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Arlene Croce
From Wikipedia, the free encyclopedia
Arlene Croce (born 1934) was a dance critic for The New Yorker magazine from 1973 to 1998. Prior to her long career as a dance writer, she also wrote film criticism for Film Culture and other magazines. The keynote of her criticism can be grasped from her ability to evoke kinesthetic movement and expressive images in her writing. She considers ballet to epitomize the highest form of dance, and is a fan of Fred Astaire. Her writings on dance are available in several books, and a sampling of her film criticism can be found in the anthology, American Movie Critics: An Anthology From the Silents Until Now. A review of her The Fred Astaire & Ginger Rogers Book can be found in Pauline Kael's collection of movie reviews, Reeling.
- The Fred Astaire & Ginger Rogers Book
- Afterimages
- Going to the Dance
- Sight Lines
- Writing in the Dark, Dancing in 'The New Yorker' (2000)
- American Movie Critics: An Anthology From the Silents Until Now (2006), edited by Phillip Lopate — contains her reviews on the films Pather Panchali and Aparajito as well as a selection from The Fred Astaire & Ginger Rogers Book.
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