Altamont Free Concert

From Wikipedia, the free encyclopedia

(Redirected from Altamont Music Festival)
Jump to: navigation, search
Promotional poster for concert.
Promotional poster for concert.

The Altamont Speedway Free Festival was an infamous rock concert held on December 6, 1969 at the then-disused Altamont Speedway in Northern California, between Tracy and Livermore. Headlined and organized by the The Rolling Stones, it also featured, in order of performance: Santana, Jefferson Airplane, The Flying Burrito Brothers, and Crosby, Stills, Nash and Young and FACE, with the Stones taking the stage as the final act.[1] The Grateful Dead were also scheduled to perform between CSNY and the Stones, but canceled at the last minute owing to the ensuing circumstances at the venue. Approximately 300,000 people attended the concert, and some speculated it would be "Woodstock West." Filmmakers Albert and David Maysles and Charlotte Zwerin shot footage of the concert and incorporated it into a subsequent documentary film entitled Gimme Shelter.

The event is best known for having been marred by violence, including one killing and three accidental deaths (two of the deaths were caused by a hit-and-run car accident, another death was the result of a drowning in a drainage ditch). There were also four births[citation needed].

Contents

The concert originally was scheduled to be held at Golden Gate Park in San Francisco. However, the permits were never issued for the concert, or were revoked after the fact. This was a result of Mick Jagger of The Rolling Stones announcing in a press conference that they would be performing at the event; they were to be a surprise appearance. (Their American Tour of 1969 had recently concluded.)

With the public revelation that the Stones would be performing, San Francisco city officials feared a repeat of the crowd control problems that occurred at Woodstock. Accusations have arisen that Jagger made this announcement to ensure a large crowd for a planned concert movie. The venue was then changed to the Sears Point Raceway, but after a dispute with the owner of Sears Point, Filmways, Inc., over film distribution rights, the festival was moved to the Altamont Raceway at the suggestion of its then-owner, local businessman Dick Carter. The concert was to take place on Saturday, Dec. 6; the location was switched on the night of Thursday, Dec. 4. This resulted in numerous logistical problems. Most importantly, facilities such as portable toilets and medical tents were lacking in number. The stage, which was only four feet high, was surrounded by the Hells Angels, led by Oakland chapter head Ralph 'Sonny' Barger, who acted as bouncers.[2] The sound system was hardly sufficient for such a large audience.

By some accounts, the Angels were hired to be security by the Rolling Stones on recommendation from the Grateful Dead for $500 and free beer, a story Carter and Barger both vehemently denied. According to Stones' road manager Sam Cutler, "the only agreement there ever was...the Angels would make sure nobody fucked with the generators, but that was the extent of it. But there was no 'They're going to be the police force' or anything like that. That's all bollocks."[3] Hell's Angel member Sweet William recalled this exchange between himself and Cutler at a meeting prior to the concert, where Cutler had asked them to do security:

"We don't police things. We're not a security force. We go to concerts to enjoy ourselves and have fun."
"Well, what about helping people out - you know, giving directions and things?"
"Sure, we can do that."

When Cutler asked how they would like to be paid, William replied, "we like beer."[4] Other accounts verify that the initial arrangement was for the Angels to watch over the equipment, but that Cutler later moved the Angels, and their beer, near the stage in order to settle them down or to protect the stage. Hells Angels had provided security at Grateful Dead shows in the past without reported violence, and some have speculated that the Rolling Stones thought that their experience with the Angels would be a peaceful affair[citation needed].

Crowd management proved to be difficult: many spectators were injured and four died. Over the course of the day, the Hells Angels became increasingly agitated and violent. They had been drinking alcohol and taking drugs; and they may have been concerned at having to control such an enormous crowd[citation needed]. In addition, at least one witness stated that the group of Angels at the concert were relatively young and inexperienced and that "their leaders weren't there". [5] The Angels used sawed-off pool cues in order to control the crowd. After one of the Angels' motor bikes was knocked over, the Angels became even more aggressive, even toward the performers onstage. Marty Balin of Jefferson Airplane was knocked unconscious following an altercation with an Angel on stage as seen in the documentary film Gimme Shelter.[6] The Grateful Dead refused to play following the Balin incident, and left the venue.

The organizers hoped to ease tensions in the crowd by having the Stones perform early, but it took hours before the Stones could take the stage. Accusations that Mick Jagger did not want to take the stage during daylight hours due to the filming of the concert have been voiced in the past, but in commentary on the official Gimme Shelter DVD, it is reported that Stones bassist Bill Wyman was having difficulties reaching the venue.

Meredith Hunter
Meredith Hunter

The most famous death was that of Meredith Hunter. Hunter, an 18-year-old black man, became involved in an altercation with some Hells Angels and drew a long-barreled revolver. It is clear that Hunter drew and fired his weapon before he was stabbed the first time. He was stabbed five times in total and kicked to death during the Rolling Stones' performance. His graphic death near the stage was clearly captured on film by three separate cameras. The killer, Alan Passaro, was arrested and tried for murder in the summer of 1972, but was acquitted after a jury concluded he acted in self-defense because Hunter was carrying a handgun, drew it, and allegedly pointed it at the stage. It was also alleged that Hunter was under the influence of methamphetamine.

Footage from Gimme Shelter shows that while the Rolling Stones were ending "Under My Thumb," Hunter was approaching the stage and drawing his gun; Passaro subsequently parried the gun with his left hand and stabbed Hunter in the upper back with his right. The same footage also gives a glimpse of audience members and some of the Angels on the Stones' stage at the time. This incident is detailed in Rolling Stone.[7]

There have also been rumors, over the years, that a second, unidentified assailant had inflicted the fatal wounds, and, as a result, the police considered the case still open. On 25 May 2005, however, the Alameda County Sheriff's Office announced that it was officially closing the stabbing case. Investigators, concluding a renewed two year investigation, dismissed the theory that a second Hells Angel took part in the stabbing. [8]

Various news agencies reported the event as a "drug induced riot." The Rolling Stones had to interrupt their performance numerous times.Unaware that Hunter's stabbing was fatal, the Stones decided to continue to prevent a possible riot.

The Altamont concert is often contrasted to the Woodstock festival that took place four months earlier, and is sometimes said to mark the end of the hippie era, of the innocence embodied by Woodstock, or the de facto end of the 1960s. Critics called the tragedy the "Death of the Woodstock Nation" and all future rock concerts were banned at the site.

Several Grateful Dead songs were written about — or in response to — what lyricist Robert Hunter called "the Altamont affair," including "New Speedway Boogie" (featuring the line "One way or another, this darkness got to give") and "Mason's Children." Both songs were written and recorded during sessions for the early 1970 album Workingman's Dead, but "Mason's Children" was viewed as too "popular" stylistically and was consequently not included on the album. A later Dead song, "My Brother Esau," contains the line "My brother Esau killed a hunter / Back in 1969," was known to be a commentary on the Viet Nam war, but in the sixties and since, some believe it to be a reference to the death of Meredith Hunter.

  1. ^ Wyman, p. 352
  2. ^ Gimme Shelter
  3. ^ McNally, p. 344
  4. ^ Ibid.
  5. ^ Unidentified witness, possibly Paul Kantner, quoted in Negativland's "How Radio Was Done: Episode 36". Over the Edge April 20, 2007, audio stream accessed 2007-08-28.
  6. ^ Albert Maysles, David Maysles and Charlotte Zwerin, directors. Gimme Shelter[1]
  7. ^ Burks, John, "Rock & Roll's Worst Day: The aftermath of Altamont", Rolling Stone, 1970-02-07, URL retrieved 2007-04-18.
  8. ^ USA TODAY, Investigators close decades old Altamont killing case

  • McNally, Dennis. A Long Strange Trip: the Inside History of the Grateful Dead (First Edition), 2002. ISBN 0-7679-1185-7
  • Wyman, Bill. Rolling with the Stones (First Edition), 2002. ISBN 0-7894-8967-8



Advanced Search
Included Web Search Engines


Safe Search

close

Top Matching Results

Occasionally Search.com will highlight specialized results that are based on the context of your query. Examples of specialized results include specific links to news, images, or video.

Top Matching Results may highlight information from other Search.com pages, content from the CNET Network of sites, or third party content. The listings are based purely on relevance. Search.com does not receive payment for listings in this section but our partners that provide this data may get paid for listing these products.

Sponsored Links

This section contains paid listings which have been purchased by companies that want to have their sites appear for specific search terms and related content. These listings are administered, sorted and maintained by a third party and are not endorsed by Search.com.

Search Results

Search.com sends your search query to several search engines at one time and integrates the results into one list which has been sorted by relevance using Search.com's proprietary algorithm. You can customize the list of search engines included in your metasearch from the preferences.

The search engines that are used in your metasearch may allow companies to pay to have their Web sites included within the results. To view the Paid Inclusion policy for a specific search engine, please visit their Web site. Search.com does not accept payment or share revenue with any search engine partner for listings in this section.