Adolfo Bioy Casares

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Adolfo Bioy Casares (September 15, 1914March 8, 1999) was an Argentine fiction writer.

Bioy Casares was born in Buenos Aires, the grandson of a wealthy landowner and dairy processor. He wrote his first story ("Iris y Margarita") at the age of 11. He was a friend and frequent collaborator of Jorge Luis Borges and wrote many stories with him under the pseudonym of H. Bustos Domecq. Bioy and Borges were introduced in 1932 by Victoria Ocampo, whose sister, Silvina Ocampo, Bioy Casares was to marry in 1940. In 1954 they adopted Bioy’s daughter with another woman; Marta Bioy Ocampo (1954-94) was killed in an automobile accident just three weeks after Silvina Ocampo’s death, leaving two children. The estate of Silvina Ocampo and Adolfo Bioy Casares was awarded by a Buenos Aires court to yet another love child of Adolfo Bioy Casares, Fabián Bioy shortly before Fabián Bioy died, aged 40, in February 2006.

He won several awards, including the Gran Premio de Honor of SADE (the Argentine Society of Writers, 1975), the French Légion d'honneur (1981), the title of Illustrious Citizen of Buenos Aires (1986), and the Premio Miguel de Cervantes (awarded to him in 1991 in Alcalá de Henares).

Adolfo Bioy Casares is buried in La Recoleta Cemetery, Buenos Aires.

In 2006 Ediciones Destino published a book of Bioy's diary entries on Borges, numbering 1663 pages of anecdotes, witicisms and observations.

Contents

Spoiler warning: Plot and/or ending details follow.

Adolfo Bioy's best-known novel is La invención de Morel (Morel's Invention). It is the story of a man who, evading justice, escapes to an island said to be infected with a mysterious fatal disease. Struggling to understand why everything seems to repeat, he realizes that all the people he sees there are actually recordings, made with a special machine, invented by Morel, which is able to record not only three-dimensional images, but also voices and scents, making it all undistinguishable from reality. The story mixes realism, fantasy, science fiction and terror. Borges wrote a famous prologue in which he called it a work of "reasoned imagination" and linked it to H. G. Wells' oeuvre.

Spoilers end here.

  • Prólogo (Prologue, 1929)
  • 17 disparos contra el porvenir (17 Shots Against the Future, 1933)
  • La estatua casera (The Household Statue, 1936)
  • La trama celeste (The Celestial Plot, 1948)
  • Luis Greve, muerto (Luis Greve, Deceased, 1937)
  • Las vísperas de Fausto (Faust's Eve, 1949)
  • Historia prodigiosa (A Remarkable History, 1956)
  • Guirnalda con amores (Guirnalda with Loves1959)
  • El lado de la sombra (The Shady Side, 1962)
  • El gran serafín (The Great Seraph, 1967)
  • El héroe de las mujeres (The Hero and the Women, 1978)
  • Historias desaforadas (Colossal Stories, 1986)

Generally, these Spanish-language collections have not been systematically translated into English. English language collections include:

  • En viaje (Travelling, 1996), letters to Silvina

  • Seis problemas para don Isidro Parodi (1942, translated into English as Six Problems for Don Isidro Parodi, ISBN 0-525-48035-8)
  • Dos fantasías memorables (Two Memorable Fantasies, 1946)
  • Un modelo para la muerte (A Model for Death, 1946)
  • Crónicas de Bustos Domecq (1967, translated into English as Chronicles of Bustos Domecq, ISBN 0-525-47548-6)
  • Libro del cielo y del infierno, (The Book of Heaven and Hell, 1960)
  • Nuevos cuentos de Bustos Domecq (New Stories by Bustos Domecq, 1977)

Dos fantasías memorables and Un modelo para la muerte were originally published in private printings of only 300 copies. The first commercial printings were published in 1970.

  • Los que aman, odian (Those Who Love, Hate, 1946)

  • Los orilleros (1955, The Hoodlums)
  • El paraíso de los creyentes (1955, The Paradise of the Believers)
  • Invasión (1969, Invasion)

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