Glorifying the American Girl

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Glorifying the American Girl
Directed by John W. Harkrider
Millard Webb
Written by Walter Anthony
based on the operetta by Oscar Hammerstein II and Otto A. Harbach
Starring Mary Eaton
Dan Healy
Music by Irving Berlin
Walter Donaldson
Rudolf Friml
James E. Hanley
Cinematography George J. Folsey (Technicolor)
Distributed by Paramount Pictures
Release date(s) December 7, 1929
Running time 96 min.
Country Flag of the United States United States
Language English
IMDb profile

Glorifying the American Girl is a 1929 musical comedy film produced by Florenz Ziegfeld that highlights Ziegfeld Follies performers. The last third of the film (which was filmed in early Technicolor) is basically a Follies production, with cameo appearances by Rudy Vallee, Helen Morgan and Eddie Cantor.

Contents

The script for the film was written by J.P. McEvoy and Millard Webb and directed by John W. Harkrider and Millard Webb. The songs were written by Irving Berlin, Walter Donaldson, Rudolf Friml, James E. Hanley, Larry Spier and Dave Stamper.

Johnny Weissmuller with an unidentified chorine.
Johnny Weissmuller with an unidentified chorine.

The plot involves a young woman (Mary Eaton) who wants to be in the Follies, but in the meantime is making ends meet by working at a department store's sheet music department, where she sings the latest hits. She is accompanied on piano by her childhood boyfriend (Edward Crandall), who is in love with her, despite her single-minded interest in her career. When a vaudeville performer (Dan Healy) asks her to join him as his new partner, she sees it as an attempt to make her dream come true. Upon arriving in New York City, our heroine finds out that her new partner is only interested in sleeping with her and makes this a condition of making her a star. Soon, however, she is discovered by a representative of Ziegfeld.

The movie contains brief shots of Noah Beery, Irving Berlin, Billie Burke, Charles B. Dillingham, Texas Guinan, Otto Kahn, Ring Lardner and Mayor of New York City Jimmy Walker as themselves. There is also an uncredited, non-speaking scene with Johnny Weissmuller wearing nothing but a fig leaf. The greater part of the final half of the film is a revue given over to a re-creation of a Follies production, replete with musical solos by Rudy Vallee and Helen Morgan and a comedy sketch with Eddie Cantor and Louis Sorin as a pair of Jewish tailors.

  • This Pre-Code movie is notable for being the first talkie to use the word "damn." The word is used on numerous occasions by Mary Eaton and Eddie Cantor.
  • The revue sequence contains virtual nudity and revealing costumes.
  • Both Paramount and EMKA failed to renew the copyright and the film is now in the public domain.

Poster for the film.
Poster for the film.

A black-and-white print currently shown on television (which was cut down to 87 minutes) was made in the 1950s and has a number of sequences cut due to their Pre-Code content (nudity, etc.). The film was restored, to the length of 96 minutes, with the original Technicolor sequences, by the UCLA Film and Television Archive.

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