Israeli literature

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Israeli literature is the literature of the people or State of Israel.

It is mostly written in Hebrew and the history of Israeli literature is interesting because it is mostly the product of the revival of the Hebrew language as a spoken language in modern times.

Since the middle of the nineteenth century, the Hebrew language was increasingly used for speaking as well as writing modern forms of prose, poetry and drama.

By law, the Jewish National and University Library of the Hebrew University of Jerusalem receives two copies of each book published in Israel. In 2004 it reported that it received 6,436 new books. Most of them were published in Hebrew, and most of those books published in Hebrew were original to the Hebrew language. Almost 8% of the 2004 crop were children's books and another 4% were textbooks. According to the type of publisher, the books were 55% commercial, 14% self-published, 10% governmental, 7% educational, and 14% published by other types of organizations. [1]

Contents

The selection of authors mentioned here is according to the articles under References below. Quoted text is from the 2003 article except where indicated otherwise.

The first Modern Hebrew prose in the Land of Israel was written by "immigrant authors", for example:

  • Yosef Haim Brenner "saw flaws everywhere"; "favored the rabbinical and medieval forms of spoken Hebrew". Lived 1881-1921.
  • Shmuel Yosef Agnon addressed "major contemporary spiritual concerns"; loss of tradition, faith, and identity; "inner uncertainties"; tragedy and the grotesque. Lived 1888-1970.

During the 1940s and 1950s: "the War of Independence Generation" (he:סופרי דור תש"ח). Native-born writers were conflicted "between individualism and commitment to society and state"; characterized by "social realism".

During the early 1960s: "Very influential" writers followed less "ideological patterns", and wrote more about the individual; "psychological realism, allegory and symbolism"; "speculation and skepticism regarding... conventions".

During the 1980s and 1990s: "Intense literary activity", aimed at "enabling readers to understand themselves", characterized "three generations" of authors, including Oz, Yehoshua, Kaniuk, as well as:

The Holocaust was put in fresh perspective by Appelfeld and Grossman, as well as (among others):

New themes arose:

Women authors became more prominent on "general topics", as well as women's role within "Jewish tradition and... in the Zionist enterprise":

Some of the above women (Lapid and Gur) began writing detective fiction, as well as the following men and women:

A "younger generation" of authors that is "more universalistic", "alienated, surreal and idiosyncratic":

Some postmodernist writers:

A new front of young authors active in the late 1990s and new millennium (see also [2])

Writing for children:

  • Uri Orlev
  • Yehuda Atlas (he:יהודה אטלס): set a trend of writing short poems from a child's perspective
  • Ephraim Sidon: satirical writer, often writing for adults under the guise of children's books
  • Nira Harel
  • Tamar Bergman
  • Gila Almagor: mostly autobiographical novels
  • Daniella Carmi
  • Devorah Omer (he:דבורה עומר): prolific writer for children and youth, awarded Israel Prize (2006)
  • Dorit Orgad: prolific writer for pre-teens and young adults
  • Michal Snunit: short illustrated books, allegories on spirituality and emotion, popular as gift books for adults
  • Alona Frankel (he:אלונה פרנקל): "Once Upon a Potty"
  • Galila Ron-Feder Amit (he:גלילה רון־פדר-עמית): prolific writer for pre-teens and young adults
  • Smadar Shir: prolific writer for pre-teens and young adults

  • Furstenberg, Rochelle. "The State of the Arts: Israeli Literature." Israel Ministry of Foreign Affairs, 1998. [3],
  • Israel Ministry of Foreign Affairs, "CULTURE- Literature", 2003. [4]
  • Weill, Asher. "Culture in Israel- On the Cusp of the Millennium." Israel Ministry of Foreign Affairs, 2000. [5].

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