Hey Hey, My My (Into the Black)

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"Hey Hey, My My (Into the Black)"
"Hey Hey, My My (Into the Black)" cover
Single by Neil Young & Crazy Horse
from the album Rust Never Sleeps
B-side "My My, Hey Hey (Out of the Blue)"
Released August 27, 1979
Format 45 RPM Record
Recorded October 22, 1978, The Cow Palace, San Francisco
Genre Rock
Length 5:18
Label Reprise Records
Writer Neil Young
Producer Neil Young
David Briggs
Tim Mulligan

"Hey Hey, My My (Into the Black)" is a rock song by Neil Young. Combined with an acoustic rendition entitled "My My, Hey Hey (Out of the Blue)", it bookends Young's successful 1979 album Rust Never Sleeps. Inspired by proto-new wave artist Devo, the rise of punk and what Young viewed as his own growing irrelevance, the song today has become a song that crosses generations, inspiring admirers from punk to grunge and significantly revitalizing Young's then-faltering career. The song is about the alternatives of continuing to produce similar music ("to rust" or — in "My My, Hey Hey (Out of the Blue)" — "to fade away") or to burn out, as John Lydon did by abandoning his Johnny Rotten persona.

A lyric from the song, "it's better to burn out than to fade away," became infamous in modern rock after being quoted in Nirvana frontman Kurt Cobain's alleged suicide note. Young said that he was later so shaken that he dedicated his 1994 album Sleeps With Angels to Cobain.

Contents

The song "Hey, Hey, My, My..." and the title phrase of the album, "rust never sleeps" on which it was featured sprang from Young's encounters with Devo and in particular Mark Mothersbaugh.[1] Devo was asked by Young in 1977 to participate in the creating of his film Human Highway.[2] A scene in the film shows Young playing the song in its entirety with Devo, who clearly want little to do with anything "radio-friendly". Also, the famous line, "It's better to burn out than it is to rust" is credited to Young's friend Jeff Blackburn of The Ducks.[3]

Some reviewers viewed Young's career as skidding after the release of American Stars 'N Bars and Comes a Time. With the explosion of punk in 1977, some punks felt that Young and his contemporaries were dinosaurs, and that artists such as Bob Dylan and Paul McCartney were too content to rest on their laurels and release halfhearted material.[citation needed] Young worried that these punks were right. The death of Elvis Presley that same year seemed to sound a death knell for rock, as The Clash gleefully cried, "No Elvis, The Beatles or The Rolling Stones in 1977!"

From Young's fear of becoming obsolete sprang an appreciation of the punk ethic, and the song was born, initially an acoustic lament that became "My My, Hey Hey (Out of the Blue)". Upon embarking on a tour with his backing band Crazy Horse, the song took on new life in a rock arrangement, punctuated by Young's guitar solos that would go on to inspire players of the proto-grunge scene, including Sonic Youth, The Meat Puppets, Pixies and Dinosaur Jr. - who in turn begat Nirvana.

Upon its release, Rust Never Sleeps was hailed as a commercial and critical revitalization for Young, and the successful, bizarre tour (featuring oversized amps, road crews dressed as Jawas from the then-new Star Wars film, sound technicians in lab coats, music from Woodstock played from disintegrating tapes, etc.) earned him a new generation of fans and good will, buoyed mainly by the epic "Hey Hey, My My".

As Young's commercial popularity waned in the 1980s, an underground rock movement began to embrace the artist. At a time when glam metal and bubblegum pop saturated commercial airwaves, disaffected bands used Young as a prime example of the perfect blend of noise and melody, braggadocio and vulnerability, folk and hard rock. J Mascis' guitar style, widely acknowledged to be the primary predecessor of Kurt Cobain's "idiot savant" playing, was based on Young's trademark screech captured in "Hey Hey, My My". A collection of Neil Young covers emerged in the late eighties, featuring a veritable who's-who of the pre-Nirvana grunge scene. When Nirvana appeared on the national stage with Nevermind, Cobain and Young took to acknowledging one another in the press.

"Hey Hey, My My"'s most memorable impact on modern rock comes from the line "It's better to burn out than to fade away" (actually only spoken in full in the acoustic "My My, Hey Hey"). Kurt Cobain's suicide note ended with the same line, shaking Young and inadvertently cementing his place (ironically, given his firm groundings in folk and classic rock, to say nothing of his status as an FM radio staple) as the so-called "Godfather of Grunge".

The song also had an impact on BritRock artists. Most notably Oasis covered the song on their 2000 world tour, including it on their live album and DVD Familiar to Millions. Not coincidentally, the band acknowledged Cobain's attachment to the song by dedicating it to him when they played it in Seattle on the sixth anniversary of his death.[4] Scottish band Big Country recorded a version, which can be heard on their Under Covers album. It is also used as live-intro to System of a Down's "Kill Rock 'n Roll" in some live performances.

The song still frequently appears on FM radio today, most often on stations formatted for "classic rock". Young's penchant for bookending an album with the same song in different renditions returned on his second "comeback" album, Freedom, in 1989, with "Rockin' in the Free World".

Young performs the song at nearly every concert in one form or another. It is included on his Greatest Hits.

In the movie Highlander one of the persons speaks in the churgh the words "It's better to burn out, than to fade away".

  1. ^ Shakey: Neil Young's Biography, Jimmy McDonough, 2002, Anchor
  2. ^ Oh Yes, It’s Devo: An Interview with Jerry Casale Brian L. Knight, The Vermont Review, Retrieved December 15, 2007
  3. ^ Shakey: Neil Young's Biography, Jimmy McDonough, 2002, Anchor, pp. 534-535
  4. ^ "Oasis Pay Tribute to Cobain", NME news, 2000-06-04. Retrieved December 15, 2007

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