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Schöner Gigolo, armer Gigolo
From Wikipedia, the free encyclopedia
| Just a Gigolo | |
|---|---|
 Original film poster |
|
| Directed by | David Hemmings |
| Produced by | Rolf Thiele |
| Written by | Ennio De Concini Joshua Sinclair |
| Starring | David Bowie Sydne Rome Kim Novak Maria Schell Curd Jürgens Marlene Dietrich |
| Music by | Günther Fischer |
| Cinematography | Charly Steinberger |
| Editing by | Susi Jäger |
| Distributed by | United Artists Classics |
| Release date(s) |  16 November 1978 14 February 1979 1 May 1981 |
| Running time | 147 mins 105 mins 98 mins |
| Country | West Germany |
| Language | German |
| All Movie Guide profile | |
| IMDb profile | |
Schöner Gigolo, armer Gigolo (also known as Just a Gigolo) is a 1978 film directed by David Hemmings and starring David Bowie. Set in post-World War I Berlin, it also featured Sydne Rome, Kim Novak and, in her last screen appearance, Marlene Dietrich. The hostile reception accorded the film led Bowie to quip that it was "my 32 Elvis Presley movies rolled into one".[1]
Contents |
A Prussian soldier (David Bowie) returns home to Berlin following the end of the Great War. Unable to find employment elsewhere, he works as a gigolo in a brothel run by the Baroness (Marlene Dietrich). He is eventually killed in street fighting between Nazis and Communists. Both sides claim his body but the Nazis succeed in capturing it and bury him with honours, "a hero to a cause he did not support".[2]
Around the time of its release, David Hemmings said that Just a Gigolo was intended to be "highly ironic, tongue-in-cheek, about the period".[3] Marlene Dietrich was persuaded to come out of retirement to make the film, reportedly receiving $250,000 for two days' shooting.[4]
It was Bowie's first movie role after Nicolas Roeg's The Man Who Fell to Earth (1976). As Roeg's film had played upon Bowie's earlier identification with science fiction and alienness,[5] so Just a Gigolo fitted his then-current interest in pre-war Berlin, pricked by meeting Christopher Isherwood,[2] whose Goodbye to Berlin had inspired the musical Cabaret. The city had also been the recording location for Bowie's latest studio album, "Heroes" (1977).
The singer has variously claimed that he took the role "as a favour to Hemmings",[6] who at the time was also planning to produce a documentary of Bowie's 1978 concert tour,[7] and because "Marlene Dietrich was dangled in front of me".[2] In the event, the two stars never actually met. Dietrich played her brief part in Paris, where she lived, with the result simply being cut into Bowie's scenes that were shot, along with the rest of the film, in Berlin.
The soundtrack of Just a Gigolo included jazz and cabaret standards performed by various acts including Pasadena Roof Orchestra, The Manhattan Transfer and the Village People. As well as appearing on screen, Sydne Rome sang a track called "Don't Let It Be Too Long", by David Hemmings and composer Günther Fischer, while Marlene Dietrich performed the song "Just a Gigolo".
Unlike his work on The Man Who Fell to Earth, Bowie did contribute a piece of music to the film; his so-called "Revolutionary Song" was co-written with musical director Jack Fishman and played by a band called The Rebels. It was released in Japan as a single, which later became something of a collectors item.[8]
The film opened in Berlin on 16 November 1978. It received poor reviews and was pulled from cinemas. Hemmings recut the picture for its UK premiere in Leicester Square on 14 February 1979 where, at an ostensibly black-tie affair, Bowie and his date wore kimonos. Reviews were again negative; the Sunday Mirror called the film "all show and no substance" and considered Bowie "completely miscast", while Time Out advised its readers to simply "overlook it".[2]
In an interview with NME in September 1980, Bowie was quoted as saying:[1]
| “ | Everybody who was involved in that film – when they meet each other now, they look away (covers face with hands, laughs)... Listen, you were disappointed, and you weren't even in it. Imagine how we felt... It was my 32 Elvis Presley movies rolled into one. | ” |
Bowie's biographers have labelled the film "an active pain",[6] "an unadulterated flop",[3] and a "debacle".[7] Its reputation among mainstream critics generally remains low, Halliwell's calling it an "international misadventure... interminable... clumsily made",[9] while Leonard Maltin describes it as a "weird melodrama".[10] All Movie Guide's Hal Erickson has nevertheless given the film a 3-star rating.[11]
Just a Gigolo was released to DVD in 2004.
- ^ a b Angus MacKinnon (1980). "The Future Isn't What It Used to Be". NME (13 September 1980): pp.32-37
- ^ a b c d Nicholas Pegg (2000). The Complete David Bowie: pp.539-540
- ^ a b Christopher Sandford (1996, 1997). Loving the Alien: pp.183-185
- ^ Just a Gigolo at BowieGoldenYears
- ^ Roy Carr & Charles Shaar Murray (1981). Bowie: An Illustrated Record: p.78
- ^ a b Roy Carr & Charles Shaar Murray (1981). Ibid: p.100
- ^ a b David Buckley (1999). Strange Fascination - David Bowie: The Definitive Story: p.343
- ^ Nicholas Pegg (2000). Op Cit: p.173
- ^ John Walker (2005). Halliwell's Film, Video & DVD Guide 2006: p.591
- ^ Leonard Maltin (2006). Leonard Maltin's 2007 Movie Guide: p.697
- ^ Just a Gigolo at All Movie Guide