Civic Opera House (Chicago)

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Coordinates: 41.882506° N 87.637475° W

Exterior of the Civic Opera House
Exterior of the Civic Opera House

The Civic Opera House is an opera house located at 20 North Wacker Drive in Chicago. It is part of a building which contains a 45-story office tower and two 22-story wings. This structure opened on November 4, 1929 and has an Art Deco and Art Nouveau interior.

Its opera house has 3,563-seats, making it the second-largest opera auditorium in North America. While built for the Chicago Civic Opera, it was purchased by and is the permanent home of the Chicago Lyric Opera.

Samuel Insull envisioned and hired the design team for building a new opera house to serve as the home for the Chicago Civic Opera. The building has been seen as being shaped like a huge chair and is sometimes referred to as "Insull's Throne." It has been rumored that Insull designed the building in the shape of a throne upon which his daughter could figuratively sit as star of the opera. Having been rejected by the New York Metropolitan Opera, she could sit with her back facing eastward toward New York City.

sculpture by Henry Hering
sculpture by Henry Hering

He selected the architecture firm Graham, Anderson, Probst & White who were responsible for several other buildings in downtown the Chicago Loop. As they did on other occasions, the architects commissioned Henry Hering to produce architectural sculpture for the building.

Front Sign of the Civic Opera House
Front Sign of the Civic Opera House

The opera house underwent a major renovation in 1993 when it was purchased by the Chicago Lyric Opera, which had previously rented the space. The chairs were repainted and reupholstered, the carpeting replaced, and the gilt paint completely re-stenciled, finishing this massive project in 1996.

This opera house was the inspiration for the one featured in Orson Welles's film, Citizen Kane. In order for his aspiring opera singer wife to perform, Charles Foster Kane builds an opera house for her, but the quality of her singing reveals her ineptitude. In reality, Samual Insull built this opera house for his daughter, who was not hired by New York's Metropolitan Opera.

  • Chappell, Sally Kitt, Transforming Tradition: Architecture and Planning of Graham, Anderson, Probst and White, 1912 – 1936, Chicago, Il: University of Chicago Press, 1992
  • Kvaran, Einar Einarsson, Architectural Sculpture in America, unpublished manuscript

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