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In standard conditions, France does not have censorship laws, being a liberal democracy respectful of freedom of press. However, before its repeal under François Mitterrand in the early 1980s, the ORTF used to control the media. The CSA has since replaced it, but is only charged of surveillance of the respect of French law in the media, in particular concerning the 1990 Gayssot Act which prohibits racist or/and religious hate speech (under which negationism, in particular but not only Holocaust denial falls under), and time period allocated to each political party during pre-electoral periods. Furthermore, other laws prohibit homophobic hate speech, and a 1970 law prohibits the advocacy of illegal drugs.

Each of these laws have been criticized by some groups, either from the left (especially concerning the 1970 law on drugs) or from the far right (in particular concerning the 1990 Gayssot Act or the laws prohibiting homophobic attacks). Others express the need for minorities to be protected from hate speech which may lead, according to them, to heinous acts and hate crimes, while still others claim that one can not tolerate free speech concerning drugs as it is a matter of public health and moral order. However, the 2005 vote of the law on colonialism voted by the UMP conservative parliamentary majority has lifted a debate, especially among historians, concerning the legitimacy and relevancy of such "memory laws." Although a fair amount of historians is opposed to such laws, few advocate their repeal insofar as they estimate that once they have been voted, repealing them would be a greater evil.

Finally, critics, in particular, but not only, from the left-wing, have criticized economic censorship, in particular through concentration of media ownership (Bouygues' influence, for instance, on TF1) , or the fact that Dassault or Lagardère, both military firms, control several newspapers in France, such as Le Figaro (owned by Dassault).

Over all, if freedom of press is guaranteed by the French Constitution, several effective cases of censorship, against newspapers (Le Canard enchaîné, Charlie Hebdo and Hara-Kiri newspapers, etc.), films, or radio-shows, have been registered in the history of the Fifth Republic, founded in 1958. Most recently, several events ordered by Nicolas Sarkozy, Interior Minister and UMP candidate for the 2007 presidential election, have been criticized as forms of censorship (i.e. the firing of the director of Paris Match — controlled by Hachette Filipacchi Médias, the world's largest magazine publisher, itself owned by Lagardère — because he had published photos of Cecilia Sarkozy with another man in New York).

|== History of freedom of press and censorship in France ==

During World War I, postal censorship was in force, as the French state thought it necessary to control the public's morale and thus engaged in a sort of psychological warfare. Censorship was current during the war, leading to the 1915 creation of Le Canard enchaîné weekly, which uses satires and other games of words to pass through "Anastasia's scissors", as was popularly called the censors (such words games still exist in Le Canard, for leisure purposes, such as the section named "Sur l'album de la Ccomtesse" .

Censorship laws were revoked with the founding of the Fifth Republic in 1958, although cases of censorship still occurred (in particular concerning films or satirical newspapers). The proclamation of the state of emergency, used during the Algerian War (1954-62) and also in 2005, during the civil unrest, allows the state to legally censor news articles and other medias productions (used during the Algerian War, this censorship disposition was not used in 2005).

Henri Alleg's book La Question denouncing torture by the French Army during the Algerian war was censored, as well as other similar books and films, such as The Battle of Algiers.

Recently, UMP deputy Nadine Morano interpellated Interior Minister (UMP) Nicolas Sarkozy to censor hip-hop bands, while 200 UMP deputies, led by François Grosdidier, tried without success to censor hip-hop bands. The whole thing started with a song called La France by french hip-hop band Sniper.

Contents 1 Press 2 Cinema 3 List of censored books 4 List of censored songs 5 List of censored films 6 CSA 7 References 8 See also 9 External links

The press is largely unrestricted by law in France, although indirect pressures are sometimes applied to prevent publication of materials against the interests of the government or influential industries. Involvement of the government and major industrial groups, sometimes with political ties, with certain press organizations sometimes raises questions as to the ability of the press to remain truly independent and unrestricted. Examples include:

• the Agence France-Presse (AFP), an internationally active news agency used by the media world-wide, is a public corporation nominally independent from the government, but derives a lot of its revenue from sales to government;
• Radio France International (RFI) is funded by the Minister of Foreign Affairs, and is sometimes criticized for its cover of former French colonies
• Serge Dassault, businessman involved in warplanes, and thus in government procurement contracts, (see Dassault Aviation) and senator from the ruling UMP party, owns newspapers including Le Figaro; he famously indicated that he intended his papers to reflect only "healthy ideas" (idées saines) and that left-wing ideas were unhealthy;^[1]
• the Bouygues group, a major operator of public works and thus of government procurement contracts, owns the TF1 TV channel, which has the largest audience.

In addition, most of the press depends on advertisement to generate revenue; the question of independence from advertisers is a constant and contentious one, with repeat assertions that undesirable investigations were descheduled from TV broadcasts.

However, there are outstanding examples of freedom and independence of the press, including the Le Canard enchaîné, a newspaper that is known for its scoops and its brazen publication thereof, even against the will of the government. The Canard does not accept advertisement in order to remain truly independent.

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All films intended for theatrical release have to be granted a visa by the Ministry of Culture, upon the recommendation of Commission for film classification (Commission de classification cinématographique), which can give a film one of four ratings:

• Tous publics (universal): suitable for all audiences
• Interdit aux moins de 12 ans (-12): Forbidden for under 12s
• Interdit aux moins de 16 ans (-16): Forbidden for under 16s
• Interdit aux moins de 18 ans (-18): Forbidden for under 18s

Cinemas are bound by law to prevent underaged audiences from viewing films and may be fined if they fail to do so.

The Commission cannot make cuts to a film, but it can ban it, although this latter power is rarely used. In practice, this means that most films in France are categorized rather than censored.

Although there are no written guidelines as to what sort of content should receive which rating and ratings are given on a case by case basis, the commissioners typically cite violent, sexual and drug related content (especially if it is deemed to be graphic or gratuitous) as reasons for higher ratings. By contrast little attention is paid to strong language. However sexual content is much less likely to produce a high rating than in many other countries, including the United States.

Films that have received comparatively low ratings in France include:

• American Beauty, -12
• A Ma Soeur!, -12
• Kids, -12
• Taxi Driver, -16, reclassified to -12

• Henri Alleg, La Question (Minuit, 1958 - on the use of torture during the Algerian War)
• Frantz Fanon's The Wretched of the Earth ([1961), with a preface from Jean-Paul Sartre (published by François Maspero)
• Mongo Beti's Cruel hand on Cameroon, autopsy of a decolonization (Maspero, 1972) censored by the Ministry of the Interior Raymond Marcellin on the request, brought forward by Jacques Foccart, of the Cameroon government, represented in Paris by the ambassador Ferdinand Oyono.

• Boris Vian, The Deserter (1954)

• La Garçonne, (1923)
• Zéro de conduite, (1933)
• Jean-Luc Godard, Le Petit Soldat (1960)
• Du - Zwischenzeichen der Sexualität, (1968)
• Gillo Pontecorvo, The Battle of Algiers, (1965)
• L'Essayeuse, (1976)

The Conseil Supérieur de l'Audiovisuel (CSA) is charged to regulate televisions, both public and private. It surveys the respect of national legislation, as well as the respect of time allocated to each political party in the media during electoral periods.

• Report by the chairman of the French Commission of film classification
• Internet Movie Database - films banned in France

• CSA
• Human rights in France
• Reporters Without Borders

• CNC Centre National de la Cinématographie, parent organisation of the Commission for film classification
• CSA Conseil supérieur de l'audiovisuel
• IFEX International Freedom of Expression Exchange
• Specific Sites Excluded from Google.fr and or Google.de.
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