Codpiece

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Henry VIII wearing a codpiece
Henry VIII wearing a codpiece

A codpiece (Middle English language codpece: cod, bag, scrotum (from the Old English language codd, bag) + pece, piece) is a flap or pouch that attaches to the front of the crotch of men's trousers to provide a covering for the genitals. It would be held closed by string ties, buttons, or other methods.

It was an important item of European clothing in the 15th and 16th centuries.

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At first, the codpiece was entirely a practical matter of modesty. Men's hose were typically very snug on the legs and open at the crotch, with the genitalia simply hanging loose under the doublet. As changing fashions led to shorter doublets, the codpiece was created to cover the crotch. Alternate versions of the origin of the codpiece exist.[citation needed]

As time passed, codpieces were shaped to emphasize the male genitalia and eventually often became padded and bizarrely shaped. They also often doubled as pockets, handy carrying places for a variety of items such as coins and snuff. In England in the latter half of Queen Elizabeth I's reign, the codpiece and doublet merged into the "peascod" doublet, and the codpiece faded from fashion.

Armour of the 16th century followed civilian fashion, and for a time armoured codpieces were a prominent addition to the best full harnesses. Few of these are in evidence today, though the Metropolitan Museum of Art in New York City does have one on display, as does the Higgins Armory in Worcester, Massachusetts.[1][2] The armour of Henry VIII in the tower of London has an impressive codpiece.

Renaissance humorist Francois Rabelais wrote a book named "On the Dignity of Codpieces"

Through the same linguistic route cods became a modern slang term for the male genitalia [1] and codswallop is an associated term.

Codpiece was a supervillain who appeared in Doom Patrol #70. He was armed with a mechanical codpiece but was defeated by Coagula who melted it.[3]

Codpieces are rarely worn publicly today, except in the leather and latex fetish communities. They are sometimes worn as a part of a costume in a performance. Some contemporary performers who have worn codpieces are:

  • The lead singer of 1980s music group Cameo, Larry Blackmon wore a large, bright-red codpiece in all of his performances.
  • The films Batman Forever and Batman & Robin received much publicity over the size of the molded rubber codpieces of the Batman and Robin costumes.
  • The January 7th 2001 Simpsons episode HOMЯ, Homer gave his friend Carl Carlson a codpiece, and eventually had it returned with the epithet "I can't feed my family with a codpiece!"
  • In 1982's The Pirate Movie, an attempted rock music version of the Pirates of Penzance, the Pirate King, played by Ted Hamilton, wore an enormous jeweled codpiece for comedic effect.
  • In Restart, the absurdest comedy horror musical by the UK's Komedy Kollective, the sailors selling the fishy snack Colin's Cod Pieces wear outsized codpieces over their waterproof fishermen's clothing.
  • In the 1980s comedy serial The Black Adder, several of the characters, including the eponymous hero, wear codpieces. These were sometimes used for comedy value, and the title song proclaims "black his codpiece made of metal." Edmund Blackadder was particularly fond of an exaggerated codpiece called 'The Black Russian' as it annoyed members of the clergy.
  • In 1975, Black Panther Eldridge Cleaver tried to reintroduce the codpiece to 20th-century male fashion apparel. His purpose, he said, was to “solve the problem of the fig leaf mentality", arguing that "clothing is an extension of the fig leaf”. Variously called “Cleaver pants”, “the Cleavers”, and ”the Cleaver sleeve”, his designer jeans incorporated a combination codpiece-penis sheath that, according to one description of the accessory, could “accommodate a two-pound linguiça”. His attempt to reintroduce the codpiece did not catch on.
  • Shock-rock performer Blackie Lawless, leader of the group WASP, has been known to wear a codpiece that features a saw blade and is capable of shooting out flames and sparks.
  • In Babylon 5, Andreas Katsulas' character G'Kar sports a codpiece as part of his Ambassadorial garb for most of the series.
  • In one episode of Metalocalypse, bassist William Murderface purchases a diamond encrusted codpiece which is enforced by titanium alloy and is shaped like a horn. Meanwhile, guitarist Toki Wartooth purchases a strap-on dildo, mistaking it for a codpiece. An assassin sent by the mysterious group observing the band Dethklok later trips and falls face first into the codpiece and is skewered.
  • At renaissance festivals throughout the United States, tights with built-in codpieces - introduced as ready-to-wear in the late 1980s - are gaining popularity among male performers. A web search for "renaissance tights" provides links to pages with several examples.
  • In the 1995 film Se7en, a lust-related murder involves a man being forced (at gunpoint) to don a codpiece with a long blade attached as a pseudo-phallus and have sex with a prostitute, killing the woman in the process.
  • Codpieces are seen as part of the uniform of storm troopers in the Star Wars movie series.
  • Heavy Metal singer King Diamond has been known to wear a codpiece as part of his performance outfits.
  • Actor Dougray Scott, on his role in Ever After, said, "I had never worn a codpiece before and I don't think I ever will again." --IMDB
  • Actor Gerard Butler impressively wore a leather codpiece in the 2007 film "300".
  • In The 2005 musical Spamalot the character Lancelot wears a codpiece that appears to be made of armor towards the end of the play.

  1. ^ John Grabenstein, http://www.higgins.org -
  2. ^ David Edge, Arms and Armor of Medieval Knights: An Illustrated History of Weaponry in the Middle Ages
  3. ^ Because Crotch-to-Air Missiles are Awesome...

  • Ashelford, Jane: The Art of Dress: Clothing and Society 1500-1914, Abrams, 1996. ISBN 0810963175
  • Edge, David: Arms and Armor of Medieval Knights: An Illustrated History of Weaponry in the Middle Ages
  • Hearn, Karen, ed. Dynasties: Painting in Tudor and Jacobean England 1530-1630. New York: Rizzoli, 1995. ISBN 0-8478-1940-X.

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