Aria (film)

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Aria

Theatrical release poster
Directed by Robert Altman
Bruce Beresford
Bill Bryden
Jean-Luc Godard
Derek Jarman
Franc Roddam
Nicolas Roeg
Ken Russell
Charles Sturridge
Julien Temple
Produced by Don Boyd
Written by Robert Altman
Bruce Beresford
Don Boyd
Bill Bryden
Louis de Cahusac
Derek Jarman
Philippe Quinault
Franc Roddam
Nicolas Roeg
Ken Russell
Charles Sturridge
Julien Temple
Starring Theresa Russell
Beverly D'Angelo
Elizabeth Hurley
Bridget Fonda
Tilda Swinton
Music by Giuseppe Verdi
Gustave Charpentier
Giacomo Puccini
Erich Wolfgang Korngold
Cinematography Christopher Hughes
Editing by Neil Abrahamson
Distributed by Miramax Films
Release date(s) September 15, 1987
Running time 90 min
Country Flag of the United Kingdom United Kingdom
Language Italian
French
German
IMDb profile

Aria is a 1987 British film produced by Don Boyd from Virgin Group's visual section consisting of ten short films by a variety of directors.

Each segment features its director's visual accompaniment to arias and scenes from operas. Each film has minimal dialogue (some none at all), with most of the spoken content being the operas' lyrics (libretto) in Italian, French, or German.

The music archive source was RCA Records (which at the time included Erato Records, but later that label went to Warner Music; RCA is now a part of Sony BMG, so this film's music rights are complicated).

Contents

The narrative chronicles the attempted assassination of Albania's King Zog in 1931.

Three London teenagers skip school, steal a car and die in a traffic accident.

A look at French bodybuilders.

At San Luis Obispo's famous Madonna Inn, a movie producer cheats on his wife unaware that she, too, is there with a clandestine lover of her own. Finally, both philanderers are revealed to each other via security-camera footage.

A look at the seemingly-dead city of Bruges, Belgium. A beautiful virgin is stripped naked by her lover and, after she expresses her affection for him, she loses her virginity to him.

A re-creation of opening night at Paris's Ranelagh Theater, in 1734. The audience is filled with a raffish (and, perhaps, diseased) assortment of lowlifes and the decadent.

Two young lovers arrive in Las Vegas. After driving down Glitter Gulch, they check into a cheap hotel room. There they make love and, after that, commit suicide.

A lovely young girl imagines her body is being adorned by jewels until she wakes up in an operating room, where she is receiving emergency care after a car crash.

A veteran opera singer gives her final performance, intercut by 8mm home movies of an early love affair.

A has-been virtuoso remembers his happier days while arriving at an opera house, visiting the dressing room, and performing the aria for his audience of one. (This story provides a framework for the rest of the movie.)

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