to eve?"

The living replies

"Ay, she lies down lightly,

She lies not down to weep:

Your girl is well contented.

Be still, my lad, and sleep."

As the reader has begun to suspect, two stanzas later the living man acknowledges:

"I cheer a dead man's sweetheart.

Never ask me whose."

Poem LXII, "Terence, this is stupid stuff", (source) is a dialogue in which the poet, asked for "a tune to dance to" instead of his usual "moping melancholy" verse, offers (perhaps ironically) the respite of drunkenness and then pessimism as a way to inure oneself to the pain of existence -- "Malt does more than Milton can/To justify God's ways to man":

Therefore, since the world has still

Much good, but much less good than ill,

And while the sun and moon endure

Luck's a chance, but trouble's sure,

I'd face it as a wise man would,

And train for ill and not for good.

The uniform style and tone of A Shropshire Lad make it an easy target for parody, as in this example by Humbert Wolfe:

When lads have done with labour

In Shropshire, one will cry

"Let's go and kill a neighbour,"

And t'other answers "Aye!"

So this one kills his cousins,

And that one kills his dad;

And, as they hang by dozens

At Ludlow, lad by lad,

Each of them one-and-twenty,

All of them murderers,

The hangman mutters: "Plenty

Even for Housman's verse."

There are numerous references and memorialisations of this poem in literature and art. One example is a wall hanging A Shropshire Lad located in St Laurence Church, Ludlow, England.

A Shropshire Lad is mentioned in E.M. Forster's A Room with a View. One of the characters, Reverend Beebe, picks up the book from a stack whilst visiting the Emerson home. Lamenting the son's "unconventional" - if not sacrilegious - literary taste, he remarks, "Never heard of it."[1]

The titles of both Ursula K. Le Guin's anthology, The Wind's Twelve Quarters and the short story For a Breath I Tarry by Roger Zelazny come from phrases in Poem XXXII, "From far, from eve and morning." [2]

The title of Patrick White's The Tree of Man comes from Poem XXXI, "On Wenlock Edge the wood’s in trouble" and lines from the poem are quoted in the text.

Tom Stoppard's play The Invention of Love -- based on the life and work of A.E. Housman -- contains numerous references to and quotes from the poems, but is more focused on his work as a scholar of Classics.

Salman Rushdie's novel Shalimar the Clown also contains a reference to Housman's poem.

The poem "The Land of Lost Content" is quoted in its entirety in S. M. Stirling's novel Conquistador.

• A Shropshire Lad e-text