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Broadcast Music, Incorporated (BMI) is a performing right organization. It collects license fees on behalf of its songwriters, composers, and music publishers and distributes them as royalties to those members whose works have been performed.

BMI was founded by radio executives in 1939 to provide competition in the field of performing rights, to assure royalty payments to writers and publishers of music not represented by the existing performing right organizations, and to provide an alternative source of licensing for all music users. The company was established as competition for ASCAP, which had dominated the music-licensing industries for decades.

A not-for-profit entity, BMI was the first performing rights organization in the United States to represent songwriters of blues, country, jazz, rhythm & blues, gospel, folk, Latin, and ultimately, rock & roll. During the 1940s and 1950s, BMI was the primary licensing organization for Country artists and R&B artists, while ASCAP centered on more established Pop artists. Also during this time, BMI expanded its repertoire of classical music and now represents the majority of the members of the prestigious American Academy of Arts and Letters and the winners of 29 Pulitzer Prizes for Music. ASCAP has slowly embraced more genres of music.

In recent years, BMI has set the benchmark for performing right collections and distributions. In 2007, it will distribute more than $732 million in royalties to the songwriters, composers and copyright owners it represents, an eight percent increase over the prior fiscal year. The rise in revenues is attributed to the company's robust music catalog, successful licensing of music across a diverse range of media, revenue growth in foreign markets, and aggressive targeting of businesses that sell music and may play for-sale music in a retail establishment. BMI also posted record-setting revenues of more than $839 million in 2007, up seven percent from the prior year. This milestone represents the highest annual revenues and royalty distributions ever reported by a performing rights society. BMI also announced that overhead dropped to 12.7 percent, the lowest in the company's history.

BMI issues licenses to users of music, including:

• television and radio stations and networks;
• new media, including the Internet and mobile technologies such as podcasts, ringtones and ringbacks;
• satellite audio services like XM and Sirius;
• nightclubs, discos, hotels, bars, and restaurants;
• symphony orchestras, concert bands, and classical chamber music ensembles
• digital jukeboxes;
• live concerts.

It tracks public performances 6.5 million works and collects and distributes licensing revenues for those performances as royalties to over 350,000 songwriters, composers and music publishers it represents, and thousands of creators around the world who have chosen BMI for representation in the U.S.

BMI annually hosts award shows for the purpose of giving awards to songwriters. [1]

• BMI Foundation
• Copyright collective
• Recording Academy

• BMI Official Web Site
• Searchable repertoire of BMI licensed material