In a Lonely Place

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In a Lonely Place
Directed by Nicholas Ray
Produced by Robert Lord
Written by Dorothy B. Hughes (novel)
Edmund H. North (adaptation)
Andrew Solt
Starring Humphrey Bogart
Gloria Grahame
Frank Lovejoy
Carl Benton Reid
Art Smith
Music by George Antheil
Cinematography Burnett Guffey
Distributed by Columbia Pictures
Release date(s) May 17, 1950 (U.S. release)
Running time 94 min.
Language English
IMDb profile

In a Lonely Place is a 1950 film noir directed by Nicholas Ray, starring Humphrey Bogart and Gloria Grahame, and produced for Bogart's Santana Productions. It was released by Columbia Pictures. The script was adapted by Edmund North from a 1948 novel by Dorothy B. Hughes.

Bogart stars in the film as Dixon Steele, a cynical screenwriter suspected of murder. Grahame co-stars as Laurel Gray, a neighbor who falls under his spell. Beyond its surface plot of confused identity and tormented lust, the film is a mordant comment on Hollywood mores and the pitfalls of celebrity and near-celebrity, in much the same vein as two other more widely-publicized American films released that same year, Billy Wilder's Sunset Boulevard and Joseph Mankiewicz's All About Eve.

Although not as well known as his other work, Bogart's performance in this film is considered by many critics to be among his finest and the film's reputation itself has grown over time along with Ray's. The film is now considered a classic film noir, as evidenced by its inclusion on the Time Magazine All-Time 100 List.

Contents

Spoiler warning: Plot and/or ending details follow.

Dixon 'Dix' Steele (Humphrey Bogart), a down-on-his-luck screenwriter who hasn't had a hit in years, meets his agent, Mel Lippman (Art Smith), at a nightclub. Mel wants him to adapt a book for a movie. When they enter the club, the hat-check girl, Mildred Atkinson (Martha Stewart), is engrossed reading it and asks if she can finish it.

When Dix leaves, he is too tired to read the novel, so he asks Mildred to go home with him, to explain the plot. As they enter the courtyard of his apartment building, they encounter a new tenant, Laurel Gray (Gloria Grahame). Mildred then describes the story and confirms what he had suspected - the book is trash. He gives her cabfare and she leaves.

The next morning, he is awakened by an old army buddy, police detective Brub Nicholai (Frank Lovejoy), who takes him downtown to be questioned by Captain Lochner (Carl Benton Reid). Mildred was murdered during the night and Dix is a suspect. Laurel is brought to the police station and confirms seeing the girl leave Dix's apartment alone, but Lochner is still deeply susicious; Dix shows absolutely no sympathy for the dead victim.

Dix knows Laurel lied about seeing Mildred leave, so when he gets home, he checks up on her. He finds out that she is an aspiring actress, with only a few low-budget films to her credit. They begin to fall in love; this invigorates Dix into going back to work with a vengeance, much to his agent's delight.

However, Dix behaves strangely and says things that make his agent and Brub's wife Sylvia (Jeff Donnell) wonder if he did kill the girl. In addition, Lochner sows seeds of doubt in Laurel's mind, pointing out Dix's lengthy record of violent behavior. Dix becomes furiously irrational when he learns of it. He drives at high speed late at night, with Laurel a terrified passenger, until they sideswipe another car. Nobody is hurt, but when the angry other driver accosts him, Dix beats him unconscious and is about to strike him with a big rock when Laurel stops him.

Laurel gets to the point where she can't sleep without taking pills. As much as she loves him, her distrust and fear of him are becoming too much for her. When Dix asks her to marry him, she accepts, but only because she is too scared of what he might do if she refused. Later, after he leaves, she tells Mel she's leaving because she can't take it anymore. When Dix finds out, he goes to her apartment and has a violent confrontation with her, almost to the point of strangling her, but regains control of himself.

Just then, the phone rings. It is Brub with good news: Mildred's boyfriend has confessed to her murder. Tragically, it is a day too late to salvage Dix and Laurel's relationship.

The movie follows the novel in a capricious manner, picking and choosing occupations, locations, and scenes at will with one very notable difference: the movie's climax reveals that Dix is innocent, while the novel hints strongly from early on that he is guilty. While both the novel and the film characterize him as bitter and cynical (albeit with some sympathetic qualities), the novel paints him as a misogynistic psychopath who rapes and strangles several women, beginning with the one he considered the love of his life. The excellent and sadly forgotten novel follows a psychologically tortured demobbed serviceman, whose internal dialogues reveal a bipolar, psychotic, and sociopathic character far more complicated than most noir films would dare to tackle. In fact, some of his 'mind battles' are more than a little reminiscent of Raskolnikov, and even more, Camus' Meursault. The novel's cheap, tacked on ending is a sad discredit to the complexity of the entire work

Spoilers end here.

Dixon [quoting dialog from his new script to Laurel]: I was born when she kissed me. I died when she left me. I lived a few weeks while she loved me.

The title is also one of the songs on the Smithereens' 1986 debut album, Especially for You. The lyrics include a reference to one of the pivotal lines in the film: "I was born when she kissed me. I died when she left me. I lived a few weeks while she loved me." It is also the title of a 1980 Joy Division song, later re-recorded and released as a B-side to New Order's Ceremony single and was a B-side by Bush. The song Morning Glory from Versus' 1998 album Two Cents plus Tax includes a reference to the film's title in its lyrics, and quotes one of the sentences from the line "I was born when she kissed me. I died when she left me. I lived a few weeks while she loved me." in each of the song's 3 verses.

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