Glinda

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Glinda the Good

Glinda depicted on the cover of Glinda of Oz, illustrated by John R. Neill
First appearance The Wonderful Wizard of Oz (1900)
Last appearance arguable
Created by L. Frank Baum
Information
Aliases Galinda
Species human
Gender female
Age thousands of years old
Date of birth unknown
Date of death probably inapplicable
Occupation Ruler of the Quadling Country
Title Good Witch of the South; The Good; The Sorceress
Family Good Witch of the North (Sister)
Spouse(s) none
Children none
Relatives unknown
Address Palace at the southern edge of the Quadling Country

Glinda (or Glinda the Good Witch) is a fictional character in the Land of Oz created by American author L. Frank Baum. She is the most powerful sorceress of Oz, ruler of the Quadling Country south of the Emerald City, and protector of Princess Ozma.

In Wicked, a novel by Gregory Maguire which reimagines Baum's Oz, the witch is initially known as Galinda.

Contents

Baum's beloved 1900 novel The Wonderful Wizard of Oz refers to Glinda as the Good Witch of the South. Later books call her a "sorceress" rather than a "witch".[1] Baum's writings make clear that he did not view witches as inherently wicked or in league with the Devil, so this change was probably meant to signal that Glinda was even more powerful than a witch.

Another explanation may be that he decided to avoid the negative connotations of "witch"; in Queen Zixi of Ix, he had made Zixi a witch, for which she is shunned by fairies.[2] Again, at the end of The Marvelous Land of Oz, Glinda distinguishes between "respectable sorceresses" who do not perform shapeshifting magic because it is not honest, and "unscrupulous witches" such as Mombi who will do it; this is why Mombi, rather than Glinda, turns Tip back into the form of Ozma.[3]

Glinda is usually described as the most powerful magician in Oz. In The Patchwork Girl of Oz, neither Ozma nor the Wizard can break a spell, but later it is revealed that Glinda can do so.[4]

In the books, Glinda is depicted as a tall young woman with red hair in a clinging white dress.[citation needed]

Besides a vast knowledge of magic, Glinda employs various tools, charms, and instruments in her workshop. The Emerald City of Oz reveals that she owns a Great Book of Records that allows her to track everything that goes on in the world from the instant it happens. Starting with The Road to Oz she trains the formerly humbug Wizard in magic; he becomes a formidable practitioner, but acknowledges that she is more powerful yet. Glinda's magic is most apparent in Glinda of Oz, Baum's last book. In that book, she undoes Queen Coo-ee-oh's transformation of Queen Rora of the Flatheads, in contrast to her statement in The Marvelous Land of Oz.

Glinda lives in a palace near the southern border of the Quadling Country, attended by one hundred beautiful maidens (twenty-five from each country of Oz). She also employs a large army of female soldiers, with which she placed Ozma on the throne of Oz at the end of The Marvelous Land of Oz. Men are not much in evidence in Glinda's society.

As a ruler, Glinda is strongly protective of her subjects. She creates gated communities for the rabbits of Bunnybury and the paper dolls of Miss Cuttenclip, and later in The Emerald City of Oz seals off all of Oz from the Great Outside World for its security. However, unlike Ozma, Glinda is willing to ignore strife and oppression in remote corners of Oz like Jinxland and the Skeezer territory as long as it does not threaten the Emerald City or innocent outsiders.

In the 1939 film version of The Wizard of Oz, Glinda is the Good Witch of the North, not the South. She is played in the film by Billie Burke, and in appearance she vaguely a hybrid of both characters as described by L. Frank Baum. No one exactly resembling the Good Witch of the North as described in the book appears in the film. Glinda appears in three sequences in the film: the Munchkinland sequence in which she welcomes Dorothy to Oz, gives her the Ruby Slippers, and sends her off on her journey down the yellow brick road to see the Wizard; the scene in the poppy field in which she is only seen in a vignette waving her wand; and the next-to-last sequence of the film, in which she finally tells Dorothy how she can return home. Thus, in the film, she performs the functions of both the Good Witch of the North and the Good Witch of the South as well as the Mouse Queen in the field of poppies.

The MGM film's purpose in combining Glinda and the Good Witch of the North at first seems to be an attempt to simplify the story and reduce the number of characters. In the structure of the film's story, introducing a new character would seem like keeping the audience in too long after the climax. Because the film set up The Wicked Witch of the West early in the story, her death and the Wizard's departure are two climaxes. Thus, introducing Glinda afterwards would be putting off the final (and most important) climax: Dorothy's return to Kansas.

In the Broadway musical The Wiz, Glinda is the Good Witch of the South, as she appears in the Oz books. She appears only once at the end of the musical, but traditionally the same actress who plays Glinda also plays Aunt Em. She is the sister of Addaperle, Evillene, and Evvamene, the other three witches of Oz. In the film version, she is played by Lena Horne, and she causes the thunderstorm that brings Dorothy to Oz.

In The Wonderful Land of Oz, Glinda is played by Hilary Lee Gaess.

In Journey Back to Oz, Risë Stevens provides the voice of "Glinda, the Good Fairy." While numerous essays have illuminated that Glinda's magic is quite unlike that of Baum's fairies, the Wizard does make the claim that she is a fairy one time, in The Lost Princess of Oz[5].

In Gregory Maguire's 1995 revisionist novel Wicked: The Life and Times of the Wicked Witch of the West, Glinda is initially called "Galinda," but she drops the first 'a' in her name in the middle of the story, in tribute to Doctor Dillamond, a martyred Goat who teaches at Shiz University (Doctor Dillamond made the habitual mistake of calling her "Glinda" instead of "Galinda" while they shared a carriage, before her arrival to Shiz) her character is seen extensively in the first half of the novel, but is mostly absent towards the end. It is stated that she marries Sir Chuffrey in the second half of the novel and they have no children. Maguire follows the 1939 movie in having Glinda ultimately become the witch of the North, not the South. Glinda also appears in Son of a Witch, Maguire's sequel to Wicked, now widowed from Sir Chuffrey. In Son of a Witch Glinda serves as a sort of deus ex machina towards the end of the book — a parallel to her role in the 1939 movie.

In the novel's Broadway musical adaptation Wicked, Glinda (originally played by Kristin Chenoweth) is one of the two female leads as the musical focuses on her friendship with Elphaba (the young woman who becomes the infamous Wicked Witch of the West, originally played by Idina Menzel). In the musical, Glinda is characterized by her popularity and ambition and goes by the name of Galinda Upland (who hails from the Upper Uplands). She and Elphaba cross paths while attending Shiz University, and while the two girls dislike each other at first, they eventually become best friends. As in the novel, Galinda shortens her name to Glinda. She does this to mark the firing of Dr. Dillamond, but also in an attempt to impress Fiyero, her love interest. When Elphaba decides to rebel against the Wizard, she offers Glinda the chance to go with her, but Glinda decides to stay behind and realize her opportunities with the Wizard, ultimately sealing her destiny to become "Glinda the Good." The role of Glinda/Galinda in the musical requires a range of almost 3 octaves, starting with a soprano number ("No One Mourns the Wicked") up to E6 and then later on the show mainly songs that stay in alto range (down to F3) and back to soprano by the end of the show.

In the musical version, the character of Galinda/Glinda is currently being played by:

Glinda had paid a prominent part in a number of modern Oz books and adaptations besides Wicked, including The Living House of Oz, Paradox in Oz (both illustrated by Eric Shanower), and the puppet play Unauthorized Magic in Oz

  1. ^ Michael O. Riley, Oz and Beyond: The Fantasy World of L. Frank Baum, p 104, ISBN 0-7006-0832-X
  2. ^ Michael O. Riley, Oz and Beyond: The Fantasy World of L. Frank Baum, p 104, ISBN 0-7006-0832-X
  3. ^ Jack Zipes, When Dreams Came True: Classical Fairy Tales and Their Tradition, p 176-7 ISBN 0-415-92151-1
  4. ^ Michael O. Riley, Oz and Beyond: The Fantasy World of L. Frank Baum, p 176, ISBN 0-7006-0832-X
  5. ^ Chapter 5: "Ozma is a fairy, and so is Glinda, so no power can kill or destroy them, but you girls are all mortals and so are Button-Bright and I, so we must watch out for ourselves."
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