Mulholland Drive (film)
From Wikipedia, the free encyclopedia
| Mulholland Dr. | |
|---|---|
| Directed by | David Lynch |
| Produced by | Pierre Edelman Alain Sarde Mary Sweeney |
| Written by | David Lynch |
| Starring | Naomi Watts Laura Harring Justin Theroux Ann Miller |
| Cinematography | Peter Deming |
| Editing by | Mary Sweeney |
| Distributed by | Universal Focus |
| Release date(s) | |
| Running time | 146 min. |
| Country | United States / France |
| Language | English / Spanish |
| Budget | $15 million (estimated) |
| All Movie Guide profile | |
| IMDb profile | |
Mulholland Dr. is a 2001 genre-defying film written and directed by David Lynch. It stars Naomi Watts, Laura Harring and Justin Theroux.
The plot is structured around an aspiring actress named Betty Elms (Naomi Watts), who befriends an amnesiac (Laura Harring) whom she finds hiding in her aunt's apartment when she arrives in Los Angeles, California. The film includes several other seemingly unrelated vignettes, which eventually connect in various ways, as well as other surreal scenes and images which are all involved in the cryptic narrative.
Strongly acclaimed by many critics, but only a moderate box-office success, the film has achieved the status of a cult classic.
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When the film begins, a surreal image of people doing the jitterbug is shown. The sound of a cheering crowd accompanies a ghostly image of a young blonde woman and an old couple, all of whom are smiling (apparently before the aforementioned crowd). The final image of the blonde woman waving dissolves into a point-of-view shot, with the camera panning over a bed and moving into a pillow. The scene then fades black and switches to a street sign — "MULHOLLAND DR." — illuminated by headlights. A young, dark-haired woman (played by Laura Harring) is being driven up Mulholland Drive in Los Angeles late at night. She is threatened by two men inside the car with a gun. Before they can kill her, however, their limousine is smashed into by a carload of street racing teenagers. The nameless, dark-haired woman suffers from a head injury and subsequent amnesia. As the sole survivor of the crash, she wanders down the hillside into L.A., finds refuge behind some bushes, and falls asleep. The next morning she awakes and sneaks into a vacant apartment. A young and perky aspiring actress named Betty Elms (played by Naomi Watts), who has just arrived in Hollywood from Deep River, Ontario, moves in and discovers her in the shower. It is revealed that the apartment, which is part of a complex managed by a feisty older woman named Coco (played by Ann Miller), belongs to Betty's Aunt Ruth, who is away making a movie in Canada. The dark-haired woman sees a poster for the movie Gilda starring Rita Hayworth and decides to call herself "Rita". She tearfully admits to Betty that she has amnesia, and together the two of them try to piece together her identity. While going through Rita's purse for clues, they discover $50,000 in cash and an unusual blue key.
Strange, seemingly unrelated events follow. At Winkie's, a local diner, a man named Dan tells his companion Herb about a recurring nightmare involving a shadowy person living behind the restaurant. This scene transitions into Dan's nightmare in which Herb encourages Dan to explore the rear parking lot, where he encounters a terrifying figure and collapses from fright.
One subplot involves the efforts of shady film executives to strong-arm a young, arrogant director. The director, Adam Kesher (played by Justin Theroux) finds his latest project stolen by men who appear to be mobsters, who show him a headshot of an unknown blonde actress named Camilla Rhodes (played by Melissa George) and order him to cast her as the film's lead. When Kesher refuses, his life is turned upside down. Returning home, he stumbles upon his wife in bed with the pool cleaner (Billy Ray Cyrus), who beats him up and throws him out of the house. Kesher checks into a seedy hotel, upon which the manager informs him there is trouble with his credit cards. Kesher then receives a call from his female assistant who informs him he is out of money, and that the film's cast and crew have been let go. The assistant also passes on instructions summoning him to meet "the Cowboy" at a ranch just outside of L.A. Kesher, skeptical but compliant, arrives and finds a threatening man dressed as a cowboy. He tells Kesher that he must give the role to Camilla Rhodes to avoid further trouble. At the next casting call, the actress whose headshot he had seen, Camilla Rhodes, arrives and auditions. The casting director asks him if he has something to say, whereupon Kesher obediently declares, "This is the girl."
In another subplot, a bungling hit man steals a "black book" of names and addresses, leaving behind three dead bodies. He, along with two police detectives, are all trying to track down the dark-haired woman now known as "Rita".
Meanwhile, Betty goes to a Hollywood acting audition and performs brilliantly. She is then taken to a sound stage where she catches a glimpse of Adam Kesher, who has just caved in to the mobsters' demands by hiring Camilla Rhodes for his new picture. Betty abruptly flees from the sound stage to pick up Rita, following a clue to the apartment of a mystery woman named Diane Selwyn. This leads to their discovery of a rotting corpse, which is presumably a murdered Diane. Rita, fearing that the same people who harmed Diane are after her as well, decides to disguise herself by wearing a blonde wig. That night, Betty and Rita become lovers and sleep together.
Rita later awakens and insists that she and Betty attend a performance at an eerie midnight theater called Club Silencio, during which Betty begins shaking and both women cry uncontrollably after witnessing an earth-moving performance by Rebekah Del Rio. Ms. Del Rio sings her own Spanish version of Roy Orbison's "Crying". The entire show is based on illusion and how man connects sounds with visuals. After Betty discovers a small blue box in her handbag, both women return to their apartment. Betty suddenly vanishes and Rita, finding herself alone, opens the blue box with the blue key from her purse.
After this, an entirely new reality suddenly emerges. Betty wakes up and finds herself a depressed and lonely failed actress named Diane Selwyn. While alone in her apartment, Diane appears to flash back to recent traumatic events. Her former lover, an actress named Camilla Rhodes (now played by Harring), has abandoned her to pursue a life of riches and glamour by marrying a successful director—the same Adam Kesher who appeared earlier in the film. Feeling betrayed and humiliated, Diane meets the same hit man from the previous reality at Winkie's diner and pays him thousands of dollars in cash to kill Camilla. After receiving confirmation that Camilla has been killed (by the appearance of an ordinary blue key) and now under police suspicion, the guilt-stricken Diane loses her mind, is terrorized by hallucinations, and shoots herself; though whether this suicide is dream or reality is debatable as the bed becomes surrounded by smoke, indicating a dream like state. The final scene of the film shows a blue haired woman--the same one as shown previously in the theatre--simply saying "Silencio". The film fades showing her glittering earring.
Lynch has refused to comment on the film's meaning or symbolism, leading to much discussion and multiple interpretations. A widely cited interpretation has the first two-thirds of the film as a dream of the real Diane Selwyn (Watts), who has cast her dream-self as the innocent and hopeful "Betty Elms", reconstructing her history and persona into something like an old Hollywood movie. In her assumed life, Diane is successful, charming, and lives the fantasy life of a soon-to-be-famous actress. The last third of the film presents Diane's bleak real life, in which she has failed both personally and professionally.
Contained within the original DVD release is a card detailing 10 clues to help the viewer solve the mystery of the film. When the 2004 2-disc DVD edition was released, some of the clues had been reworded.
Originally conceived as a television series, Mulholland Drive began life as a 95-minute pilot for a series on the ABC network. The series was produced for Touchstone Television. The network was unhappy with the pilot and decided not to place it on their schedule. Rumours emerged that ABC's decision was due to the violence in the pilot (the decision came in the wake of the Columbine High School Massacre in Colorado). Lynch told Premiere Magazine in 2000, "All I know is, I loved making it, ABC hated it, and I don't like the cut I turned in. I agreed with ABC that the longer cut was too slow, but I was forced to butcher it because we had a deadline, and there wasn't time to finesse anything. It lost texture, big scenes, and storylines, and there are 300 tape copies of the bad version circulating around. Lots of people have seen it, which is embarrassing, because they're bad-quality tapes, too. I don't want to think about it."[1] The script was later rewritten and expanded when it was decided to transform it into a feature film.
Filming for the pilot began in February 1999. The pilot script balanced normal and surreal elements, much like Lynch’s earlier series Twin Peaks. The pilot laid the groundwork for story arcs, such as the mystery of Rita's identity, Betty's career, and Adam Kesher's film project.[2]
Plot points of the feature film's ending—the physical relationship between Rita and Betty, the bizarre trip to Club Silencio, the "alternate reality" and "identity swapping"—were written and shot after the pilot was completed. Lynch filmed most of the new scenes in October 2000, funded with money from French production company StudioCanal.[3]
Mulholland Drive premiered at the Cannes Film Festival in May 2001 to major critical acclaim. Lynch was awarded the Best Director prize at the festival (sharing it with co-winner Joel Coen for The Man Who Wasn't There). In the United States, the film was released in October 2001. It drew highly positive reviews by many critics and some of the strongest audience reactions of Lynch's career. It was named Best Picture by the New York Film Critics Circle and National Society of Film Critics. Even more notably, the film was given a four-star review by Roger Ebert of the Chicago Sun-Times, who, in the past is known as one of Lynch's biggest detractors:
| “ | David Lynch has been working toward Mulholland Drive all of his career, and now that he's arrived there I forgive him Wild at Heart (1990) and even Lost Highway (1997). At last his experiment doesn't shatter the test tubes. The movie is a surrealist dreamscape in the form of a Hollywood film noir, and the less sense it makes, the more we can't stop watching it.[4] | ” |
Lynch was nominated for a Best Directing Oscar for the film. From the Hollywood Foreign Press, the film received four Golden Globe nominations, including Best Picture (Drama), Best Director, and Best Screenplay.[5][6]
Mulholland Dr. was ranked #38 on the Channel 4 program 50 Films to See Before You Die and was in The Guardian's 1000 films to see before you die where it is described as David Lynch's masterpiece, along with Blue Velvet.[7]
| Actor | Role(s) |
|---|---|
| Naomi Watts | Betty Elms/Diane Selwyn |
| Laura Harring (as Laura Elena Harring) |
Rita/Camilla Rhodes |
| Ann Miller | Catherine 'Coco' Lenoix |
| Dan Hedaya | Vincenzo Castigliane |
| Justin Theroux | Adam Kesher |
| Brent Briscoe | Detective Neal Domgaard |
| Robert Forster | Detective Harry McKnight |
| Katharine Towne | Cynthia Jenzen |
| Lee Grant | Louise Bonner |
| Scott Coffey | Wilkins |
| Billy Ray Cyrus | Gene |
| Chad Everett | Jimmy Katz |
| Rita Taggart | Linney James |
| James Karen | Wally Brown |
| Lori Heuring | Lorraine Kesher |
| Angelo Badalamenti | Luigi Castigliane |
| Michael Des Barres | Billy Deznutz |
| Marcus Graham | Vincent Darby |
| Missy Crider (as Melissa Crider) |
Waitress at Winkies (Diane/Betty) |
| Robert Katims | Ray Hott |
| Jeanne Bates | Irene |
| Patrick Fischler | Dan |
| Michael Cooke | Herb |
| Michael J. Anderson | Mr. Roque |
| Melissa George | Camilla Rhodes |
| Lisa Lackey | Carol |
| Mark Pellegrino | Joe Messing |
| Monty Montgomery (as Lafayette Montgomery) |
Cowboy |
- Academy Awards:
- Best Director (David Lynch)
- BAFTA Film Awards:
- Best Editing (Mary Sweeney)
- Best Film Music (Angelo Badalamenti)
- Boston Film Critics:
- Best Director (David Lynch)
- Best Film
- Broadcast Film Critics:
- Best Film
- Cannes Film Festival:
- Best Director (David Lynch)
- Golden Palm
- César Awards:
- Best Foreign Film
- Chicago Film Critics:
- Best Actress (Naomi Watts)
- Best Director (David Lynch)
- Best Film
- Best Cinematography (Peter Deming)
- Best Original Score (Angelo Badalamenti)
- Golden Globe Awards:
- Best Director (David Lynch)
- Best Film - Drama
- Best Original Score (Angelo Badalamenti)
- Best Screenplay (David Lynch)
- Independent Spirit Awards:
- Best Cinematography (Peter Deming)
- Las Vegas Film Critics:
- Best Supporting Actress (Naomi Watts)
- Los Angeles Film Critics:
- Best Director (David Lynch)
- National Board of Review:
- Best Breakthrough Actress (Naomi Watts)
- National Society of Film Critics:
- Best Actress (Naomi Watts)
- Best Film
- New York Film Critics:
- Best Film
- Online Film Critics:
- Best Actress (Naomi Watts)
- Best Breakthrough Performance (Naomi Watts)
- Best Director (David Lynch)
- Best Film (tie)
- Best Original Score (Angelo Badalamenti)
- Best Cinematography (Peter Deming)
- Best Screenplay - Original (David Lynch)
- Phoenix Film Critics:
- Best Director (David Lynch)
- San Diego Film Critics:
- Best Supporting Actress (Naomi Watts)
- Toronto Film Critics:
- Best Director (David Lynch)
- ^ Mulholland Drive at LynchNet; accessed June 14, 2007.
- ^ Pilot script. fortunecity.com. Retrieved on 2007-03-23.
- ^ IMDB trivia for Mulholland Dr.. IMDB. Retrieved on 2006-12-26.
- ^ Ebert, Roger. Reviews : Mulholland Drive. Chicago Sun Times. June 2001. Accessed June 14, 2007.
- ^ Mulholland Drive. Metacritic. Retrieved on 2006-12-25.
- ^ Mulholland Dr., Awards. lynchnet.com. Retrieved on 2006-12-26.
- ^ Films beginning with M (part 2) - 1000 Films to see before you die - The Guardian, Thursday June 28, 2007.
- Official site, with trailer
- Mulholland Dr. at the Internet Movie Database
- Mulholland Dr. review by Roger Ebert
- Mulholland Dr. at Rotten Tomatoes
- Lost on Mulholland Dr., comprehensive analysis and resource center based on the Rotten Tomatoes discussions (above)
- Salon.com, analysis and explanation
- 'No hay banda': A Long, Strange Trip Down David Lynch's Mulholland Drive
- Deciphering David Lynch's 10 Clues, found within the DVD
- Mulholland Drive / lynchnet.com, includes interviews, press kit, film clips
- Mulholland Drive , analysis by Eric Gans, Professor of French at UCLA
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| Feature films | Eraserhead (1977) • The Elephant Man (1980) • Dune (1984) • Blue Velvet (1986) • Wild at Heart (1990) • Twin Peaks: Fire Walk with Me (1992) • Lost Highway (1997) • The Straight Story (1999) • Mulholland Dr. (2001) • Inland Empire (2006) |
| Short films | The Short Films of David Lynch • Lumière et compagnie (segment "Premonition Following An Evil Deed") (1995) • Darkened Room (2002) • Boat (2007) |
| Television | Twin Peaks • American Chronicles • On the Air • Hotel Room |
| Other work | Industrial Symphony No. 1 • Rabbits • Images •Dumbland • The Angriest Dog in the World • Frequent David Lynch collaborators • BlueBob • The Air Is On Fire • |
Categories: 2001 films | American films | French films | Films directed by David Lynch | Avant-garde and experimental films | English-language films | Independent films | Lesbian-related films | Los Angeles in fiction | Mystery films | Neo-noir | Surrealist films | Psychological thriller films | Films about filmmaking
