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The hectograph or gelatin duplicator or jellygraph is a printing process which involves transfer of an original, prepared with special inks, to a pan of gelatin or a gelatin pad pulled tight on a metal frame.

The special aniline dyes for making the master copy came in the form of ink or in pens, pencils, carbon paper and even typewriter ribbon. Hectograph pencils and pens are sometimes still available. Various other inks have been found usable to varying degrees in the process; master sheets for spirit duplicators have also been pressed into service. After transfer of the image to the inked gelatin surface, copies are made by pressing paper against it. When a pad ceased to be useful, ink could be sponged from the top of the gelatin and the pad reused for the next master.

The gelatin process produced print runs of somewhere between 20 and 80 copies, depending upon the skill of the user and the quality of the original. At least eight different colors of hectographic ink were available at one time, but purple was the most popular because of its density and contrast.

Hectography, requiring limited technology and leaving few traces behind, has been deemed useful both in low-technology environments and in clandestine circumstances where discretion was necessary. In the earlier 20th Century, the process lent itself to small runs of school classroom test papers, church newsletters and science fiction fanzines. Prisoners-of-war at Colditz Castle during World War II used an improvised hectograph to reproduce documents for a planned escape attempt.

It has also been used, though not very extensively, as an artistic medium in printmaking. The Russian Futurists used it for book illustrations, and the German expressionist Emil Nolde made four hectographs.

It also was used in professional situations; in Macy's advertising department during the 1950s and 1960s, full-page newspaper ad layouts were drawn with hectograph pencils and then duplicated on a hectograph to make file copies for future reference. Before the popularization of spirit duplicators and the mimeograph, there were mechanized hectography machines which used a drum, rather than a simple flat tray of gelatin.

In the final chapters of The Pothunters by P. G. Wodehouse the major characters use a jellygraph to produce a school magazine at very short notice. Wodehouse assumes his reader knows exactly what a jellygraph is and alludes to its being unattractive: "This jelly business makes one beastly sticky. I think we'll keep to print in future."

George Orwell's Keep the Aspidistra Flying (1936) describes a somewhat more subversive schoolboy publication:

And at that moment, in the years just after the War, England was so full of revolutionary opinion that even the public schools were infected by it. The young, even those who had been too young to fight, were in a bad temper with their elders, as well they might be; practically everyone with any brains at all was for the moment a revolutionary. Meanwhile the old--those over sixty, say--were running in circles like hens, squawking about 'subversive ideas'. Gordon and his friends had quite an exciting time with their 'subversive ideas'. For a whole year they ran an unofficial monthly paper called the Bolshevik, duplicated with a jellygraph. It advocated Socialism, free love, the dismemberment of the British Empire, the abolition of the Army and Navy, and so on and so forth. It was great fun. Every intelligent boy of sixteen is a Socialist. At that age one does not see the hook sticking out of the rather stodgy bait.

While the hectograph process is almost entirely obsolete for printing on paper, it's still used for making temporary tattoos on human skin. Tattoo artists use hectograph pencils to draw pictures on paper and then transfer them to the recipient's skin.

• Duplicating machines
• List of duplicating processes

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