Annie Get Your Gun (musical)

From Wikipedia, the free encyclopedia

Jump to: navigation, search
This article is about the musical. For the film see Annie Get Your Gun (film). For the Squeeze single, see Annie Get Your Gun (song).
Annie Get Your Gun
Broadway 1946 Original Cast Album
Music Irving Berlin
Lyrics Irving Berlin
Book Herbert Fields
Dorothy Fields
Productions 1946 Broadway
1947 West End
1947 U.S. Tour
1947 Australia
1966 Broadway revival

1992 West End
1999 Broadway revival
2000 U.S. Tour

Awards Tony Award for Best Revival

Annie Get Your Gun is a musical with lyrics and music written by Irving Berlin and a book by Herbert Fields and his sister Dorothy Fields. The story is a fictionalized version of the life of Annie Oakley (1860-1926), who was a sharpshooter from Ohio, and her husband, Frank Butler.[1]

Berlin had taken on the job after the original choice, Jerome Kern, collapsed and died suddenly. It is said that the showstopper song, "There's No Business Like Show Business", was almost left out of the show altogether because Berlin, wrongly, got the impression that the producers, Richard Rodgers and Oscar Hammerstein II, did not like it. The original 1946 production was a hit and had long runs in both New York and London, spawning many revivals, a 1950 film version and television versions. Other songs that became hits include "Doin' What Comes Natur'lly", "You Can't Get A Man With A Gun", "They Say It's Wonderful", "Anything You Can Do".

Contents

When a traveling Wild West show visits her town, Annie Oakley enters a shooting contest, wins, and is asked to join the show. She has fallen in love with the star of the show, Frank Butler, and agrees to join, although she has no idea what "show business" is—she is informed with the classic song, "There's No Business Like Show Business". Over the course of the musical, Frank, although insisting that the girl he wants will "wear satin... and smell of cologne" ("The Girl That I Marry"), becomes enamoured of the tomboyish Annie. Unfortunately, his ego is bruised and he becomes jealous when Annie becomes a star, and he walks out on her.

After various complications, which keep Annie and Frank apart, they come together again, only to have one last shooting duel in the finale—"Anything You Can Do". Annie deliberately loses to Frank to soothe his ego, and they go off together. (In the 1999 revival, the match ends in a tie.)

  • Annie Oakley—a sharpshooter in the Wild West show
  • Frank Butler—the Wild West show's star
  • Foster Wilson—hotel owner
  • Chief Sitting Bull—Sioux warrior; Annie's protector, but used by Pawnee Bill's competing show
  • Tommy Keeler—knife-thrower in the Wild West show; Winnie's boyfriend; part Native American
  • Charlie Davenport—manager of the Wild West show
  • Winnie Tate—Dolly's sister; Tommy's girlfriend and his assistant in the knife-throwing act
  • Col. Wm. F. Cody (Buffalo Bill)—owner of the Wild West show
  • Dolly Tate—Frank's assistant; Winnie's sister
  • Pawnee Bill—owner of a competing western show
  • Nellie—Annie's sister
  • Jessie—Annie's sister
  • Little Jake—Annie's brother
  • Minnie—Annie's sister (written out of the 1999 revival[2])

Act I
Act II

  • "An Old-Fashioned Wedding" was written by Berlin for the 1966 revival, sung by Annie and Frank, and was also included in the 1999 revival
  • "Let's Go West Again" was written by Berlin for the 1950 film but was not used. However, there are recordings by both Betty Hutton and Judy Garland

Annie Get Your Gun was first staged on Broadway at the Imperial Theater on May 16, 1946 and ran for 1,147 performances. Directed by Joshua Logan, Ethel Merman starred as Annie Oakley with Ray Middleton in the leading male role as Frank Butler. Foster Wilson was played by Art Barnett, Chief Sitting Bull was Harry Bellaver, Tommy Keeler was Kenneth Bowers, Charlie Davenport was Marty May, and Buffalo Bill Cody was William O'Neal.

The show opened on the West End at the Coliseum on June 7, 1947 and ran for 1,304 performances. Dolores Gray played Annie with Bill Johnson as Butler.

The first Australian production opened at His Majesty's Theatre in Melbourne, Australia, on July 19, 1947. It starred Evie Hayes as Annie with Webb Tilton as Frank Butler. Later Australian productions have featured Gloria Dawn, Nancye Hayes, Toni Lamond, Bunny Gibson and Rhonda Burchmore as Annie.

Mary Martin starred as Annie Oakley in a U.S. national tour, which started on October 3, 1947 in Dallas, Texas. Other cities the touring company played were Chicago and Los Angeles. Martin left the tour in mid-1948. (New York Times, October 4, 1947 and April 26, 1948)

There is a 1963 studio recording starring Doris Day and Robert Goulet.

The 1966 Broadway revival starred Ethel Merman reprising her role as "Annie", with Bruce Yarnell as "Frank Butler" and Jerry Orbach as "Charles Davenport". It opened first at the Music Theater of Lincoln Center. It was transferred to the Broadway Theatre on September 21 and ran for 78 performances.

This production was telecast in an abbreviated ninety-minute version by NBC on March 19, 1967 and is the only musical revived at Lincoln Center during the 1960s to be telecast.

1999 revival Playbill This image is a candidate for speedy deletion. It will be deleted after seven days from the date of nomination.
1999 revival Playbill
This image is a candidate for speedy deletion. It will be deleted after seven days from the date of nomination.

With a revised book and new orchestrations, the 1999 revival had a pre-Broadway engagement from December 29, 1998 to January 24, 1999 at the Kennedy Center in Washington, D.C. Previews began on Broadway on February 2, 1999 at the Marquis Theatre, with an official opening date of March 4, 1999. This revival starred Bernadette Peters as "Annie" and Tom Wopat as "Frank Butler", with direction by Graciela Daniele and choreography by Jeff Calhoun. Peters won the 1999 Tony Award for Best Actress (Musical) and the production won the 1999 Tony Award for Best Revival of a Musical.

This production was structured as a "show-within-a-show" and opened with "Frank Butler" alone on stage introducing the main characters and singing "There's No Business Like Show Business", which is reprised when "Annie" agrees to join the traveling Wild West show. The production dropped several songs (including "Colonel Buffalo Bill", "I'm A Bad, Bad Man", and "I'm an Indian Too"), but included "An Old-Fashioned Wedding". There were several major dance numbers added, including one for "I Got the Sun in the Morning". A sub-plot, which had been dropped from the 1966 revival, involving the romance between Winnie, the young sister of Frank Butler's assistant and Tommy, her part-Native-American boyfriend was also included, and Winnie is Dolly's sister rather than her daughter.

While Peters was on vacation, All My Children star Susan Lucci made her Broadway debut as Annie from December 27, 1999 until Jan. 16, 2000; Peters returned on January 18, 2000. Cheryl Ladd took over the lead role on September 6, 2000 from Peters. Country music superstar Reba McEntire made her Broadway debut in the role from January 26, 2001 to June 22, 2001 opposite Brent Barrett as Frank Butler. Crystal Bernard left the national tour on June 23, 2001 to join the Broadway cast with tickets selling at the 70 percent of capacity range through most of the summer. The revival closed on September 1, 2001 after 35 previews and 1,046 regular performances.

The U. S. national tour started in Dallas on July 25, 2000 with Marilu Henner as Annie and Rex Smith as Frank.[3]

In 2004, Marina Prior and Scott Irwin starred in an Australian production of the 1999 Broadway rewrite of the show.

In 2006, the Prince Music Theater, in Philadelphia, PA, revived the 1966 Lincoln Center Theater version, running for one month. This production starred Andrea McArdle (the original Annie of the 1977 Broadway musical Annie), Jeffrey Coon as Frank Butler, John Scherer as Charlie Davenport, Chris Councill as Buffalo Bill, Mary Martello as Dolly Tate and Arthur Ryan as Sitting Bull. The production was well received by both critics and audience. The production was directed by Richard M. Parison, Jr. and choreographed by Mercedes Ellington with music direction by Eric Barnes.[4]

In 1950, Metro Goldwyn Mayer made a well-received movie version of the musical. In 1957, a production starring Mary Martin as Annie and John Raitt as Frank Butler was broadcast on NBC. In 1967, the Lincoln Center production described above, starring Ethel Merman and Bruce Yarnell, was broadcast on NBC.

  1. ^ A number of Internet sources claim that the musical is based on Walter Havighurst's book Annie Oakley of the Wild West, but the book was written in 1954, eight years after the musical was first produced.
  2. ^ In the 1999 revival, Annie had three siblings rather than four.
  3. ^ http://www.playbill.com/news/article/54368.html
  4. ^ http://www.playbill.com/news/article/103883.html

Awards
Preceded by
Cabaret
Tony Award for Best Revival of a Musical
1999
Succeeded by
Kiss Me, Kate
Advanced Search
Included Web Search Engines


Safe Search

close

Top Matching Results

Occasionally Search.com will highlight specialized results that are based on the context of your query. Examples of specialized results include specific links to news, images, or video.

Top Matching Results may highlight information from other Search.com pages, content from the CNET Network of sites, or third party content. The listings are based purely on relevance. Search.com does not receive payment for listings in this section but our partners that provide this data may get paid for listing these products.

Sponsored Links

This section contains paid listings which have been purchased by companies that want to have their sites appear for specific search terms and related content. These listings are administered, sorted and maintained by a third party and are not endorsed by Search.com.

Search Results

Search.com sends your search query to several search engines at one time and integrates the results into one list which has been sorted by relevance using Search.com's proprietary algorithm. You can customize the list of search engines included in your metasearch from the preferences.

The search engines that are used in your metasearch may allow companies to pay to have their Web sites included within the results. To view the Paid Inclusion policy for a specific search engine, please visit their Web site. Search.com does not accept payment or share revenue with any search engine partner for listings in this section.