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Boy Soprano (or Treble, which refers to the highest part in written liturgical music) is a term applied in music to a young male singer with an unchanged voice in the soprano range.

In the liturgical Anglican and English Catholic traditions, young choristers are referred to by their voice part, treble, rather than boy soprano. The use of trebles (and falsettos) in Christian liturgical music can be traced back to pre-Christian times. Boys were called upon to sing chants at Jewish religious services. Saint Paul's dictum that "women should be silent in church" (mulier taceat in ecclesia) resonated with this largely patriarchal tradition; the development of vocal polyphony from the middle ages through the Renaissance and Baroque thus took place largely, though not exclusively, in the context of the all-male choir, in which all voice parts were sung by men and boys.

The recent emergence of liturgical choirs including young girls has led in these traditions to both a more inclusive definition of treble which includes the higher voices of children of either gender, and to the qualified expression "girl treble," though such usage has met with opposition.

As a boy approaches and begins to undergo puberty, the quality of his voice increasingly distinguishes itself from that typical of girls. Before and as the voice drops, a uniquely rich tone develops. This brief period of high vocal range and unique color forms much of the ground for the use of the boy soprano in both liturgical and secular music in the Western world and elsewhere. Occasionally boys whose voices have changed can continue to sing in the soprano range for a period of time.

While the girl's voice tends to develop gradually into the richness of the adult female voice, the voice of the boy is subject to the effects of the dropping of the larynx, also known as the breaking of the voice. The ultimate result of this profound change is that a new set of vocal ranges become available (see bass, baritone, tenor, contralto, sopranista; see also castrato).

It has been observed that boy sopranos in earlier times were, on average, somewhat older than in modern times. For example, Johann Sebastian Bach was considered to be an outstanding boy soprano until halfway through his sixteenth year, and Ernest Lough was 16 when he recorded his famous Hear My Prayer, but for a male to sing soprano with an unchanged voice at that age is currently fairly uncommon. In the developed world, puberty tends to begin at younger ages (most likely due to differences in diet, including greater availability of proteins and vitamins). It is also becoming more widely known that the style of singing and voice training within Cathedrals has changed significantly in the past century, making it more difficult for boys to continue singing soprano much beyond the age of 13 or 14.

• Peter Auty Sang Walking in the Air in the animated film The Snowman
• Aled Jones World famous Welsh boy soprano who is now a successful tenor.
• Paul Miles-Kingston Sang in Andrew Lloyd Webber's Requiem with Sarah Brightman
• Ernest Lough Sold millions with his rendition of O for the Wings of a Dove in 1927, recorded when he was 16 1/2.
• Anthony Way Starred and sang in the hit mini-series The Choir

• "Pie Jesu" by Gabriel Fauré from his Requiem
• "Hear My Prayer" by Felix Mendelssohn (containing the famous passage 'O for the Wings of a Dove')
• "Adonai" from Chichester Psalms by Leonard Bernstein
• "Pie Jesu" from Andrew Lloyd Webber
• "Miserere mei, Deus" by Gregorio Allegri

• American Boy Choir, USA
• The Choirboys, UK
• Libera, UK
• Texas Boys Choir, USA
• Tölzer Knabenchor (Tölz Boys' Choir), Munich, Germany
• Vienna Boys' Choir, Austria

• Anglican church music
• Choir
• List of choirs
• superius

• The Boy Choir & Soloist Directory
• Boychoirs--Past, Present and Future