Fifth Beatle

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The Fifth Beatle is an informal title that numerous commentators in the press and entertainment industry have applied to several people who were at one point a member of The Beatles, or who had a strong association with the "Fab Four" other than John Lennon, Paul McCartney, George Harrison, and Ringo Starr. The "Fifth Beatle" claims appeared in the press immediately upon the band's sensational rise to global fame in 1963-1964 as the most famous quartet in pop culture.

Murray the K, the "Fifth Beatle"

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Before they became famous, The Beatles actually did sometimes have five members, so the following people could all be called "the fifth Beatle."

Drummer Pete Best (replaced by Ringo Starr in August 1962) has one of the strongest claims to being called a "fifth Beatle". But in fact Best has only rarely been labeled as such, and generally only in recent years to promote his public appearances. The implicit connotation with the "fifth Beatle" title is that the fifth member was a substantial creative, personality, or business contributor to the band, and Best (rightly or wrongly) has been never widely been perceived as any of these. During the Beatles' 1960s fame, he was viewed as a footnote, and regarded "the drummer the Beatles fired before hiring Ringo."

Bass guitarist Stuart Sutcliffe left the band in 1961, and died of a brain hemorrhage shortly thereafter. The air of mystery and tragedy around him contributed to the Beatles' early fame and their legend.[citation needed]

Sutcliffe was an accomplished painter, but when compared to the other Beatles, his musical skills were described as "adequate"[1], and his involvement in the band was mainly a consequence of his friendship with Lennon. Nonetheless, he was an important early influence on the band, especially in the development of their image.[citation needed]

Members of precursor bands (such as the Quarrymen) like Pete Shotton, Colin Hanton, Len Garry, Eric Griffiths, and Rod Davis, or any one of a number of temporary Beatles drummers, most notably Andy White (the session drummer for the commonly-heard version of "Love Me Do") and Tommy Moore have, less often, been discussed in this context.

Brian Epstein, the band's manager from 1961 until his death in 1967, was instrumental in the Beatle's rise to global fame. Epstein "discovered" the band in Liverpool, saw their potential, and never wavered in his faith and commitment to them. He purposefully restricted his oversight of the band to business matters and public image, and wisely gave them free creative reign in their music. Epstein also doggedly sought a recording contract for the band in London at a crucial moment in their career, fighting their perception as provincial "northern" musicians.

Epstein's death in essence marked the beginning of the Beatles' dissolution, as Lennon admitted later. Because he was not creatively involved with the band, Epstein was infrequently called the "fifth Beatle", but over the years he and producer George Martin have clearly been recognized as the inner circle members who most profoundly affected the band's career. In an interview in the 1990s describing Epstein's involvement in the band's rise to fame, George Martin declared "He's the fifth Beatle, if there ever was one".

Paul McCartney summarized the importance of Epstein to the Beatles when he was interviewed, in 1997, for a BBC documentary about Epstein. He stated: "If anyone was the fifth Beatle, it was Brian." [2]

The label is often applied to George Martin, who produced nearly all the Beatles' recordings (later songs "Real Love" and "Free as a Bird" were produced by Jeff Lynne) and wrote the instrumental score for the Yellow Submarine film and soundtrack album, and the string and horn (and even some vocal) arrangements for almost all of their songs (with the famous exception of the Phil Spector re-production "Let It Be"). His arrangement of the string octet backing for "Eleanor Rigby" was widely noted. Martin's extensive musical training (which he received at the Guildhall School of Music) and sophisticated guidance in the studio are often credited as fundamental contributions to the work of The Beatles; he was without question a key part of the synergy responsible for transforming a good rock-and-roll group into the most extraordinary popular musicians of their era. Martin's piano playing also appears on several of their tracks, including "Misery" and "In My Life". Martin himself deflects claims of being the "fifth Beatle" to Beatles' manager Brian Epstein. More recently, George Martin has inadvertently strengthened his image as the "fifth Beatle" by contributing the only piece of new music on the LOVE soundtrack: a string arrangement on top of George Harrison's solo acoustic demo of While My Guitar Gently Weeps from Anthology 3.

While performing in Hamburg between 1960 and 1963, musician Tony Sheridan employed various backup bands. In 1961 The Beatles (comprised of Lennon, McCartney, Harrison, and Pete Best), who had met Sheridan during their first visit to Hamburg in 1960, worked with him on their second. When German Polydor agent Bert Kaempfert saw the pairing on stage, he suggested that they make some recordings together. (At that period in time, Sheridan was the bigger name, with The Beatles as his backing band.) In 1962, after a series of singles (the first of which, "My Bonnie"/"The Saints" made it to #5 in the Hit Parade), Polydor released the album My Bonnie across Germany. The word "Beatles" was judged to sound too similar to the German "Pidels" (pronounce peedles), the plural of a slang term for penis, so the album was credited to "Tony Sheridan and The Beat Brothers". After The Beatles had gained fame, the album was re-released in Britain, with the credit altered to "Tony Sheridan and The Beatles".

Apart from Sheridan, pianist Billy Preston was the only artist to receive joint credit on a Beatles record, on "Get Back". Preston also played the organ on "Let It Be" and the Rhodes electric piano on "Don't Let Me Down". Preston had been introduced to the Beatles during the early 1960s, but did not work with them until 1969, when Harrison invited him to join them for recording sessions in order to defuse tensions in the band. Lennon once suggested that Preston join the Beatles, but the idea was dismissed by the others. On the Let it Be album where Preston's performances are used the song credits list "with Billy Preston," clearly identifying him as separate from the main group, yet also giving him a level of individuality that separated him from studio session players. To distinguish him from the common level of controversy over who is the Fifth Beatle, he is sometimes given the unique title of the "Black Beatle".

During the band's 1964 tour, Ringo became ill and the Dutch and Danish legs of the tour were almost cancelled. Instead of cancelling, however, the band hired another drummer, Jimmy Nicol, to stand in until Ringo recovered. The photographer following the band for the 1964 tour, Harry Benson, recalls in his book The Beatles in the Beginning, that "John was pleasant to Nicol, Paul was ambivalent, and George downright didn't like him and thought he was too pushy." George and Ringo were close and Ringo felt threatened that he was being replaced, even if it was for just a small portion of the tour.

Nicol made the most of his time in the most famous band. He signed autographs and gave interviews. He was a good drummer too. Eventually there were rumours that Ringo would be replaced, but Jimmy eventually was not accepted as a member of the group, and many fans reacted with disappointment, through letters and telegrams, that Ringo might be replaced. Eventually Ringo rejoined the band on June 14th, in Melbourne, Australia. The next day Nicol, after playing a number of concerts in Sydney and Adelaide, giving interviews and signing autographs was escorted to the airport by Brian Epstein and flew home to Britain. It was later reported that Nicol was paid 500 pounds for the gigs and was given a gold watch as a memento.

It is suggested, perhaps apocryphally, that the phrase "It's getting better" in the track Getting Better (on the Sgt. Pepper's Lonely Hearts Club Band album) was inspired by Nicol's stock response to repeated solicitous inquiries during his time with the band as to how he was coping.

Other people who have been referred to as (or claimed to be) "the Fifth Beatle" include:

  • Neil Aspinall, assistant, road manager and close personal friend of the four. The Beatles once claimed he was indeed the fifth member.
  • Alf Bicknell, driver, roadie and friend. He released a DVD titled The Beatles Diary, in which he shares stories of his experiences with the Beatles.
  • Wilfred Brambell, probably the only man who could honestly claim to be one of the five stars of a Beatle movie (A Hard Day's Night).
  • Mal Evans, roadie, assistant, and friend. His roles as Hammond organ player on "You Won't See Me," 'anvil player' on "Maxwell's Silver Hammer," and his solo on alarm clock on "A Day in the Life" should also be taken into account.
  • Astrid Kirchherr, girlfriend of Stuart Sutcliffe and acquaintance of Sutcliffe's then-fellow Beatles (Lennon, McCartney, Harrison, and Best), might also belong on this list; she was long rumored to have created the Beatles' "mop-top" hairstyle (a claim refuted by Kirchherr herself). She was, however, instrumental to the group's initial use of their distinct image.

Several musicians recorded with the Beatles in a more limited capacity, and hence could be dubbed "the Fifth Beatle" for a single track or two:

  • Eric Clapton, who played guitar on "While My Guitar Gently Weeps". Also held a close friendship with all four Beatles, especially George, and was a major influence on his guitar-playing during their latter half.
  • Klaus Voormann, who was in contact with all the Beatles since the Hamburg days in the early 1960s. He designed the Revolver album cover for them in 1966. In addition, he played bass guitar on many singles and albums released by John, George, and Ringo after the breakup through the mid-1970s. For a time in the early 70s, rumors spread that he would replace Paul in a new configuration of the band, possibly accompanied by Billy Preston. This line-up is sometimes referred to as "The Ladders". (See also: "I'm The Greatest")
  • Nicky Hopkins, who played the electric piano solo on "Revolution".
  • Jeff Lynne, who co-produced and played a number of guitar parts on "Free as a Bird" and "Real Love". He and his band, the Electric Light Orchestra was also given the title "The Son Of Beatles" by John Lennon. Furthermore, Lynne has worked with McCartney, Harrison, and Starr in at least some projects.
  • Paul McCartney's wife Linda might also belong in this list, as she apparently provided backing vocals on either Let It Be or Hey Jude (McCartney can't seem to decide which) as well as "Birthday".
  • John Lennon's wife Yoko Ono. Ono contributed vocals on several of John's songs on The White Album, including "The Continuing Story of Bungalow Bill."
  • Phil Spector, producer of Let It Be. The January 1969 recordings for the album, produced during a time of tremendous strife among band members, were somewhat lacking, and the band didn't seem to want to have anything more to do with them. Dumping the tapes on engineer Glyn Johns, they told him to come back with an album. In May 1969, Johns came back with the best he could do, and the Beatles rejected it. Spector had been lobbying for a long time to work with the Beatles, so, in March 1970, he was given the tapes and re-worked them. However, his use of his famous Wall of Sound style with the Beatles music has had nearly as many detractors as fans over the years, and Let It Be eventually became the only Beatles album to be re-titled and re-released in a substantially different form (Let It Be... Naked), with Spector's overdubs largely removed.

Other well known persons who have been called "the Fifth Beatle" include:

  • Murray the K, a New York disc-jockey who was jokingly dubbed the "fifth Beatle" by George Harrison. Murray was one of the few who actually promoted himself with the title of Fifth Beatle. He is credited with coining the term "Fifth Beatle" when he referred to himself on air as such in 1964.
  • Little Richard, whose gift for flamboyant self-promotion is legendary, good-naturedly claims to have "taught the Beatles everything they knew" and at times has laid claim to the title. Indeed, Richard's songs and style influenced the early Beatles, and Paul McCartney's powerful vocal covers of his songs such as "Long Tall Sally" were important in the Beatles' early career. In reality, Richards' personal interaction with the Beatles occurred over a few days in early 1963, when the Beatles were second bill to Richard at several UK performances.
  • George Best, star footballer of the 1960s, owing to his huge talent, enormous popularity, long-haired good looks and celebrity lifestyle. Best was dubbed "El Beatle" by the Portuguese press after scoring two goals for Manchester United in a 5 - 1 victory in Lisbon against Benfica in the European Cup in 1965. [1][2][3]. Broadcaster Brian Matthew, who introduced Saturday Club on the BBC Light Programme during the 1960s, remarked on a 2006 edition of BBC Radio 2's Sounds of the 60s (15 July 2006) that, not only had Best been accorded the "fifth Beatle" eponym, but that he himself had, on one occasion, been referred to as such.
  • Larry Kane, a long time Philadelphia news anchor who traveled with the Beatles on their first US tour[citation needed].
  • Dave Hull, a Los Angeles radio personality who conducted fourteen taped interviews with the band in 1965-66. Hull and Bob Eubanks helped plan their 1966 Hollywood Bowl concert[citation needed].
  • Ed Rudy, the only American news reporter to travel with The Beatles on their entire first U.S. visit[citation needed].
  • William Sheppard, Paul McCartney's replacement according to the "Paul is dead" theory.
  • According to the satirical b3ta website, the 5th Beatle was Peter Sutcliffe.
  • Cabics Balls, the legendary musician, played trumpet on the White Album.
  • Tatsuya Ishida, comic artist, creator of Sinfest comic strip, jokingly called himself "fifth Beatle" in epigraf of his strip "Conscious Again"[4] in 2000-04-30

  • The Beatles' manager Brian Epstein, often referred to as the fifth Beatle (cited above), was the inspiration for the forthcoming film The Fifth Beatle.
  • Muhammad Ali, formerly known as Cassius Clay, was often referred to as the fifth Beatle, as a result of his similar effect to society and culture through entertainment.[citation needed]
  • Charles Manson believed he was the fifth Beatle. Manson believed that the Book of Revelations 9th Chapter said that the Beatles were four angels. The chapter also went on to say that the four angels would call a fifth angel who would have a key to a bottomless pit, which Manson believed he had. To Manson this was proof that he was the fifth Beatle.
  • Eddie Murphy starred in a 1983 Saturday Night Live sketch, playing the role of "Clarence", a man who claimed to be the fifth Beatle, as saxophonist, who was kicked out by John and Paul because they wanted to steal the glory. The sketch featured Clarence's "proof" of his claims: Some out-of-tune saxophone and backing vocal parts clumsily overdubbed on a few Beatles songs, and an obviously phony picture of Clarence standing in the middle of the four Beatles. The clearly unbelieving tv-show host, portrayed by Joe Piscopo, demands further proof of his claims. So "Clarence" offers up a recording of a Beatles song played 'backwords', which reveals two Liverpudlian accented males declaring 'Hey Paul, let's get rid of Clarence and steal all of his good ideas!'
  • Another Saturday Night Live sketch in 1988 portrayed controversial John Lennon biographer Albert Goldman as the fifth Beatle.
  • An episode (Lisa the Vegetarian) of The Simpsons animated television show featuring Paul and Linda McCartney included a scene in which Apu Nahasapeemapetilon claimed to be the fifth Beatle (though he mispronounces it "Bee-at-el" (rhymes with Seattle, also the same mispronunciation used by the Eastern cult in the film Help!) and gets most of the words to "Sgt. Peppers Lonely Hearts Club Band" wrong: I'm Sgt. Peppers Lonely Hearts Club man, I hope I will enjoy my show!). Paul's eye-rolling response: "Sure you were, Apu." Oddly enough, Paul and Linda seem to enjoy his butchering of the song very much, as they are seen snapping their fingers and swaying to the beat.
  • An edition of BBC comedy Fist of Fun featured a "special guest" (played by Kevin Eldon) who claimed to be the tenth Beatle, on the basis that there were only five people with better claim to be the fifth Beatle than him. The fact that he was born in 1971 didn't appear to be a problem to the man as he remarks, with some wonder "If I had been born twenty years earlier, I could have been the fifth Beatle!"
  • In the Blizzard RTS PC game Warcraft 3, the Crypt Lord Anub'arak says "I'm the fifth beetle" after being repeatedly clicked on.
  • In the film The Million Dollar Hotel the character Dixie, played by Peter Stormare believes himself to be the fifth Beatle.

Benson, Harry, The Beatles In The Beginning. New York: Universe Publishing, 1993. ISBN 0-87663-642-3.

"Fifth Beatle" is also the name taken by a Beatles tribute band based in Birmingham, England.

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