Almira

From Wikipedia, the free encyclopedia

Operas by George Frideric Handel

Almira (1705)
Florindo (1708)
Rodrigo (1707)
Agrippina (1709)
Rinaldo (1711)
Il pastor fido (1712)
Teseo (1713)
Amadigi di Gaula (1715)
Acis and Galatea (1718)
Radamisto (1720)
Muzio Scevola (1721)
Floridante (1721)
Ottone (1723)
Flavio (1723)
Giulio Cesare (1724)
Tamerlano (1724)
Rodelinda (1725)
Scipione (1726)
Alessandro (1726)
Admeto (1727)
Riccardo Primo (1727)
Siroe (1728)
Tolomeo (1728)
Lotario (1729)
Partenope (1730)
Poro (1731)
Ezio (1732)
Sosarme (1732)
Orlando (1733)
Arianna in Creta (1734)
Oreste (1734)
Ariodante (1735)
Alcina (1735)
Atalanta (1736)
Arminio (1737)
Giustino (1737)
Berenice (1737)
Alessandro Severo (1738)
Faramondo (1738)
Serse (1738)
Giove in Argo (1739)
Imeneo (1740)
Deidamia (1741)
Semele (1744)

“Der in Krohnen erlangte Glückswechsel”, or “Almira, Königin von Castilien” (HWV 1), is George Frideric Handel's first opera.

Handel came to the city of Hamburg in the summer of 1703 and played as a violinist in the theatre at the Gänsemarkt, the local market place. On later occasions, he also played the harpsichord in the orchestra. His first opera – announced as a Singspiel—had its premiere on 8 January 1705 under the direction of Reinhard Keiser, so it is presumed that it must have been composed in the months directly preceding this.

The Italian libretto was written by Giulio Pancieri in Venice in 1691. Giuseppe Boninventi used it in his opera at the time. The translation used by Handel was made by Christian Feustking. While most of the recited parts and arias are sung in German, some remain untranslated.

"Almira" was a resounding success. The opera was shown twenty times in total until its place was taken by Handel's next opera, Nero, whose music has not been preserved. In 1732 the piece was once more shown in a version edited by Georg Philipp Telemann.

The first modern showing of Almira took place during the “Halleschen Händelfestspiele” (a festival dedicated to Handel) on the 4 June 1994, in Bad Lauchstädt.

The characters are as follows:

  • Almira, Queen of Castilia (soprano)
  • Edilia, a princess (soprano)
  • Consalvo, Almira's guardian (bass)
  • Osman, his son (tenor)
  • Fernando, an orphan (tenor)
  • Raymondo, King of Mauretania (bass)
  • Bellante, princess of Aranda (soprano)
  • Tabarco (tenor)

Thus "Almira" is an exception amongst Handel's operas, in that all the male characters have natural tonalities.

Advanced Search
Included Web Search Engines


Safe Search

close

Top Matching Results

Occasionally Search.com will highlight specialized results that are based on the context of your query. Examples of specialized results include specific links to news, images, or video.

Top Matching Results may highlight information from other Search.com pages, content from the CNET Network of sites, or third party content. The listings are based purely on relevance. Search.com does not receive payment for listings in this section but our partners that provide this data may get paid for listing these products.

Sponsored Links

This section contains paid listings which have been purchased by companies that want to have their sites appear for specific search terms and related content. These listings are administered, sorted and maintained by a third party and are not endorsed by Search.com.

Search Results

Search.com sends your search query to several search engines at one time and integrates the results into one list which has been sorted by relevance using Search.com's proprietary algorithm. You can customize the list of search engines included in your metasearch from the preferences.

The search engines that are used in your metasearch may allow companies to pay to have their Web sites included within the results. To view the Paid Inclusion policy for a specific search engine, please visit their Web site. Search.com does not accept payment or share revenue with any search engine partner for listings in this section.