From Wikipedia, the free encyclopedia

Jean-Hippolyte Flandrin (March 23, 1809 - March 21, 1864), French painter, was born at Lyon.

Contents 1 The Family 2 Early career 3 Work in Rome 4 Decorative paintings 5 An appraisal 6 External links

M. Flandrin, though brought up to business, had a great fondness for art, and would have liked to follow an artistic career. A lack of early training was against him and as a result he was obliged to take up the more precarious occupation of a miniature painter.

Hippolyte was the second of three sons, all painters; the third son Paul (b. 1811) ranks as one of the leaders of the modern landscape school of France. Augusto (1804-1842), the eldest, passed the greater part of his life as a professor at Lyon, where he died.

After studying for some time at Lyon, Hippolyte and Paul, who had long planned for the step and had budgeted and saved for it, set out to walk to Paris in 1829, to place themselves under the tuition of Hersent. They finally chose to enter the atelier of Ingres, who became not only their instructor but their friend for life. At first considerably hampered by his poverty, Hippolyte's difficulties were overcome by his taking, in 1832, the Grand Prix de Rome, awarded for his picture of the "Recognition of Theseus by his Father."

This award allowed him to study for five years in Rome, from where he sent home several pictures which considerably raised his fame. "St Clair healing the Blind" was undertaken for the cathedral of Nantes, and years after, at the exhibition of 1855, also brought him a medal of the first class. "Jesus and the Little Children" was given by the government to the town of Lisieux. "Dante and Virgil visiting the Envious Men struck with Blindness," and "Euripides writing his Tragedies," belong to the museum at Lyon.

Returning to Paris through Lyon in 1838 he soon received a commission to ornamelit the chapel of St John in the church of St Séverin at Paris, and his reputation further increased ensuring continuous employment for the rest of his life.

Besides the pictures mentioned above, and others of a similar kind, he painted a great number of portraits. However, the works, upon which he is most famous are his monumental decorative paintings. Of these the principal are those executed in the following churches:

• in the sanctuary of St Germain des Prés at Paris (1842-1844)
• in the choir of the same church (1846-1848)
• in the church of St Paul at Nîmes (1848 1849)
• of St Vincent de Paul at Paris (1850-1854)
• in the church of Ainay at Lyon (1855)
• in the nave of St Germain des Prés (1855-1861)

In 1856 Hippolyte Flandrin was elected to the Académie des Beaux-Arts. In 1863 his failing health, made worse by his hard work and extended exposure to the damp and draughts of churches, induced him again to visit Italy where he died of smallpox at Rome on the 21st of March 1864.

As might naturally be expected in one who looked upon painting as but the vehicle for the expression of spiritual sentiment, he had perhaps too little pride in the technical qualities of his art. There is shown in his works much of that austerity and coldness, expressed in form and color, which springs from a faith which feels itself in opposition to the tendencies of surrounding life. He has been compared to Fra Angelico; but the faces of his long processions of saints and martyrs seem to express rather the austerity of souls convicted of sin than the joy and purity of never-corrupted life which shines from the work of the early master.

This article incorporates text from the Encyclopædia Britannica Eleventh Edition, a publication now in the public domain.

• Catholic Encyclopedia entry
• Delaborde, Lettres et pensies de H. Flandrin (Paris, 1865) Beul, Notice historique sur H. F. (1869).
• Jeune Homme Nu Assis au Bord de la Mer