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Destroyer (album)
From Wikipedia, the free encyclopedia
- For the Gorgoroth album, see Destroyer (Gorgoroth album)
- For the Ryan Adams album, see Destroyer (Ryan Adams album)
| Destroyer | |||||
|---|---|---|---|---|---|
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| Studio album by Kiss | |||||
| Released | March 15, 1976 | ||||
| Recorded | Electric Lady Studios, New York City, September 3–6, 1975 Record Plant Studios, New York City, January–February 1976 |
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| Genre | Hard rock | ||||
| Length | 34:03 | ||||
| Label | Casablanca | ||||
| Producer | Bob Ezrin | ||||
| Professional reviews | |||||
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| Kiss chronology | |||||
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| Singles from Destroyer | |||||
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Destroyer is the fourth studio album and fifth album overall by hard/glam rock band Kiss, released on March 15, 1976 in the United States. It was the second consecutive Kiss album to reach the Top 20 in the United States, as well as the first to chart in Germany and New Zealand. The album was certified gold by the RIAA on April 22, 1976. It was certified platinum on November 11, 1976, the first Kiss album to achieve that distinction.[1]
Coming on the heels of the group's breakthrough album Alive!, Destroyer is easily the most ambitious studio recording of Kiss's '70s catalogue. Bob Ezrin, who had previously worked with Alice Cooper, was brought in to produce the album. Among the production flourishes Ezrin introduced to Kiss were sound effects, strings, screaming children (on "God Of Thunder") backwards drums (Also on "God of Thunder") as well as a children's choir.
Destroyer is the first Kiss album to prominently feature outside musicians, such as members of the New York Philharmonic-Symphony Orchestra. However, one musician was not credited: Dick Wagner, from Alice Cooper's band, replaced Ace Frehley on tracks such as "Sweet Pain" (as Frehley didn't want to interrupt a card game he was playing during recording sessions for the song) and even on a song that Frehley himself co-wrote "Flaming Youth". Wagner also played the acoustic guitar found on the song "Beth".[2] The success of Alive! and Destroyer enabled the band to embark on their first tour of Europe.
In 2003, the album was ranked number 496 on Rolling Stone magazine's list of the 500 greatest albums of all time.
Contents |
After attaining modest commercial success with their first three studio albums, Kiss achieved a commercial breakthrough with the 1975 concert album Alive! It was the first album by the band to be certified gold, and eventually went multi-platinum.[3] The success of Alive!, which spent 110 weeks on the charts, benefited not only the struggling band but their cash-strapped label, Casablanca Records.[4][5] Kiss signed a new contract with Casablanca in late 1975, partly because the label had been very supportive from the start of the band's career. The contract was only for two albums, however, an indication that Casablanca was unsure if the group could duplicate the accomplishments of Alive![6]
Rehearsals for Destroyer began in August 1975, while the group was embarked on their supporting tour for Alive! Bob Ezrin, who had produced a string of successful albums for Alice Cooper, was chosen to work with Kiss. The band felt that Ezrin was the right person to help them take their sound to the next level and to maintain the commercial success they had achieved with Alive![7]
The first recording sessions for the album took place from September 3–6, 1975 at Electric Lady Studios in New York City, during a brief break between the Dressed to Kill and Alive! tours. The basic album tracks were recorded during this time.[8] The majority of the recording sessions for Destroyer took place in January 1976, after the conclusion of the Alive! tour.[9]
The first demo recorded during the Destroyer sessions was "Ain't None of Your Business," featuring Peter Criss on vocals. The plodding, heavy song, written by country songwriters Becky Hobbs and Lew Anderson, was rejected by the band and later appeared on the 1977 debut album by Michael Des Barres' band Detective. Although this song was rejected other outside songs and suggestions were accepted by the band. In particular, Kim Fowley and Mark Anthony became important contributors during the songwriting process.[10]
During the recording sessions Ezrin resorted to numerous tactics designed to increase the quality of music Kiss recorded. Because none of the group were trained musicians, Ezrin halted the sessions at one point to provide lessons in basic music theory.[11] In an effort to instill a sense of discipline, he wore a whistle around his neck and exhorted the band with sayings such as, "C'mon campers, let's get going!"[12] When Simmons stopped playing early during the recording of an outro Ezrin yelled at him, saying, "Don't you ever stop a take unless I tell you!"[13]
Paul Stanley later compared the experience of working with Ezrin as "musical boot camp" but said that the group "came out a lot smarter for it."[14] Simmons echoed the sentiment by stating, "It was exactly what we needed at the time."[15] Lead guitarist Ace Frehley, who did not approach the recording process with the discipline Ezrin wanted, often found himself at odds with the producer. He bristled at being asked to perform multiple takes of his solos, and became uncooperative. As a result Ezrin brought in session guitarist Dick Wagner, who performed uncredited solos on two songs — "Sweet Pain" and "Flaming Youth."[16][17]
The cover art for Destroyer was painted by fantasy artist Ken Kelly. Prior to the album's release Kelly's work was brought to the attention of Gene Simmons, who met with Kelly to discuss ideas for Destroyer. Kelly agreed but asked to see Kiss perform live first to gain inspiration. He was invited to a show and given a backstage pass. He later said of the performance, "it blew me away."[18] Kelly was later commissioned by the band to draw the cover for 1977's Love Gun.
The front cover shows the group striding on top of a pile of rubble, and a desolate background spotted with destroyed buildings, some of which are engulfed in flames. The back cover shows a similar scene, but with more buildings on fire. The front of the record sleeve features a large Kiss logo and the lyrics to "Detroit Rock City." The other side displays the lyric "Shout it out loud" in capital letters, as well as an advertisement for the Kiss Army fan club.
-
"Beth" "Beth" marked a musical departure for Kiss, with its heavy use of an orchestra section. The song became a #7 hit for the group. "Shout It Out Loud" This song, with its call-and-response verses and anthemic chorus, is typical of the hard rock songs on Destroyer. - Problems playing the files? See media help.
Destroyer sold well upon its release on March 15, 1976 and was certified gold on April 22. Although exact sales figures are not known, Paul Stanley stated that the album initially sold 850,000 copies in the U.S., well in excess of any of Kiss's first three studio albums.[19] After peaking at #11 on the Billboard album chart on May 15, however, Destroyer quickly fell and by August was at #192.[20] The first three singles — "Shout It Out Loud," "Flaming Youth," and "Detroit Rock City" — failed to ignite sales any further, leading the band and its management to view the album as a failure relative to Alive! The band and Ezrin cited fan backlash as the reason Destroyer did not meet sales expectations. Ezrin also stated that the "grassroots rock press" was particularly critical of the album.[21] Rolling Stone referred to "bloated ballads," "pedestrian drumming," and "lackluster performances" in its review.[22]
It was not until radio stations started playing the B-side of the "Detroit Rock City" single, "Beth," that the album started to sell as expected. The ballad, which according to Simmons was deliberately put on the B-side to force stations to play "Detroit Rock City," started receiving numerous listener requests and became an unexpected hit. "Beth" was re-released as the fourth single in late August, and it peaked at #7 on the Billboard singles chart on September 25. It was the group's first Top 10 song and re-ignited sales of the album. On November 11 Destroyer became the first Kiss album to be certified platinum.[23]
- "Detroit Rock City" (Paul Stanley, Bob Ezrin) – 5:17
- Lead vocals - Paul Stanley
- "King of the Night Time World" (Kim Fowley, Mark Anthony, Stanley, Ezrin) – 3:19
- Lead vocals - Paul Stanley
- "God of Thunder" (Stanley) – 4:13
- Lead vocals - Gene Simmons
- "Great Expectations" (Gene Simmons, Ezrin) – 4:21
- Lead vocals - Gene Simmons
- "Flaming Youth" (Ace Frehley, Stanley, Simmons, Ezrin) – 2:59
- Lead vocals - Paul Stanley
- "Sweet Pain" (Simmons) – 3:20
- Lead vocals - Gene Simmons
- "Shout It Out Loud" (Simmons, Stanley, Ezrin) – 2:49
- Lead vocals - Paul Stanley & Gene Simmons
- "Beth" (Peter Criss, Stan Penridge, Ezrin) – 2:45
- Lead vocals - Peter Criss
- "Do You Love Me" (Fowley, Ezrin, Stanley) – 3:33
- Lead vocals - Paul Stanley
- untitled track (Simmons, Stanley, Ezrin) – 1:25
- The last song is an untitled hidden track usually referred to as "Rock and Roll Party."[24] It is a loop made up of the choral melody from "Great Expectations" and a concert clip of Paul Stanley telling an audience, "I tell you all, it looks like, it looks like we're gonna have ourselves...a rock and roll party!" This quote is taken from "Alive!" and can be found between "Deuce" and "Strutter". On CD reissues, this track is often combined with "Do You Love Me" and not listed separately.
- Gene Simmons – bass guitar, lead vocals, backing vocals
- Paul Stanley – rhythm guitar, lead vocals, backing vocals
- Ace Frehley – lead guitar
- Peter Criss – drums, lead vocals on "Beth," backing vocals
- Dick Wagner – guitar solos on "Flaming Youth" and "Sweet Pain"; acoustic guitar on "Beth"
- Boys Choir of Harlem – vocals on "Great Expectations"
- David and Josh Ezrin – voices on "God of Thunder"
- Bob Ezrin – producer, orchestration
- H.A. Macmillan – orchestration
- Jay Messina – engineer
- Corky Stasiak – engineer
| Chart | Peak Position |
|---|---|
| Sweden[25] | 4 |
| Austria[25] | 6 |
| Canada[25] | 6 |
| U.S. Pop Albums[26] | 11 |
| New Zealand[25] | 16 |
| Japan[25] | 17 |
| U.K.[25] | 22 |
| Germany[25] | 36 |
| Year | Song | Chart positions | |||||
|---|---|---|---|---|---|---|---|
| Billboard Pop Singles[27] | Canadian Singles Chart[27] | German Singles Chart[27] | Swedish Singles Chart[27] | Australian Singles Chart[27] | New Zealand Singles Chart[27] | ||
| 1976 | "Shout It Out Loud" | 31 | 1 | 32 | 16 | 45 | 40 |
| 1976 | "Flaming Youth" | 74 | 73 | – | – | – | – |
| 1976 | "Detroit Rock City" | – | – | 14 | – | – | – |
| 1976 | "Beth" | 7 | 5 | – | – | 79 | – |
| Certifier | Certification | Sales |
|---|---|---|
| RIAA (U.S.) | Platinum | 1,000,000 |
The following information regarding list placements attributed to Destroyer is taken from AcclaimedMusic.net.[28]
| Publication | Country | Accolade | Year | Rank |
|---|---|---|---|---|
| Rolling Stone | U.S. | The 500 Greatest Albums of All Time[29] | 2003 | 496 |
| Blender | U.S. | The 100 Greatest American Albums of All Time[30] | 2002 | 50 |
(*) designates unordered lists.
| Country | Date | Label | Format | Catalogue number |
|---|---|---|---|---|
| United States | March 15, 1976 | Casablanca Records | LP | NBLP-7025 |
| Canada | 1976 | Casablanca Records | LP | NBLP-7025V |
| United States | July 1987 | Casablanca/PolyGram | CD | 824 149-2 |
| United States | August 12, 1997 | Mercury Records | Remastered CD | 532 378-2 |
- Gill, Julian (2005). The Kiss Album Focus, Volume 1 (3rd Edition). Xlibris Corporation. ISBN 1-4134-8547-2.
- Gooch, Curt; Jeff Suhs (2002). Kiss Alive Forever: The Complete Touring History. New York: Billboard Books. ISBN 0-8230-8322-5.
- Leaf, David; Ken Sharp (2003). Kiss: Behind the Mask: The Official Authorized Biography. New York: Warner Books. ISBN 0-446-53073-5.
- ^ RIAA searchable gold and platinum database. Retrieved on 2007-08-06.
- ^ Leaf and Sharp, Behind the Mask
- ^ Leaf and Sharp, Behind the Mask, pp. 67–68.
- ^ Gill, Kiss Album Focus, p. 178.
- ^ Lendt, Kiss and Sell, pp. 40–41.
- ^ Gill, Kiss Album Focus, p. 181.
- ^ Gill, Kiss Album Focus, pp. 183-184.
- ^ Gooch and Suhs, Kiss Alive Forever, p. 64.
- ^ Gill, Kiss Album Focus, p. 185.
- ^ Gill, Kiss Album Focus, pp. 185-189.
- ^ Leaf and Sharp, Behind the Mask, pp. 253–254.
- ^ Leaf and Sharp, Behind the Mask, p. 255.
- ^ Leaf and Sharp, Behind the Mask, p. 256.
- ^ Leaf and Sharp, Behind the Mask, p. 252.
- ^ Gill, Kiss Album Focus, p. 188.
- ^ Leaf and Sharp, Behind the Mask, p. 266.
- ^ Gill, Kiss Album Focus, pp. 195-197.
- ^ Ken Kelly & Kiss. Retrieved on 2007-08-06.
- ^ Leaf and Sharp, Behind the Mask, p. 258.
- ^ Gill, Kiss Album Focus, p. 202.
- ^ Leaf and Sharp, Behind the Mask, p. 258.
- ^ Milward, John. "Destroyer album review", Rolling Stone, 1976-06-03. Retrieved on 2007-08-09.
- ^ Gill, Kiss Album Focus, pp. 203-204.
- ^ The KISSFAQ - Destroyer (1976). Retrieved on 2007-08-06.
- ^ a b c d e f g "The Complete KISS Album Chart Action, 1974-". The KISSFAQ. Retrieved on 2007-08-06.
- ^ Destroyer Charts & Awards. All Music Guide. Retrieved on 2007-08-06.
- ^ a b c d e f The Complete KISS Singles Chart Action, 1974-. KISSFAQ.com. Retrieved on 2007-08-06.
- ^ Destroyer. Acclaimed Music. Retrieved on 2007-08-06.
- ^ The RS 500 Greatest Albums of All Time. Rolling Stone (2003). Retrieved on 2007-08-06.
- ^ 100 GREATEST AMERICAN ALBUMS - KISS #50. Kiss Online (2003). Retrieved on 2007-08-06.