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Ben-Hur
Film poster
Directed by	William Wyler
Produced by	Sam Zimbalist William Wyler
Written by	Karl Tunberg, Gore Vidal (uncredited), Christopher Fry (uncredited)
Starring	Charlton Heston, Jack Hawkins, Haya Harareet, Stephen Boyd, Hugh Griffith
Music by	Miklós Rózsa
Distributed by	Metro-Goldwyn-Mayer
Release date(s)	November 18, 1959 (premiere in NYC) December 16, 1959
Running time	212 min.
Language	English
Budget	$15,000,000 (approx. $109,000,000 [2006])
All Movie Guide profile
IMDb profile

Ben-Hur is a 1959 epic film directed by William Wyler, and is the third version of Lew Wallace's novel, Ben-Hur: A Tale of the Christ (1880). It premiered at Loews Theater in New York City on November 18, 1959. The film went on to win eleven Academy Awards, including Best Picture, a feat equaled only by Titanic (1997) and The Lord of the Rings: Return of the King (2003).

Contents 1 Plot 2 Cast 3 Production 3.1 Financing 3.2 Aspect ratio 3.3 Casting 3.4 The galley sequence 3.5 The chariot race 3.6 Possible homosexual subtext 4 Differences between novel and film 5 Awards and recognition 6 DVD release 6.1 2001 release (2-Disc release in some countries, a 2 sided disc in the U.S.) 6.2 2005 release (4-Disc) 7 References 8 External links

Judah Ben-Hur is a rich merchant of noble blood in Jerusalem at the beginning of the first century A.D. Preceding the arrival of a new governor, Ben-Hur's childhood friend Messala arrives as military commanding officer of the Roman garrison. At first Ben-Hur and Messala are happy to meet after years apart, but their different political views separate them; Messala believes in the glory of Rome and worldly imperial power, while Ben-Hur is devoted to his faith and the Jewish people. During the welcoming parade for the new Roman governor, a roofing tile falls down from Ben-Hur's house and startles the governor's horse, nearly killing him. Although Messala knows that it was an accident, he sends Ben-Hur to the galleys and throws Miriam, his mother, and Tirzah, his sister into prison in order to intimidate the restive Jewish populace by punishing a powerful local family and good friend. Ben-Hur swears to come back and take revenge. En route to the sea, he is denied water when his slave gang arrives at Nazareth. He collapses, having lost the will to live, when an as-yet unknown Jesus Christ gives him water and a motivation to survive.

After three years as a galley slave, the ship to which Ben-Hur is assigned becomes the flagship of Quintus Arrius, sent by the Emperor to destroy a fleet of Macedonian pirates. Ben-Hur's new commander notices his resolve and will to survive, although he declines the offer to transfer to Arrius' gladiatorial team, declaring that God will aid him.

The pirates attack the Roman galley and Arrius' galley is sunk, but Ben-Hur manages to save the life of Arrius, twice preventing him from killing himself. They are soon rescued by the victorious Roman fleet, and Arrius adopts Ben-Hur as his son. Thus regaining his freedom and wealth, and having learned Roman ways (including becoming an expert charioteer), he eventually returns to Judea, where he demands that Messala free his mother and sister. When the soldiers enter the cell, they discover that Miriam and Tirzah have become lepers, and turn them out of the city. Ben-Hur is told by Esther, his love interest, who knows the truth, that his mother and sister died in prison. The Arab sheik Ildeerim, who has befriended him, owns four magnificent white horses, and wishes them to be well-trained. So, he asks Ben-Hur to drive his chariot, and Ben-Hur, learning that Messala is considered the finest charioteer in Judea, defeats his former friend in a chariot race before the new governor, Pontius Pilate. Messala, who attempts to cheat his way to victory, is mortally wounded in the race, but tells Ben-Hur where he can find his mother and sister: in the "valley of the lepers,". Although he has accomplished his goal of revenge on Messala, Ben-Hur's soul remains tormented.

The film is subtitled "A Tale of the Christ", and it is at this point that Jesus' presence is substantially increased. After Ben-Hur sees Esther speaking to his mother and sister in the leper colony, he upbraids her for making him believe that they were dead. Esther witnesses the Sermon on the Mount and is moved by Christ's words. She tells Ben-Hur about it, but he is completely bitter and will not be consoled. Learning that Tirzah his sister is dying, they take her and Ben-Hur's mother to see Jesus, but they cannot get near him, as his trial has begun. Recognizing Jesus from his encounter with him as he was being taken to the galleys, Ben-Hur attempts to give him water during his march to Calvary, echoing Jesus' kindness to him, but is shoved away by the guards. Ben-Hur witnesses the Crucifixion. Immediately after Christ's death, Ben-Hur's mother and sister are healed by a miracle, as are his own heart and soul. He tells his family that as he heard Jesus talk of forgiveness while on the cross, saying, "I felt His voice take the sword out of my hand". The film, which began with the Magi visiting the infant Jesus, ends with the empty crosses of Calvary in the background and a shepherd and his flock (a prominent Judeo-Christian symbol) in the foreground.

Actor	Role
Charlton Heston	Ben-Hur
Jack Hawkins	Quintus Arrius
Haya Harareet	Esther
Stephen Boyd	Messala
Hugh Griffith	Sheik Ilderim
Martha Scott	Miriam
Cathy O'Donnell	Tirzah
Sam Jaffe	Simonides
Finlay Currie	Balthasar, and narrator of pre-credits sequence
Terence Longdon	Drusus, Messala's assistant
Frank Thring	Pontius Pilate
Claude Heater	Jesus (uncredited)

Ben-Hur was an extremely expensive production, requiring 300 sets scattered over 340 acres (1.4 km²). The $15 million production was a gamble made by MGM to save itself from bankruptcy; the gamble paid off when it earned a whopping total (in its time) of $75 million.

The movie was filmed in a process known as "MGM Camera 65", 65mm negative stock from which was made into a 70mm anamorphic print with an aspect ratio of 2.76:1, one of the widest prints ever made, having a width of almost three times its height. A special lens which produced a 1.25X compression was used along with a 65mm negative (whose normal aspect ratio was 2.20:1) to produce this extremely wide aspect ratio. This allowed for spectacular panoramic shots in addition to six-channel audio. In practice, however, "Camera 65" prints were shown in an aspect ratio of 2.5:1 on most screens, so that theaters were not required to install new, wider screens or use less than the full height of screens already installed.

Many other men were offered the role of Ben-Hur before Charlton Heston. Burt Lancaster claimed he turned down the role of Ben-Hur because he "didn't like the violent morals in the story". Paul Newman turned it down because he said he didn't have the legs to wear a tunic. Rock Hudson was also offered the role.

Out of respect, the face of Jesus is never shown. He was played by an old friend of director Wyler, Claude Heater, who received no credit for his only film role.

The original design for the boat Ben-Hur is enslaved upon was so heavy that it couldn't float. The scene therefore had to be filmed in a studio, but another problem remained: the cameras didn't fit inside, so the boat was cut in half and made able to be wider or shorter on demand. The next problem was the oars were too long, so those were cut too; however, this made it look unrealistic, because the oars were too easy to row; so weights were added to the ends.

During filming, director Wyler noticed that one of the extras was missing a hand. He had the man's stump covered in blood, with a false bone protruding from it, to add realism to the scene when the galley is rammed. Wyler made similar use of another extra who was missing a foot.

The galley sequence contains one of the best-known lines that is not in the film: "Hortator, ramming speed!" (In fact, Quintus Arrius gave two successive commands: "Attack speed, Hortator" and "Ramming speed!") Curiously, the word hortator, although recalled by many who have seen this movie, and actually defined in the eponymous novel, does not appear in either the American Heritage Dictionary or the Random House Dictionary. Although it is in the Oxford English Dictionary, the only citation listed is that from the book of Ben Hur itself.

Even by current standards, the chariot race in Ben-Hur is considered to be one of the most spectacular action sequences ever filmed. Filmed at Cinecittà Studios outside Rome long before the advent of computer-generated effects, it took over three months to complete, using 8000 extras on the largest film set ever built, some 18 acres (73,000m²). Eighteen chariots were built, with half being used for practice. The race took five weeks to film. Tour buses visited the set every hour.

The large "island" in the middle of the stadium is fictional. It was designed to aid filmmaking, since a backdrop of a stone wall is cheaper to film than a backdrop of thousands of extras. In a real stadium, such an island would prevent spectators from viewing the race properly.

Charlton Heston spent four weeks learning how to drive a chariot. He was taught by the stunt crew, who offered to teach the entire cast, but Heston and Boyd were the only ones who took them up on the offer (Boyd had to learn in just two weeks, due to his late casting). At the beginning of the chariot race, Heston shook the reins and nothing happened; the horses remained motionless. Finally someone way up on top of the set yelled, "Giddy-up!" The horses then roared into action, and Heston was flung backward off the chariot.

To give the scene more impact and realism, three lifelike dummies were placed at key points in the race to give the appearance of men being run over by chariots. Most notable is the stand-in dummy for Stephen Boyd's Messala that gets tangled up under the horses, getting battered by their hooves. This resulted in one of the most grisly death scenes in motion pictures at this time and shocked audiences.

There are several urban legends surrounding the chariot sequence, one of which states that a stuntman died during filming. Stuntman Nosher Powell claims in his autobiography, "We had a stunt man killed in the third week, and it happened right in front of me. You saw it, too, because the cameras kept turning and it's in the movie".^[1] There is no conclusive evidence to back up Powell's claim and it has been adamantly denied by director William Wyler, who states that neither man nor horse was injured in the famous scene. The movie's stunt director, Yakima Canutt stated that no serious injuries or deaths occurred during filming. ^[2]

Another urban legend states that a car can be seen during the chariot race; the book Movie Mistakes claims this is a myth.^[3]

However, one of the best-remembered moments in the race came from a near-fatal accident. When Ben-Hur's chariot jumps another which has crashed in its path, the charioteer is seen to be almost thrown from his mount and only just manages to hang on and climb back in to continue the race. In reality, while the jump was planned, the character being flipped into the air was not, and stuntman Joe Canutt, son of second unit director Yakima Canutt, was considered fortunate to escape with only a minor chin injury. Nonetheless, when director Wyler intercut the long shot of Canutt's leap with a close-up of Heston clambering back into his chariot, a memorable scene resulted.^[4]

This section does not cite any references or sources. Please improve this section by adding citations to reliable sources. Unverifiable material may be challenged and removed. (November 2007)

In interviews for the 1986 book Celluloid Closet, and later the 1995 documentary of the same name, screenwriter Gore Vidal asserts that he persuaded director Wyler to allow a carefully veiled homoerotic subtext between Messala and Ben-Hur. Vidal says his aim was to explain Messala’s extreme reaction to Ben-Hur’s refusal to name fellow Jews. Surely, Vidal argued, Messala should have been able to understand that Ben-Hur, his close friend since childhood, would not be willing to name the names of his fellow Jews to a Roman officer. Vidal suggested a motivation to Wyler: Messala and Ben-Hur had been homosexual lovers while growing up, and then separated for a few years while Messala was in Rome. When Messala returns to Judea, he wants to renew the relationship with Ben-Hur, but Ben-Hur is no longer interested. It is the anger of a scorned lover which motivates Messala’s vindictiveness toward Ben-Hur. Since the Hollywood production code would not permit this to appear on screen explicitly, it would have to be implied by the actors. Vidal suggested to Wyler that he would direct Stephen Boyd to play the role that way, but not tell Heston. Vidal claims that Wyler took his advice, and that the results can be seen in the film. Vidal is the only person ever to make this claim, and Heston insisted that Vidal had little to do with the final film. However, Vidal responded by producing extracts from Heston's 1978 biography "An Actor's Life", in which the star described Vidal authoring most of the final screenplay.

There are several differences between the original novel and the film. The changes made serve to make the film's storyline more immediately dramatic.

• The most striking difference is that Ben-Hur does not actually kill Messala, although the latter is seriously injured in the chariot race. In revenge for this, Messala plots to have Ben-Hur murdered, but his plans go wrong. It is revealed at the end of the novel that Iras (who is Messala's mistress and does not appear in the 1959 film) had murdered Messala in a fit of anger about five years after the chariot race.
• Another striking difference is that Ben-Hur becomes a convert to Christianity much sooner in the novel, not after the Crucifixion, and he does not display the harsh bitterness that he does in the William Wyler film. Similarly, the healing of Ben-Hur's mother and sister takes place earlier in the book, not immediately after the death of Christ.
• In the novel, the character of Quintus Arrius was acquainted with Ben-Hur's father, but in the movie there was no such prior association between the Arrius and Ben-Hur families. In the novel, Arrius dies and passes his property and title on to Ben-Hur prior to Ben-Hur's return home.
• The novel ends about five years after the chariot race, with the Ben-Hur family living in Rome. Learning that Sheik Ilderim (who does not die in any of the film versions of the novel) had bequeathed him a large amount of money, and learning of the persecution of Christians in Rome Ben-Hur helps establish the Catacomb of San Calixto so that the Christian community will have a place to worship freely. The movie however ends almost immediately after the Crucifixion of Christ and the healing of Ben-Hur's mother and sister.

The film won an unprecedented 11 Academy Awards, a number matched only by Titanic in 1997 and The Return of the King in 2003. It won Best Motion Picture, Best Leading Actor for Charlton Heston, Best Supporting Actor for Hugh Griffith, Best Director, Best Set Decoration, Color — Edward C. Carfagno, William A. Horning, and Hugh Hunt, Best Cinematography, Color, Best Costume Design, Color, Best Special Effects, Best Film Editing — John D. Dunning and Ralph E. Winters, Best Music, Scoring of a Dramatic or Comedy Picture and Best Sound. Additionally, the film was nominated for an Academy Award for Best Adapted Screenplay.

The film also won Golden Globe Awards: Best Motion Picture, Drama, Best Motion Picture Director, Best Supporting Actor in a Motion Picture for Stephen Boyd, and a Special Award to Andrew Marton for directing the chariot race sequence. It won the BAFTA Award for Best Film, the New York Film Critics Circle Award for Best Picture and the DGA award for Outstanding Directorial Achievement in a Motion Picture.

In 1998 the film ranked #72 on the American Film Institute list of the Best American Movies of All Time, and #56 at AFI's 100 Years... 100 Cheers. In 2001 the film ranked #49 on the American Film Institute list of the Most Thrilling American Movies. In 2004 the film was selected for preservation by the United States National Film Registry. In 2005 the music score of the film ranked #21 on the American Film Institute list of the Best Score of American Films. In 2007, AFI listed Ben-Hur at #100 for AFI's 100 Years... 100 Movies (10th Anniversary Edition).

Ben-Hur has been released to DVD on three occasions. The first was on March 13, 2001 as a two-disc set, the second on September 13, 2005 as a four-disc set, and the third as part of the Warner Brothers Deluxe Series.

Disc One & Two: The Movie + Extras

• Subtitles: English, Spanish, French
• Audio Tracks: English (Dolby Digital 5.1)
• Commentary by: Charlton Heston
• Documentary Ben-Hur: The Making of an Epic
• Newly discovered screen tests of the final and near-final cast including Leslie Nielsen, Cesare Danova, and Haya Harareet
• Addition of the seldom-heard Overture and Entr'acte music
• On-the-set photo gallery featuring Wyler, producer Sam Zimbalist, cameraman Robert Surtees, and others

Discs One & Two: The Movie

• Newly Remastered and Restored from Original 65mm Film Elements
• Dolby Digital 5.1 Audio
• Commentary by Film Historian T. Gene Hatcher with Scene Specific Comments from Charlton Heston
• Music-Only Track Showcasing Miklós Rózsa's Score
• Screen Tests
• Vintage Newsreels Gallery
• Highlights from the 1960 Academy Awards Ceremony
• Trailer Gallery

Disc Three: The 1925 Silent Version

• The Thames Television Restoration with Stereophonic Orchestral Score by Composer Carl Davis

Disc Four: About the Movies

• New Documentary: Ben-Hur: The Epic That Changed Cinema — Current filmmakers such as Ridley Scott and George Lucas reflect on the importance and influence of the film
• 1994 Documentary: Ben-Hur: The Making of an Epic Hosted by Christopher Plummer
• Directed by William Wyler — 1986 Emmy Award® -nominated documentary featuring the last interview with Wyler before his death
• Ben-Hur: A Journey Through Pictures — New audiovisual recreation of the film via stills, storyboards, sketches, music and dialogue
• 36 page booklet

• Ben-Hur at the Internet Movie Database
• Ben-Hur at Filmsite.org
• Getting It Right the Second Time — a comparative analysis of the novel, the 1925 film, and the 1959 film, at BrightLightsFilm.com

Awards
Preceded by Gigi	Academy Award for Best Picture 1959	Succeeded by The Apartment
Preceded by Room at the Top	BAFTA Award for Best Film from any Source 1960	Succeeded by The Apartment

v • d • e Academy Award for Best Picture: Winners (1941–1960)

1941: How Green Was My Valley · 1942: Mrs. Miniver · 1943: Casablanca · 1944: Going My Way · 1945: The Lost Weekend · 1946: The Best Years of Our Lives · 1947: Gentleman's Agreement · 1948: Hamlet · 1949: All the King's Men · 1950: All About Eve · 1951: An American in Paris · 1952: The Greatest Show on Earth · 1953: From Here to Eternity · 1954: On the Waterfront · 1955: Marty · 1956: Around the World in Eighty Days · 1957: The Bridge on the River Kwai · 1958: Gigi · 1959: Ben-Hur · 1960: The Apartment Complete List · Winners (1927–1940) · Winners (1961–1980) · Winners (1981–2000) · Winners (2001– )