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Emeric Pressburger
Emeric Pressburger in Paris
Born	December 5, 1902 Miskolc, Hungary
Died	February 5, 1988 aged 85 Saxstead, Suffolk, England
Academy Awards
Best writing 1941 49th Parallel Nominated Best Picture 1948 The Red Shoes Nominated Best writing 1942 One of Our Aircraft is Missing 1948 The Red Shoes

Emeric Pressburger (December 5, 1902 – February 5, 1988) was an Oscar winning, Hungarian/British screenwriter, film director and producer. He is known for his series of collaborations with Michael Powell.

Contents 1 Biography 2 Filmography 2.1 Early work 2.2 Middle period 2.3 Later work 3 Other works 4 Personal quotes 5 References 6 Footnotes 7 External links

Emeric Pressburger (Imre József Pressburger) was born in Miskolc, Hungary of Jewish heritage,^[1] and educated at the Universities of Prague and Stuttgart, he started out as a journalist. After working in Hungary and Germany he turned to screenwriting in the late 1920s, working for UFA in Berlin. The rise of the Nazis forced him to flee to Paris, where he again worked as screenwriter, and then to London. He later said, "the worst things that happened to me were the political consequences of events beyond my control ... the best things were exactly the same."

In England he found a small community of Hungarian film-makers who had fled the Nazis, including the influential Alexander Korda, owner of London Films, who employed him as a screenwriter. There he met film director Michael Powell, and they worked together on The Spy in Black (1939). Their partnership would produce some of the finest British films of the period.

In 1938 he married Agí Donáth, but they divorced in 1941. He married again, in 1947, to Wendy Orme, and they had a daughter Angela; but this marriage also ended in divorce in 1971. His daughter Angela's two sons both became successful film-makers: Andrew Macdonald as a producer on films such as Trainspotting (1996), and Kevin Macdonald as an Oscar-winning director. Kevin has written a biography of his grandfather, and a documentary about his life, The Making of an Englishman (1995).

Pressburger became a British citizen in 1946. He was made a Fellow of BAFTA in 1981, and a Fellow of the BFI in 1983.

In his later years he lived in Saxstead, Suffolk, England, where he died on 5 February 1988 of bronchial pneumonia.

For his films with Michael Powell, see Powell and Pressburger and Powell and Pressburger films

His early films were made mainly in Germany and France where he worked at the Ufa Studio in the Dramaturgie department (script selection, approval and editing) and as a scriptwriter in his own right. Some of the films made in Germany have French titles and vice-versa. In the 1930s many European films were made in different versions for each of the main European languages.

• 1930: Die Große Sehnsucht, Abschied
• 1931: Ronny, Das Ekel, Dann schon lieber Lebertran, Emil und die Detektive, Der Kleine Seitensprung
• 1932: Une jeune fille et un million, ...und es leuchtet die Pußta, Sehnsucht 202, Petit écart, Lumpenkavaliere, Held wider Willen, Eine von uns, La Belle aventure, Wer zahlt heute noch?, Das Schöne Abenteuer, A Vén gazember

In 1932/33, when the Nazis came to power, the head of Ufa decided to get rid of all Jews so Pressburger was told his contract wouldn't be renewed. He left his Berlin apartment, "leaving the key in the door so that the Stormtroopers wouldn't have to break the door down" and went to Paris.

• 1933: Une femme au volant, Incognito
• 1934: Mon coeur t'appelle, Milyon avcilari
• 1935: Monsieur Sans-Gêne, Abdul the Damned
• 1936: Sous les yeux d'occident

Late in 1935 he decided that he would do better in England. (Remember that film scripts are written some time before the film is made and released so some films that he worked on were released in France some time after he left).

• 1936: Port-Arthur, Parisian Life, One Rainy Afternoon
• 1937: The Great Barrier
• 1938: The Challenge
• 1939: The Silent Battle

In 1939, Pressburger was introduced to Michael Powell to work together on The Spy in Black. They had an instant rapport and went on to make 20 films together in less than 20 years, many of them world-class.

But even while he was working with Powell, Pressburger still did some projects on his own.

• 1940: Spy for a Day
• 1941: Atlantic Ferry
• 1942: Rings on Her Fingers, Breach of Promise
• 1943: Squadron Leader X
• 1946: Wanted for Murder

It is worth noting that he wasn't just "Michael Powell's screenwriter" as some have categorised him. The films they made together in this period were mainly original stories by Pressburger, who also did most of the work of a producer for the team. Pressburger was also more involved in the editing process than Powell, and, as a musician, Pressburger was also involved in the choice of music for their films.

As Powell and Pressburger began to go their separate ways after the war. They remained great friends but wanted to explore different things, having done about as much as they could together.

• 1953: Twice Upon a Time - Pressburger's one solo attempt at directing
• 1957: Men Against Britannia, Miracle in Soho
• 1964: Behold A Pale Horse - Based on Pressburger's novel Killing a Mouse on Sunday
• 1965: Operation Crossbow

• Killing a Mouse on Sunday - made into the film Behold a Pale Horse (1964). London: Collins, 1961.
• The Glass Pearls. London: Heinemann, 1966.

• "I think that a film should have a good story, a clear story, and it should have if possible, something which is probably the most difficult thing - it should have a little bit of magic ... Magic being untouchable and very difficult to cast, you can't deal with it at all. You can only try to prepare some nests, hoping that a little bit of magic will slide into them." NYC 1980

• Ian Christie, Powell, Pressburger and Others, London: British Film Institute, 1978
• Ian Christie, Arrows of Desire: The Films of Michael Powell and Emeric Pressburger, London: Waterstone, 1985. ISBN 0-947752-13-7
• Kevin Macdonald, The Life and Death of a Screenwriter, Faber & Faber, 1994. ISBN 0-571-16853-1
• Llorenç Esteve, Michael Powell y Emeric Pressburger, Spain, Catedra, 2002.
• David Lazar (ed), Michael Powell: Interviews, University Press of Mississippi, 2003. ISBN 1-57806-498-8
• Andrew Moor, Powell and Pressburger: A Cinema of Magic Spaces, I.B. Tauris, 2005. ISBN 1-85043-947-8
• Ian Christie and Andrew Moor (eds), The Cinema of Michael Powell: International Perspectives on an English Filmmaker, BFI, 2005. ISBN 1-84457-093-2, ISBN 1-84457-094-0 (pbk)

• Emeric Pressburger at the Powell & Pressburger Pages.
• Emeric Pressburger at the Internet Movie Database
• Emeric Pressburger at the BFI's Screenonline
• BFI Filmography

	Powell and Pressburger The films of Michael Powell and Emeric Pressburger
1930s	The Spy in Black | The Lion Has Wings
1940s	Contraband | An Airman's Letter to His Mother | Forty-Ninth Parallel | One of Our Aircraft is Missing | The Life and Death of Colonel Blimp | The Volunteer | A Canterbury Tale | I Know Where I'm Going! | A Matter of Life and Death | Black Narcissus | The Red Shoes | The Small Back Room
1950s	The Elusive Pimpernel | Gone to Earth | The Tales of Hoffmann | Oh... Rosalinda!! | The Battle of the River Plate | Ill Met by Moonlight
1960s	Peeping Tom (not Pressburger) | They're a Weird Mob | Age of Consent
1970s	The Boy Who Turned Yellow

Persondata
NAME	Pressburger, Emeric
ALTERNATIVE NAMES	Pressburger, Imre József Emmerich (birth name); Pressburger, Emmerich (aka name); Preßburger, Emmerich (aka name); Pressburger, Imre (aka name); Imrie, Richard (aka name)
SHORT DESCRIPTION	Film screenwriter
DATE OF BIRTH	December 5, 1902
PLACE OF BIRTH	Miskolc, Hungary
DATE OF DEATH	February 5, 1988
PLACE OF DEATH	Saxstead, Suffolk, England, UK