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The Culture of the People's Republic of China is a blend of traditional Chinese culture with communist influences, and lately, Western consumer culture.^{[citation needed]}

For some years after the establishment of the People's Republic of China (PRC) in 1949, traditional Chinese culture was tolerated to some extent. The main changes concentrated on attempts to remove traditional social inequalities, such as sexism, racism, and serfdom. A form of Standard Mandarin known as Putonghua was promoted by the Central People's Government in Beijing as the lingua franca in a continuation of the Kuo-yü of the Republic of China (ROC), but the various local spoken variants and the languages of the numerous ethnic groups of China were tolerated.

As the Soviet Union was an ally of the PRC at the time, the culture of Russia, especially the Russian language, was quite popular; but this trend was halted when a border dispute ended the Sino-Soviet alliance in 1961 - the Sino-Soviet split.^{[citation needed]}

Chinese propaganda poster saying: "Shatter the old world / Establish a new world." Classical example of the Red art from the early Cultural Revolution. Worker crushes the crucifix, Buddha and classical Chinese texts with his hammer; 1967

When the Cultural Revolution began in 1966 all forms of traditional culture, Chinese or Western, were suppressed. Temples and churches were vandalized by the Red Guards; Confucian morality was frowned upon; and a cult of personality surrounding Chairman Mao Zedong was promoted. The Quotations from Chairman Mao Zedong (or the "Little Red Book") achieved sanctity equivalent to a holy text as part of Maoism, or "thoughts of Mao Zedong", which became the national ideology. Simplified Chinese ideograms were also officially introduced at the time, though many such simplified characters have existed for hundreds of years.

The artistic community was particularly affected by the Cultural Revolution. Initially only eight "Sample Acts", or propaganda performances, were allowed, along with the "Loyalty Dance", posters that deify Chairman Mao, and a large number of revolutionary songs such as The East Is Red.

See also: Mao suit

After the Maoist era, there has been a renaissance of traditional Chinese culture.

Local religions including Buddhism, Taoism and Confucianism have flourished. These are not mutually exclusive, and many people practice a combination of the three along with elements of various folk religions. There has also been a revival of Chinese Islam and Christianity, although religious institutions remain under the control of the government. The Three-Self Patriotic Movement (TSPM) and the China Christian Council (CCC) are Protestant groups. The Chinese Patriotic Catholic Association (CCPA) and the Chinese Catholic Bishops Council (CCBC) are subordinate to the government in Beijing, instead of to the Holy See.

Traditional Chinese arts have also re-emerged from the Cultural Revolution, but their developments have been hampered by the Chinese society's ready acceptance of outside cultural influences,^{[citation needed]} particularly the popular culture of Hong Kong, which has a huge following inside the PRC. Nevertheless the television stations in the PRC have in recent years produced numerous quality drama series, covering everything from imperial history to modern-day police actions, and gaining immense popularity in mainland China.

The official enforcement of the One-Child Policy has created a generation of "Little Emperors" doted upon by their parents, made more so by the development of a Western-style consumer culture within the PRC. This initially revived a sense of xenophilia among the mainland Chinese population that originated in the colonial days of the late 19th century. However, as mainland China became an economic power in its own right, the PRC government has intentionally fostered a sense of patriotic pride amongst the mainland Chinese population, which some critics see as a resurgence of Chinese nationalism.^{[citation needed]}

Beginning in the late 1980's and early 1990's mainland China became exposed to more western elements, notably pop culture. American cinema is popular. Young people gather late at night in bars and nightclubs. There is a growing obsession with brand names. Teen slang is incorporating western language. China has also developed a unique cell phone culture, as it has the most mobile phone users in the world.

• Chinese house church
• Education in the People's Republic of China
• History of China
• List of universities in Mainland China
• National College Entrance Examination
• Social issues in the People's Republic of China

• Chinese Ministry of Culture, P.R.
• Business cultural considerations in China
• The Great Proletarian Cultural Revolution in China, 1966-1976