Anglo-American music

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Music of the United States
History - Education
(Timeline: –1930/1930–1970/1970–)
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The Thirteen Colonies of the original United States were all former English possessions, and Anglo culture became a major foundation for American folk and popular music.


Many American folk songs use the same music, but with new lyrics, often as parodies of the original material. American Anglo songs can also be distinguished from British songs by having fewer pentatonic tunes, less prominent accompaniment (but with heavier use of drones) and more melodies in major [1].

Anglo-American traditional music, dating back to colonial times, includes a variety of broadside ballads, humorous stories and tall tales, and disaster songs regarding mining, shipwrecks (especially in New England) and murder. Folk heroes like Joe Magarac, John Henry and Jesse James are also part of many songs. Folk dance of Anglo origin include the square dance, descended from the European high society quadrille, combined with the American innovation of a caller instructing the dancers [2]. Sea shanties are an important part of Anglo-American music [3]

Folklorist Alan Lomax described regional differences among rural Anglo musicians as included the relaxed and open-voiced northern vocal style and the pinched and nasal southern style, with the west exhibiting a mix of the two. He attributed these differences to sexual relations, the presence of minorities and frontier life [4].

  • Burk, Cassie, Virginia Meierhoffer and Claude Anderson Phillips (1942). America's Musical Heritage. Laidlaw Brothers. 
  • Lomax, Alan (1960). The Folksongs of North America in the English Language. Doubleday and Company. ; cited in Nettl
  • Nettl, Bruno (1965). Folk and Traditional Music of the Western Continents. Prentice-Hall, Inc. 

  1.   Nettl, pg. 201
  2.   Nettl, pgs. 201-202
  3.   Burk, Meierhoffer and Phillips
  4.   Lomax, pg. 1, cited in Nettl, pg. 202
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