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Cadence-lypso
From Wikipedia, the free encyclopedia
Cadence-lypso developed in the 1970s, and was the first style of Dominican music to find international acclaim, eventually becoming a part of styles like zouk. The most influential band in the development of cadence-lypso was Exile One who combined calypso with compas and cadence, styles derived from Haitian music. Aside from Exile One, other bands included the Grammacks, Black Roots, Black Machine, Naked Feet, Belles Combo, Mantra, Black Affairs, Liquid Ice, Belles Combo, Wafrikai, Midnight Groovers and Milestone, while the most famous singers included Bill Thomas, Chubby Marc, Gordon Henderson, Linford John, Janet Azouz, Sinky Rabess, Tony Valmond, Jeff Joseph, Mike Moreau and Anthony Gussie.
Cadence-lypso was influenced by nationalist movement that espoused Rastafari and Black Power. Many groups performed songs with intensely ideological positions, and much of the repertoire was in the vernacular kwéyòl language [1].
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