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Elleston Trevor
From Wikipedia, the free encyclopedia
Elleston Trevor was the pseudonym, and eventually legal name, of the British novelist Trevor Dudley-Smith (February 17, 1920 - 1995), who also wrote as Adam Hall, Simon Rattray, Howard North, Roger Fitzalan, Mansell Black, Trevor Burgess, Warwick Scott, Caesar Smith and Lesley Stone. Trevor worked in many genres, but is principally remembered for his 1964 adventure story The Flight of the Phoenix, written as Elleston Trevor, and for a series of Cold War thrillers featuring the British secret agent Quiller, written under the pseudonym Adam Hall.
Born in England, he also lived in Spain and France before moving in 1973 to the United States, where he lived in Phoenix, Arizona. He was married and had a son. He was proficient in karate.
The Quiller series focuses on a solitary, highly capable spy (named for Sir Arthur Quiller-Couch) who works (generally alone) for a government bureau that "doesn't exist" and narrates his own adventures. Quiller (not his real name) occupies a literary middle ground between James Bond and the bland-but-crafty spies of John le Carré. He is a skilled driver, pilot, diver, and linguist, but does not carry a gun.
The series is very stylized, featuring intense depictions of spy tradecraft and professional relationships, surprise jump cuts between chapters, and deep, sometimes self-pitying interior monologues. The first of the Quiller novels, The Berlin Memorandum (1965) (retitled The Quiller Memorandum in the US) won an Edgar Award, from the Mystery Writers of America, for Best Novel. It was filmed in 1966 under its US title and starred George Segal and Alec Guinness. It was also adapted into a 1975 British television series, featuring Michael Jayston.
Under the name "Simon Rattray" he wrote mystery novels featuring Hugo Bishop, a brilliant man who, like Agatha Christie's Hercule Poirot, solved crimes as a kind of mental challenge. The first Bishop novel, Knight Sinister, appeared in 1951; five more followed, the last appearing in 1957. That Trevor could also be very effective in the straight, non-mystery genre is shown by The Billboard Madonna (1961), a chilling study of the advertising world: the protagonist accidentally kills a beautiful woman in a car crash, and is obsessively compelled to memorialize her.