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Dick Hyman (born March 8, 1927, New York City) is an American jazz pianist/keyboardist and composer best known for his versatility with jazz piano styles. Over a 50 year career he has functioned as pianist, organist, arranger, music director, and, increasingly, as composer. His versatility in all of these areas has resulted in well over 100 albums recorded under his own name and many more in support of other artists.

Contents 1 Career 1.1 Early Life 1.2 Jazz & Session Work 1.3 Classical 1.4 Film 1.5 Electronic / Pop

Hyman was educated at Columbia University.

While developing a facility for improvisation in his own piano style, Hyman has also investigated ragtime and the earliest periods of jazz and has researched and recorded the piano music of Scott Joplin, Jelly Roll Morton, James P. Johnson, Zez Confrey, Eubie Blake and Fats Waller which he often features in his frequent recitals. Other solo recordings include the music of Irving Berlin, Harold Arlen, Cole Porter, George Gershwin, and Duke Ellington.

Hyman served as artistic director for the Jazz in July series at New York's 92nd Street Y for twenty years, a post from which he stepped down in 2004. (He was succeeded in that post by his cousin, Bill Charlap, a highly regarded jazz pianist.) He continues his Jazz Piano at the Y series as well as his post as jazz advisor to The Shedd Institute's Oregon Festival of American Music. In 1995 Dick penetrated into the Jazz Hall of Fame of the Rutgers Institute of Jazz Studies and the New Jersey Jazz Society. Since then he has received honorary doctorates from Wilkes University, Five Towns College, Hamilton College and the University of South Florida at Tampa.

Hyman has had an extensive career in New York as a studio musician and won seven Most Valuable Player Awards from the National Academy of Recording Arts and Sciences. He acted as music director for such television programs as Benny Goodman's final appearance (on PBS) and for In Performance at the White House. He received an Emmy for his original score for Sunshine's on the Way, a daytime drama, and another for musical direction of a PBS Special on Eubie Blake. He continues to be a frequent guest performer with The Jim Cullum Jazz Band on the long-running public radio series Riverwalk Jazz, and has been heard on Terry Gross' Fresh Air.

Hyman's concert compositions for orchestra include his Piano Concerto, Ragtime Fantasy, The Longest Blues in the World, and From Chama to Cumbres by Steam, a work for orchestra, jazz combo, and prerecorded railroad sounds. A cantata based on the autobiography of Mark Twain was premiered in 2004. In the dance field, Hyman composed and performed the score for the Cleveland/San Jose Ballet Company's Piano Man, and Twyla Tharp's The Bum's Rush for the American Ballet Theater. He was the pianist/conductor/arranger in Tharp's Eight Jelly Rolls, Baker's Dozen, and The Bix Pieces and similarly arranged and performed for Miles Davis: Porgy and Bess, a choreographed production of The Dance Theater of Dallas.

In years past, Dick Hyman was music director for Arthur Godfrey and orchestrator of the hit musical Sugar Babies. He has served as composer/arranger/conductor/pianist for the Woody Allen films Zelig, The Purple Rose of Cairo, Broadway Danny Rose, Stardust Memories, Hannah and Her Sisters, Radio Days, Bullets Over Broadway, Mighty Aphrodite, Everyone Says "I Love You", Sweet and Lowdown, and The Curse Of The Jade Scorpion. Other scores have included Moonstruck, Scott Joplin-King of Ragtime, The Lemon Sisters, and Alan and Naomi. Various recordings of his have been included in The Mask and Two Weeks Notice.

In the 1960s, Hyman recorded several innovative pop albums on Enoch Light's Command Records. At first, he used the Lowrey Organ, on the albums Fabulous and The Man From O.R.G.A.N. He later recorded several albums on the Moog Synthesizer which mixed original compositions and cover versions, including Moog: Electric Eclectics, and The Age of Electronicus. The former has now been reissued on CD, on Varese Sarabande, but in cannibalized form with some, but not all, tracks from Age of Electronicus.