Harvey (film)
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- This is about the Jimmy Stewart film; Harvey is also the title of a play on which the film was based. For other uses, see Harvey.
| Harvey | |
|---|---|
| Directed by | Henry Koster |
| Produced by | John Beck |
| Written by | Mary Chase and Oscar Brodney screenplay Myles Connolly (screenplay) uncredited |
| Starring | James Stewart Josephine Hull Peggy Dow Charles Drake |
| Music by | Frank Skinner |
| Cinematography | William H. Daniels |
| Distributed by | Universal International Pictures |
| Release date(s) | (U.S.) October 13, 1950 |
| Running time | 104 min |
| Language | English |
| IMDb profile | |
Harvey is a 1950 film based on Mary Chase's Pulitzer Prize-winning play of the same name, directed by Henry Koster, and starring James Stewart and Josephine Hull. The story is about a man whose best friend is a "pooka" named Harvey—in the form of a six-foot, three and one half-inch-tall rabbit.
Hull's performance earned her an Academy Award as Best Supporting Actress; Stewart's portrayal earned him a Best Actor Oscar nomination.
Contents |
- Elwood P. Dowd: James Stewart
- Veta Louise Simmons: Josephine Hull
- Miss Kelly: Peggy Dow
- Dr. Lyman Sanderson: Charles Drake
- Dr. Willie Chumley: Cecil Kellaway
- Judge Gaffney: William Lynn
- Myrtle Mae Simmons: Victoria Horne
- Duane Wilson: Jesse White
- Cab Driver: Wallace Ford
- Harvey: Himself
Stewart plays Elwood P. Dowd, a middle-aged, amiable (and somewhat eccentric) individual whose best friend is an invisible six-foot, three-and-a-half-inch tall rabbit named Harvey. (Originally only 6 feet tall, Jimmy Stewart had to add to Harvey's height so that he could look up to him as described in the play). Harvey is a pooka, a mischievous magical creature from Celtic mythology. As the film begins, Elwood has been driving his sister and niece (who live with him and crave normality and a place in 'society') to distraction by introducing everyone he meets to his friend, Harvey. His family seems to be unsure whether Dowd's obsession with Harvey is an attempt to embarrass them, or a product of his (admitted) propensity to drink or mental illness.
His sister, Veta Louise Simmons (played by Hull), tries to have Elwood committed to a sanitorium. In exasperation, she admits to the attending psychiatrist (Dr Lyman Sanderson played by Charles Drake) that, after so many years of putting up with it, she sees Harvey every once in a while. This cause Dr. Sanderson to let Elwood out and lock Veta up. After sorting out the mistake, Dr. Chumley (head of the sanitorium played delightfully by Cecil Kellaway) decides that to save the reputation of the Sanitorium he must bring Elwood back. Faced by many trials she doesn't understand Veta says to her daughter "Myrtle Mae, you have a lot to learn and I hope you never learn it".
When tracked down, Elwood goes through several ordeals, although he remains oblivious to the plans put in place for him by Dr Chumley, Judge Gaffney (William Lynn) and Veta Louise. In a poignant scene where Dr. Sanderson and his nurse Miss Kelly (played by Peggy Dow) follow Elwood into an alley at the back of his and Harvey's favourite haunt - Charlie's Bar, Elwood tells the incredible story of how he came to meet Harvey, and explains the way in which people react when they meet them. In a later scene, he gives Dr. Chumley an insight into his "philosophy" of life - you can be "Oh so smart, or oh so pleasant. Well, for years I was smart; I recommend pleasant. And you may quote me".
In the final scene of the film, Elwood (along with everybody else) arrives back at the hospital, having convinced Dr. Chumley of Harvey's existence. However, Dr. Sanderson convinces Elwood to come into his office where he'll receive a serum that will "stop (him - Elwood) seeing the rabbit." As they are preparing for the injection, Elwood's sister is told by their cab driver about all the other people he has driven to the sanitorium to receive the self-same medicine, warning her that Elwood will become "just a normal human being. And you know what stinkers they are." Upset by the very thought of this, Veta halts the procedure.
At the tale's end Harvey is given the choice of remaining with Dr Chumley (and potentially spending a lot of time in Akron, Ohio) or continuing his life with Elwood, catches Elwood up at the exit to the Sanitorium and is seen (indirectly) opening the gate to the hospital to follow the others out.
The play/film was made for television several times:
- 1972, in a version also starring Stewart and featuring Helen Hayes as his sister Veta.
- 1985, in a version for West German television, with Harald Juhnke as Elwood and Elisabeth Wiedemann as his sister.
- 1998, starring Harry Anderson and Swoosie Kurtz in the Elwood and Veta roles.
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- The films Winchester '73 and Harvey, released a few months apart, were the first to include profit sharing for the film's star; talent agent Lew Wasserman is credited with getting Stewart contracts that guaranteed him a percentage of the returns on those films.[1]
- Though in the film, Harvey is said to be 6'3 1/2", on the stage it was changed to 6'8 1/2", to be more of a contrast with Stewart's own 6'3".
- At the suggestion of James Stewart, the director changed many shots to make them wider so that "Harvey" would be in the frame.
- On the program The Essentials on Turner Classic Movies, host Robert Osborne stated that Stewart preferred his later West End stage production of Harvey to his performance in this movie. That theater performance was said to be darker, suggesting that Dowd really was mentally unstable.
- The film Donnie Darko also features a 6' anthropomorphic rabbit, though not in the same sense as this film.
- In Wallace and Gromit: the Curse of the Wererabbit The wererabbit is also a huge rabbit, and the local vegetable shop is named after this film.
- Who Framed Roger Rabbit? referenced the source work of the film Harvey, a 1944 play by the same name. When the main antagonist is on a search for the title character, a bar patron says he has seen a rabbit. He then puts his arm around an invisible set of shoulders and says, "Well, say hello...Harvey!" much to the amusement of everybody but the villain.
- In Mystery Science Theater 3000: The Movie, when the film's hero steps aboard a computer controlled aircraft and spies the two empty pilot's seats, the Mystery Science Theater characters suggest the pilots are Harvey and Claude Rains.
- In Farscape, the series' protagonist John Crichton has a neural clone of the series' villain Scorpius (Farscape) inserted into his brain. John calls this clone Harvey, and Harvey regularly appears dressed as a giant white rabbit. In the episode 'Scratch and Sniff' (3.14), when another character, Ka D'Argo, is upset by meeting Harvey in Crichton's mind, Crichton reassures him, "It's okay, that's Harvey... He's a púca . He's not real."
- In the film Looking for Comedy in the Muslim World, Penny Marshall is casting for a remake of the film Harvey and is looking for the next Jimmy Stewart.
- In the film Field of Dreams, the main character's daughter watches Harvey soon after he begins to hear voices.
- In the film Desk Set, Mike Cutler appears in the Reference Department with a large stuffed rabbit. Bunny Watson asks him: "Aren't you going to introduce me to Harvey?"
| This article does not cite any references or sources. (December 2006) Please help improve this article by adding citations to reliable sources. Unverifiable material may be challenged and removed. |
- Transcript of a July 1997 memorial for Stewart from The NewsHour with Jim Lehrer, which includes scenes from and commentary on Harvey
- Harvey at the Internet Movie Database
- Harvey (1972 TV version) at the Internet Movie Database
- Harvey (1998 TV version) at the Internet Movie Database
complete screenplay http://sfy.ru/sfy.html?script=harvey
Categories: English-language films | Articles with trivia sections from May 2007 | Articles lacking sources from December 2006 | All articles lacking sources | 1950 films | Black and white films | Fantasy films | Films featuring a Best Supporting Actress Academy Award winning performance | Comedy films | Films based on plays | Fictional hares and rabbits