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Operas by Richard Strauss
Guntram (1894) Feuersnot (1901) Salome (1905) Elektra (1909) Der Rosenkavalier (1911) Ariadne auf Naxos (1912) Die Frau ohne Schatten (1918) Intermezzo (1923) Die ägyptische Helena (1927) Arabella (1932) Die schweigsame Frau (1934) Friedenstag (1938) Daphne (1938) Die Liebe der Danae (1940) Capriccio (1942)
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For information about the 1967 opera based on the 1931 Eugene O'Neill play based on the Elektra story, see Mourning Becomes Electra.

Elektra is a one-act opera by Richard Strauss, to a German-language libretto by Hugo von Hofmannsthal adapted from his drama of 1903—the first of many such collaborations between composer and librettist. It was first performed at the Dresden State Opera on January 25, 1909, and remains a part of the standard operatic repertoire.

The plot of Elektra is based upon the great Greek tragedy of the same name by the tragedian Sophocles. The unrelenting gloom and horror that permeate the original play produce, in the hands of Hofmannsthal and Strauss, a drama whose sole theme is revenge. Clytemnestra, helped by her paramour Aegistheus, has secured the murder of her husband, Agamemnon, and now is afraid that her guilt will be discovered by her children, Elektra, Chrysothemis, and their banished brother Orestes. Elektra, who is the personification of the passionate lust for vengeance, tries to persuade her timid sister to kill Clytemnestra and Aegistheus. Before the plan is carried out, Orestes, who had been reported as dead, arrives and, upon being told the truth by Elektra, determines upon revenge for his father's death. He kills Clytemnestra and Aegistheus; Elektra, in an ecstatic dance of triumph, falls dead in front of her horror-stricken attendants.

Musically, Elektra deploys dissonance, chromaticism and extremely fluid tonality in a way which recalls but moves beyond the same composer's Salome of 1905, and which represents Strauss's furthest advances in modernism, from which he later retreated. To support the overwhelming emotional content of the opera, Strauss uses a very large and in some ways unusual orchestra, with the following instrumentation:

• 1 piccolo
• 3 flutes (third flute doubling a second piccolo)
• 3 oboes (third oboe doubling cor anglais)
• 1 Heckelphone
• 1 clarinet in E-flat
• 4 clarinets in B-flat and A
• 2 basset horns
• 1 bass clarinet
• 3 bassoons
• 1 contrabassoon
• 8 horns (horns 5-8 doubling 2 B flat tenor and 2 F bass Wagner tubas)
• 6 trumpets
• 1 bass trumpet
• 2 tenor trombones
• 1 bass trombone
• 1 contrabass trombone
• 1 contrabass tuba
• 6-8 timpani (handled by two players)
• glockenspiel
• triangle
• tambourine
• snare drum
• cymbals
• castanets
• bass drum (with switch)
• tam-tam
• celesta (ad libitum)
• 2 harps and
• an unorthodox string grouping, viz.
  • violins 1, 2, 3, and 4 (violin 4 doubles viola 1)
  • violas 2 and 3
  • violoncellos 1 and 2, and
  • double bass.

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