French folk music

From Wikipedia, the free encyclopedia

Music of France
Styles classical - folk - popular: hip hop - jazz - rock
History (Timeline and Samples)
Awards NRJ Music Awards - Victoires de la musique
Charts IFOP
Festivals Printemps de Bourges
Media
National anthem "La Marseillaise"
Regional music
Alsace - Auvergne - Aquitaine - Pays Basque - Béarn - Brittany - Burgundy - Corsica - Gascony - Languedoc - Limousin - Lorraine - Picardy - Poitou - Provence - Rousillon
Overseas music
French Guiana - French Polynesia - Martinique and Guadeloupe - Mayotte - New Caledonia - Réunion - St. Pierre and Miquelon - Tahiti - Wallis and Futuna

As Europe experienced a wave of roots revivals, France found its regional cultures reviving traditional music. Brittany, Limousin, Gascony, Corsica and Auvergne were among the regions that underwent a popularization of folk music. Traditional styles of music had survived most in remote areas like the island of Corsica and mountainous Auvergne, as well as the more nationalist lands of the Basques and Bretons.

In many cases, folk traditions were revived in relatively recent years to cater to tourists. These groupes folkloriques tend to focus on very early 20th century melodies and the use of the piano accordion.

Contents

Main article: Music of Provence

The most iconic form of Provencal folk music is a duo of fife and drum, or ensembles of galoubets-tambourins; the most prominent characteristic of the region's folk music, however, is the Italian musical influence. Performers include Patrice Cornte, Yves Rousguisto and André Gabriel. Provence's diverse communities include Savoy, whose distinct hurdy gurdy tradition has produced the modern band La Kinkerne, the Alpes Maritimes choral tradition, which includes choirs like La Compagnie Vocale and Corous de Berra, and the northern region, which has produced a vibrant violin tradition, Dauphiné's rigaudon dance and performers Rigodon Sauvage, Patrick Mazellier and Drailles.

Main article: Music of Roussillon

The southwestern region of Roussillon's music is shaped by its unique ethnicities, and includes forms of Catalan and Gypsy music. The former includes the sardana and is based around the city of Perpignan. The sardana is played by a band (coble) consisting of three kinds of oboes, flutes and other instrument, including shawms and bagpipes among some recent revivalists. Modern traditional performers include Cobla Mil-Lenaria, La Cobla de Joglars, Els Ministrles del Rossellano and La Colba els Montgrins.

Main article: Music of Béarn

Béarn's revivalist scene has been quite limited in scope, though it has produced the nationally renowned singer Marilis Orionaa. Traditional instruments from the area include the tambour de Béarn, a six string drum used as a rhythm drone instrument used as an accompaniment of the three-holed recorder.

Main article: Music of Languedoc

Languedoc is home to several unusual instruments, including the bodega, a kind of bagpipe, and the aboès and graille, both kinds of oboes. The bodego is made out of goatskin, using an unusual process in which the innards of the animal are removed through the neck so that the entire, unbroken skin can be used for the instrument. It has only one large shoulder drone. The bodega is known from at least the 14th century. Popular traditional groups from Languedoc include Calabrun, Trencavel, Laurent Audemard's Une Anche Passe and Trioc.

Main article: Music of Gascony

One of the biggest stars of the French roots revival was Perlinpinpin Folc, formed in 1972 and led by Christian Lanau, whose Musique Traditionelle de Gascogne was a popular release that sparked interest in the traditional music of Gascony.

Gascon small pipes, called boha (bouhe), are a well-known part of the local scene. They have a rectangular chanter and drone combination, which is unique to Gascon, and are made out of sheepskin with the fleece showing.

Main article: Music of Auvergne

Auvergne is known for cabrette bagpipes. The cabrette (little goat in Auvergnat) is a bagpipe made of goatskin (goats being an integral part of Auvergnat traditional life) and without drones, blown by elbow-driven bellows. Some famous old players : Martin Cayla, Jean Bergheaud, Marcel Bernard, Antoine Bouscatel, joseph Costeroste, Georges Soule, and some modern players :Dominique Paris, Victor Laroussinie, Didier Pauvert, Stéphane Charpentier, Michel Esbelin, François Lazarevic. They play both regrets(slow airs), bourrées (typical auvergne danse) and swift, 3/8 dance music. For more information on Cabrette go to the official cabrette's website : cabrette.com.

Joseph Canteloube was a well-known composer from Auvergne in the early 20th century, and produced a famous collection of folk music called Songs of the Auvergne.

Main article: Music of Limousin

Limousin is known for its violin music, as well as the chabrette bagpipe. Eric Montbel is the biggest star of Limousin folk, while Françoise Etay, Jean Pierre Champeval, Olivier Durif, Valentin Clastrier and Pascal Lefeuvre are also popular. Instruments include the cabrette bagpipe and the ancient army fife, pifre. Limousin violin music, focussed in Corrèze, has produced stars François Etay and Trio Violon, while more modern fiddlers include François Breugnot, Olivier Durif, Jean Pierre Champeval and Jean-François Vrod. The hurdy gurdy in Limousin has been extended to avant-garde styles utilizing electronic music, jazz and other influences, including Pascal Lefeuvre, Dominique Regef and Valentin Clastrier.

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