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A gay icon or LGBT icon is an historical figure, celebrity or public figure who is embraced by many in the Lesbian, Gay, Bisexual, and Transgender (LGBT) communities. In particular, they are figures perceived to be strong or brave individuals who have wrestled with psychological demons, issues of sexuality, have suffered publicly or met an early tragic end. The term Dykon, a portmanteau of the words "dyke" and "icon," has recently entered the lexicon as a word to describe lesbian icons.^[1]

Qualities of an LGBT icon usually include a larger-than-life image, inherent glamour and eventual flamboyance, strength through adversity, androgyny, or an ambiguous sexuality.

Contents 1 Historical examples 2 Modern examples 2.1 In entertainment 2.2 In sports 2.3 In politics 3 Responses 4 See also 5 References 6 External links

The earliest gay icon was Saint Sebastian.^[2] The combination of his strong, shirtless physique, the symbolism of the arrows penetrating his body, and the look on his face of rapturous pain have intrigued artists both gay and straight for centuries; and began the first explicitly gay cult in the 19th century.^[2] Richard A. Kaye wrote, "contemporary gay men have seen in Sebastian at once a stunning advertisement for homosexual desire (indeed, a homoerotic ideal), and a prototypical portrait of tortured closet case."^[3] Due to Saint Sebastian's status as gay icon, Tennessee Williams chose to use that name for the martyred character Sebastian in his play, Suddenly, Last Summer.^[4] The name was also used by Oscar Wilde — as Sebastian Melmoth — when in exile after his release from prison, as is Little Britain character Sebastian, tortured in his unreturned love for the Prime Minister of the United Kingdom

Marie Antoinette was an early lesbian icon. Rumors about her relationships with women had been circulated in pornographic detail by anti-royalist pamphlets before the French Revolution. In Victorian England, biographers who idealized the Ancien Régime made a point of denying the rumors, but at the same time romanticized Marie Antoinette's "sisterly" friendship with the Princesse de Lamballe as — in the words of an 1858 biography — one of the "rare and great loves that Providence unites in death."^[5] By the end of the 19th century she was a cult icon of "sapphism;" her execution, seen as tragic martrydom, may have added to her appeal. Allusions to her appear in early 20th century lesbian literature, most notably Radclyffe Hall's The Well of Loneliness, where the gay playwright Jonathan Brockett describes Marie Antoinette and de Lamballe as "poor souls... sick to death of the subterfuge and pretenses."^[6] She had crossover appeal as a gay icon as well, at least for Jean Genet, who was fascinated by her story. He included a reenactment of her execution in his 1947 play The Maids.^[5]

Modern gay icons in entertainment include both film stars and musicians, most of whom have strong, distinctive personalities, and many of whom died young or under tragic circumstances. These individuals may be homosexual or straight, closeted or out, and male or female. The women most commonly portrayed by drag queens are usually gay icons.

An archetypal gay icon is Judy Garland.^[7] So revered is she as a gay icon that her most well known film role, that of Dorothy in The Wizard Of Oz, became used as code among homosexuals in the 1950s. The expression, "Is he a friend of Dorothy?" was slang for, "Is he gay?"

Oscar Wilde, Irish author, humorist and "dandy," who was about as "out of the closet" as was possible for the late 1800s, is also considered to be a gay icon, at least by some.^[8]

Others who are or have been considered icons in the LGBT community include:

Lesbian icons are most often powerful women who are, or are rumored to be, lesbian or bisexual.^[12] However, a few male entertainers have also had iconic status for lesbians. James Dean was an early lesbian icon^[31] who, along with Marlon Brando, influenced the butch look and self-image in the 1950s^[32] and after.^[33][34] One critic has argued for Johnny Cash as a minor lesbian icon, attributing his appeal to "lesbian identification with troubled and suffering masculinity."^[35] Science fiction author Forrest J Ackerman was dubbed an "honorary lesbian" for his help during the early days of the Daughters of Bilitis. He also wrote lesbian-themed fiction under the pseudonym Laurajean Ermayne.

Though most gay icons are to be found in the English-speaking world, the concept is to be found in other cultures, as well. Dalida, the Egyptian singer of Italian origin, had a career-long gay following that extended out of Paris and well into the Middle-east. In the years since her death, her iconic status has not diminished.^[36][37] Likewise, Bollywood actor Abhishek Bachchan was recently declared to be a gay icon in a national poll in India. Though homosexuality still carries a stigma in India, he was quoted as saying that "Appreciation and love from any quarter is welcome," and that though he is straight, himself, he was comfortable with having a large fan base among gay men.^[38][39]

Martina Navratilova,^[12] David Beckham,^[40] and Billie Jean King are all seen as gay icons.^[41] In Beckham's case, it is his combination of athletic prowess, good looks and flamboyant private life; in the case of King and Navratilova, it has more to do with their strength of character after coming out respectively as bisexual and lesbian.

In the political arena, gay icons are represented by, among others, Princess Diana,^[42] Abraham Lincoln,^[43] Margaret Thatcher,^[44] Winnie Mandela,^[45] Michelle Duvalier, Eva Peron,^[46] Jacqueline Kennedy Onassis^[18] and Imelda Marcos.^[44] Russian President Vladimir Putin recently gained gay icon status after stripping off his shirt and striking several virile poses during a holiday in the Siberian mountains^[47] These individuals have been lionized for their strength, style, compassion, or work for equal rights. An ironic icon is Anita Bryant,^[44] in that – while her work has opposed homosexuality^[48] – her extravagant persona has been embraced by many in the gay community, particularly drag queens.

Many celebrities have responded positively to being regarded as gay icons. Several have noted the loyalty of their gay fans; Eartha Kitt and Cher credited gay fans with keeping them going at times when their careers had faltered.^[49] Kylie Minogue has acknowledged the perception of her as a gay icon and has performed at such events as the Sydney Gay and Lesbian Mardi Gras. Asked to explain the reason for her large gay fanbase Minogue replied, "It's always difficult for me to give the definitive answer because I don't have it. My gay audience has been with me from the beginning... they kind of adopted me." She noted that she differed from many gay icons who were seen as tragic figures, with the comment, "I've had a lot of tragic hairdos and outfits. I think that makes up for it!"^[50]

Televangelist Tammy Faye Bakker — an unlikely gay icon who has been called "the ultimate drag queen"^[51] — said in her last interview with Larry King that, "When I went - when we lost everything, it was the gay people that came to my rescue, and I will always love them for that."^[52]

Others have been more ambivalent. Mae West, a gay icon from the early days of her career, supported gay rights but bristled when her performance style was referred to as camp.^[53] Judy Garland gained iconic status in part by acknowledging gay fans' existence at a time when few would, but her attitude toward her gay following was ambiguous.^[54]

Madonna has acknowledged and embraced her gay following throughout her career, she even made several references to the gay community in her songs or performances, and performed at several gay clubs. She has declared in interviews that some of her best friends are gay and that she adores gays and refers to herself as "the biggest gay icon of all times.^[55]

• LGBT
• New Queer Cinema
• Queer Theory
• Madonna and the gay community

• Gay men and women should just be themselves
• Christina up close
• Sophie Morris. From the tragic to the bland // New Statesman, 1 August, 2005
• John Howard. Pink doesn't mean fluffy // Independent, The (London), 4 August, 2005