Basilisk

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Woodblock print of a basilisk from Ulisse Aldrovandi, Monstrorum historia, 1642
Woodblock print of a basilisk from Ulisse Aldrovandi, Monstrorum historia, 1642
Cityseal of Zwolle from 1295 with Saint-Michael killing a basilisk
Cityseal of Zwolle from 1295 with Saint-Michael killing a basilisk

In European bestiaries and legends, a basilisk (from the Greek βασιλίσκος basiliskos, a little king, in Latin Regulus) is a legendary reptile reputed to be king of serpents and said to have the power of causing death by a single glance. According to the Naturalis Historia of Pliny the Elder, the basilisk is a small snake that is so venomous that it leaves a wide trail of deadly venom in its wake, and its gaze is likewise lethal.

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There are three descriptions to the image of the basilisk: a huge lizard, a giant snake or a three-foot high cockerel with a snake's tail and teeth, all of which are shared with the cockatrice. It is called "king" because it is reputed to have on its head a mitre- or crown-shaped crest. Stories of the basilisk place it in the same general family as the cockatrice. The basilisk is fabulously alleged to be hatched by a cockerel from the egg of a serpent (the reverse of the cockatrice, which was hatched from a hen's egg incubated by a serpent's nest). In Medieval Europe, the description of the creature began taking on features from cockerels.

Bede was the first to acknowledge the legend how a basilisk gets born from an egg by an old rooster, then other authors added the condition of Sirius is ascendant. Isidore of Seville defined the basilisk as the king of snakes, which dare him for his dangerous glare and its poisonous breath. Alexander Neckham was the first to say that not the glare but the "air corruption" was the killing tool of the basilisk, a theory developed one century later by Pietro d'Abano. Theophilus Presbyter dedicates a longe recipe in his book about how to create a basilisk to use to convert copper into "Spanish gold" (De auro hyspanico).

Albertus Magnus in the De animalibus wrote about the killing gaze of the basilisk, but he denied other legends, such as the rooster hatching the egg. He gave as source of those legends Hermes Trismegistus, who is credited also as the creator of the story about the basilisk's ashes being able to convert silver into gold: the attribution is absolutely incorrect, but it shows how the legends of the basilisk were already linked to alchemy in XIII century.

Geoffrey Chaucer featured a basilicok (as he called it) in his Canterbury Tales. According to some legends, [attribution needed] basilisks can be killed by hearing the crow of a rooster or gazing at itself through a mirror.

Stories gradually added to the basilisk's deadly capabilities, such as describing it as a larger beast, capable of breathing fire and killing with the sound of its voice. Some writers even claimed that it could kill not only by touch, but also by touching something that is touching the victim, like a sword held in their hand. Also, some stories claim their breath is highly toxic and will cause death, usually, immediately. The Basilisk is also the guardian creature of the Swiss city Basel.

The basilisk was, however, believed to be vulnerable to roosters. Travellers in the Middle Ages sometimes carried roosters with them as protection.[1]

Leonardo da Vinci included a Basilisk in his Bestiary saying it is so utterly cruel that when it cannot kill animals by its baleful gaze, it turns upon herbs and plants, and fixing its gaze on them withers them up. In his Notebooks, he even describes the basilisk: "This is found in the province of Cyrenaica and is not more than 12 fingers long. It has on its head a white spot after the fashion of a diadem. It scares all serpents with its whistling. It resembles a snake, but does not move by wriggling but from the centre forwards to the right. It is said that oneof these, being killed with a spear by one who was on horse-back, and its venom flowing on the spear, not only the man but the horse also died. It spoils the wheat and not only that which it touches, but where it breathes the grass dries and the stones are split."

Then, Leonardo says the following on the weasel: "This beast finding the lair of the basilisk kills it with the smell of its urine, and this smell, indeed, often kills the weasel itself. " In Richard III, William Shakespeare had a widow, on hearing the compliments to her eyes from her husband's brother and murderer, retort that she wishes they were a basilisk's, to kill him.[2] Percy Bysshe Shelley in his "Ode to Naples" thus uses an allusion to the basilisk: "Be thou like the imperial basilisk, Killing thy foe with unapparent wounds! Gaze on oppression, till at that dread risk, Aghast she pass from the earth’s disk. Fear not, but gaze,- for freemen mightier grow, And slaves more feeble, gazing on their foe. "

A basilisk is mentioned in the chapter XVI of The Zadig, by Voltaire.

Some have speculated a euhemeristic explanation for the basilisk, in particular that reports of cobras may have given birth to the stories of the monster. The king cobra or Hammadryad has a crownlike symbol on its head and, as with many snakes in overlapping territories, is often killed by mongooses. Another family of eleven species of cobras can incapacitate by spitting venom, and may well have been confused by similar appearance with the Hammadryad. The Egyptian cobra lives in the desert and was used as a symbol of royalty.

There is in fact a small lizard called the Common Basilisk (Basiliscus basiliscus), though it shares none of the attributes of the legendary creature, save a frill resembling a crown.

For basilisks in the Dungeons & Dragons fantasy role-playing game, see Basilisk (Dungeons & Dragons).

Basilisks have been re-imagined and employed in modern fantasy fiction for books, movies, and role-playing games, with wide variations on the powers and weaknesses attributed to them.

  • (in Italian) Il sacro artefice, Paolo Galloni, Laterza, Bari 1998 (about the hystorical background of basiliscus during the Middle Ages).
  1. ^ David Colbert, The Magical Worlds of Harry Potter, p 36, ISBN 0-9708442-0-4
  2. ^ David Colbert, The Magical Worlds of Harry Potter, p 36, ISBN 0-9708442-0-4

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