Greystoke: The Legend of Tarzan, Lord of the Apes

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Greystoke: The Legend of Tarzan, Lord of the Apes

Movie poster for Greystoke - The Legend of Tarzan, Lord of the Apes
Directed by Hugh Hudson
Produced by Hugh Hudson
Stanley S. Canter
Garth Thomas
Written by Robert Towne (as P.H. Vazak)
Michael Austin
Starring Christopher Lambert
Andie MacDowell
Cheryl Campbell Ian Holm
Music by John Scott
Cinematography John Alcott
Editing by Anne V. Coates
Distributed by Warner Bros.
Release date(s) Flag of the United States 30 March 1984
Running time 143 min
Country UK
Language English
IMDb profile

Greystoke: The Legend of Tarzan, Lord of the Apes is a 1984 British film directed by Hugh Hudson and based on Edgar Rice Burroughs' novel Tarzan of the Apes. Christopher Lambert stars as Tarzan (though the name Tarzan is never used in the film) and Andie MacDowell as Jane; the cast also includes Sir Ralph Richardson, Ian Holm, James Fox, and Cheryl Campbell.

In a departure from most previous Tarzan films, Greystoke returned to Burroughs' original novel for many elements of its plot, updating the novel's story in the light of 1980s sensibilities and science. It also utilized a number of corrective ideas first put forth by science fiction author Philip José Farmer in his mock-biography Tarzan Alive, most notably Farmer's explanation of how the speech-deprived ape man was later able to acquire language by showing Tarzan to be a natural mimic. According to Burroughs' original concept, the apes who raised Tarzan actually had a rudimentary vocal language, and this is portrayed in the film.

Greystoke rejected the common film portrayal of Tarzan as a simpleton that was established by Johnny Weissmuller's 1930s renditions, reasserting Burroughs' characterization of an articulate and intelligent human being, not unlike the so-called "new look" films that Sy Weintraub produced in the 1960s.

The second half of the film departs radically from Burroughs' original story. Tarzan is discovered and brought to Scotland, where he fails to adapt to civilization. His return to the wild is portrayed as a matter of necessity rather than choice, and he is separated forever from Jane, who "could not have survived" in his world.

In his book Harlan Ellison's Watching, Harlan Ellison explains that the film's promotion as "the definitive version" of the Tarzan legend is misleading. He details production and scripting failures which in his opinion contribute to the film's inaccuracy.[1]

  • The dialogue of Andie MacDowell, who played Jane, was dubbed in post-production by Glenn Close because of her Southern Drawl, apparently deemed insuitable for the character, though not to provide an English accent for her character as some have held, since the young Jane featured at the beginning of the film is American. Ironically, a southern drawl would not have been entirely inappropriate for Jane, as in the original Tarzan novels she is not simply American but also a native of Baltimore, Maryland, which is considered by some to be in the "South".
  • Screenwriter Robert Towne was slated to direct this film based on his screenplay, but he was sacked following the box-office failure of his directorial debut, Personal Best. Towne retaliated by demanding that the name of his dog (P.H. Vazak) appear in the screen credit for his screenplay. Ironically, P.H. Vazak received an Oscar nomination for best adapted screenplay.

  1. ^ Ellison, Harlan, Harlan Ellison's Watching. Underwood-Miller, 1989.


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