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Dorothy Jeakins
From Wikipedia, the free encyclopedia
Dorothy Jeakins (1914 - 1995) was a three-time Academy Award-winning costume designer. She got her start working on WPA projects and as a Disney artist in the 1930s. Her fashion career began as a designer at I. Magnin's, where she was spotted by director Victor Fleming. Hired as a sketch artist for Joan of Arc (1948), Jeakins worked on the costumes along with Barbara Karinska and shared an Oscar with her. This was the first Oscar ever awarded for costumes.
Jeakins was unusual in that she freelanced, never signing a long-term contract with any one studio. She worked steadily for the next thirty-nine years, winning another two Oscars, for Samson and Delilah (1949, shared with Edith Head and others), and The Night of the Iguana (1964), and another 12 nominations. She was perhaps best-known for her period costumes, in such films as The Ten Commandments (1956), The Music Man (1962), The Sound of Music (1965), Little Big Man (1970), The Way We Were (1973), Young Frankenstein (1974) and The Dead (1987). Her modern-dress excursions included Niagara (1953), Three Coins in the Fountain (1954), South Pacific (1958) and On Golden Pond (1981).
Jeakins also worked on stage productions, including South Pacific (in which Motley was the principal costume designer) , King Lear, Winesburg, Ohio and The World of Suzie Wong (for which she received her third Tony nomination), and such television productions as the 1957 production of Annie Get Your Gun, and Mayerling . For ten years beginning in 1953, she served as designer for the Los Angeles Civic Light Opera Company, and was curator of that city's textile and costume collection at the County Museum of Art. Jeakins, who retired in 1990, once summed up her designing: "I can put my world down to two words: Make beauty. It's my cue and my private passion."