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Ben Selvin (March 5, 1898 - July 15, 1980), son of Russian-immigrant Jewish parents, started his professional life at age 15 as a fiddle player in New York City night clubs. A husky lad, he looked older than he was and as such was permitted into such establishments.

A mere six years later, as leader of his own dance band, the "Novelty Orchestra," Selvin released the biggest-selling popular song in the first quarter-century of recorded music. That single, Dardanella, eventually went on to sell more than 5 million copies and an additional 2 million pieces of sheet music.

According to The Guinness Book of World Records and many other sources, Selvin is acknowledged as having recorded more musical sides (on 78-rpm discs) than any other person, living or dead. One reason for this prolific output is that he recorded for dozens of different labels during this high-growth time in the industry, using a different name (or slightly different name) for each label.
Selvin's output has been estimated at 13,000 to 20,000 song titles.

More information about Ben Selvin can be found at : http://www.redhotjazz.com/selvin.html

• From 1927-1934 was A&R Director for Columbia Records, where among the huge amount of records made under his supervision included scores of exceptionally well performed pop songs of the day with hot jazz solos by musicians like Manny Klein, Benny Goodman, Tommy Dorsey, Jimmy Dorsey, Joe Venuti, Eddie Lang, and Bunny Berigan, among others. Many of these specific recordings made during this period continue to be highly collected and prized.

• Had an instrumental part in the development of Muzak in the mid-1930s.
  

• Was Musical Director of Majestic Records beginning in 1947.
  

• Was a Vice-President and A&R Director (artists and repertoire) at Columbia Records in charge of the recordings of Frank Sinatra, Doris Day, Dinah Shore and Buddy Clark in the late '40s and early '50s.
  

• Was an A&R Director at RCA Victor in charge of the company's popular Camden Label.
  

• Became, post-retirement, a consultant to 3M (Minnesota Mining and Manufacturing Company), helping them during the transition from vinyl recordings to recordings on tape.
  

• He became known in his industry as The Dean of Recorded Music.