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There are two types of bustles, one worn by women and found predominantly between the mid- to late 1800s, and a second type of bustle worn by Native American men as a part of the male dancer's regalia. A women's bustle is a type of framework used to expand the fullness or support the drapery of the back of a woman's dress. Bustles were worn under the skirt in the back, just below the waist, to keep the skirt from dragging. Heavy fabric tended to pull the back of a skirt down and flatten it. Thus, a woman's petticoated or crinolined skirt would lose its shape during everyday wear (from merely sitting down or moving about). The word "bustle" has become synonymous with the fashion to which the bustle was integral.

Contents 1 History 1.1 Transition from crinoline (1867-1872) 1.2 Early bustle (1869 - 1876) 1.3 Late bustle (1881 - 1887) 1.4 1888-1913 2 Fashion 3 Native American bustle 4 Gallery 5 References 6 See also

As the fashion for Crinolines wore on, their shape changed. Instead of the large bell like silhouette previously in vogue, they began to flatten out at the front and sides, creating more fullness at the back of the skirts. One type of crinoline, the crinolette, created a shape very similar to the one produced by a bustle. The excess skirt fabric created by this alteration in shape was looped around to the back, again creating increased fullness.

The bustle later developed into a feature of fashion on its own after the overskirt of the late 1860s was draped up toward the back and some kind of support was needed for the new draped shape. Fullness of some sort was still considered necessary to make the waist look smaller and the bustle eventually replaced the crinoline completely. The bustle was worn in different shapes for most of the 1870s and 1880s with a short period of non-bustled, flat-backed dresses from 1878 to 1882.

In the early stages of the fashion for the bustle, the fullness to the back of the skirts was carried quite low and often fanned out to create a train. The transition from the voluminous crinoline enhanced skirts of the 1850s and 1860s can be seen in the loops and gathers of fabric and trimmings worn during this period. The bustle later evolved into a much more pronounced humped shape on the back of the skirt immediately below the waist, with the fabric of the skirts falling quite sharply to the floor.

It reappeared in late 1881,^[1] and was exaggerated to become a major fashion feature in the mid-1880s, and ended in December 1887.^[2]

It then survived into the 1890s and early 1900s as a skirt support was still needed and the stylish shape dictated a curve in the back of the skirt to balance the curve of the bust in front. The bustle had completely disappeared by 1905, as the long corset of the early twentieth century was now successful in shaping the body to protrude behind.

The bustle was a typically Victorian fashion. Although most bustle gowns covered nearly all of a woman, the shape created by the combination of a bustle and corset (accentuating the rump, waist, and bosom) resulted in a highly erotic and idealized conception of femininity.

Bustles and bustle gowns are rarely worn in contemporary society. Notable exceptions occur in the realm of haute couture and bridal fashion. A dress in the bustle style may be worn as a costume. For example, in 1993 Eiko Ishioka won an Academy Award for her costume designs from Bram Stoker's Dracula. The film features several extravagant bustle gowns created for female leads Winona Ryder and Sadie Frost.

The Native American bustle is a traditional part of a man's regalia worn during a dance exhibition or wachipi (pow wow) and originates from the Plains region of the United States. In its modern form, the men's bustle is typically made of a string of eagle or hawk feathers attached to a backboard. Eagle and hawk feathers are sacred religious objects to Native American people and the possession of eagle and hawk feathers are protected by the eagle feather law (50 CFR 22).

There are several types of bustles, the modern one being in the shape of a U and the other, traditional bustle or "old-style" bustle, being circular. The dancer's style generally dictates the type and number of bustles worn. A typical traditional dancer wears a single bustle while fancy dancers generally wear two bustles, one attached to a belt above the buttocks and another attached to a harness on the back.

Mid-1880s fashion plate	1870 walking dress	The crinolette	An 1887 Japanese print depicting two women dressed in the Western fashion.
A criticism of the bustle fashion.

• 1870s in fashion
• 1880s in fashion
• Crinoline
• Corset