It's a Good Life (The Twilight Zone)

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The Twilight Zone original series
Season three
(1 / 2 / 3 / 4 / 5)
Fall 1961 – Summer 1962
List of The Twilight Zone episodes

Episodes:

  1. Two
  2. The Arrival
  3. The Shelter
  4. The Passersby
  5. A Game of Pool
  6. The Mirror
  7. The Grave
  8. It's a Good Life
  9. Deaths-Head Revisited
  10. The Midnight Sun
  11. Still Valley
  12. The Jungle
  13. Once Upon a Time
  14. Five Characters in Search of an Exit
  15. A Quality of Mercy
  16. Nothing in the Dark
  17. One More Pallbearer
  18. Dead Man's Shoes
  19. The Hunt
  20. Showdown with Rance McGrew
  21. Kick the Can
  22. A Piano in the House
  23. The Last Rites of Jeff Myrtlebank
  24. To Serve Man
  25. The Fugitive
  26. Little Girl Lost
  27. Person or Persons Unknown
  28. The Little People
  29. Four O'Clock
  30. Hocus-Pocus and Frisby
  31. The Trade-Ins
  32. The Gift
  33. The Dummy
  34. Young Man's Fancy
  35. I Sing the Body Electric
  36. Cavender Is Coming
  37. The Changing of the Guard

"It’s a Good Life" is an episode of the American television anthology series The Twilight Zone.

Six-year-old Anthony Fremont looks like any other little boy, but looks are deceiving. He is a monster, a mutant with godlike mental powers. Early on, he isolated the small hamlet of Peaksville, Ohio. In fact, the handful of inhabitants do not even know if he destroyed the rest of the world or if it still exists. Anthony has also eliminated electricity, automobiles, and television signals. He controls the weather and what supplies can be found in the grocery store. Anthony creates and destroys as he pleases, and controls when the residents can watch the TV and what they cannot watch on it.

The adults tiptoe nervously around him, constantly telling him how everything he does is "good", since displeasing him can get them wished away "to the cornfield", where they are presumably met by a less-than-happy ending. Finally, at Dan Hollis' birthday party, Dan, slightly drunk, can no longer stand the strain and confronts the boy, calling him a monster and a murderer; while Anthony's anger grows, Dan begs the other adults to kill Anthony from behind---"Somebody end this, now!"---but everyone else is too afraid to act. Before he is killed, he is shown, indirectly by his shadow, transformed into a Jack-in-the-box. His widow breaks down, but no matter what happens, the people of Peaksville make sure to think only good thoughts and repeat "That's a real good thing that Anthony did!" and "It's a good life."

  • On Serling’s never-realized plans to make a feature-length version of this episode:
“Back in 1974, one year before his death, Serling told an interviewer that he was working on a third draft of the screenplay for Alan Landsburg Productions, for whom he had narrated Chariots of the Gods? and other documentaries. The script was essentially an elaboration of the award-winning teleplay, according to Joe Dante, who has read it. Unlike Bixby’s story, however, “the screenplay starts with the child being born,” Dante recalled in Fangoria magazine. “He can talk right away. He’s very smart and dangerous...It falls upon the townspeople to get up enough courage to do something about Anthony. It’s a little like a more sophisticated version of what It’s Alive turned out to be.”
“It’s possible that the screenplay included scenes from the original story too grotesque for television: Anthony’s making a rat eat itself, from the tail up; his turning some of his neighbors into truly horrific creations; and the actual process of his “wishing someone into the cornfield,” i.e. executing someone—although Dante claims that the script contained no “exploitation.” —James H. Burns, excerpt from “It’s a Good Life: Rod Serling’s Forgotten Screenplay” published in the October 1984 edition of The Twilight Zone Magazine.
  • In the story it is implied that Anthony is very strange looking, so awful that his mother's physician tried to kill him at birth.

  • In the Sam and Max episode "The Trouble with Gary" in 1998, Sam and Max were called to help with the little boy Gary with powers similar to Anthony's, who was terrifying the scientists at a research center where he was kept.
  • In the cartoon series Johnny Bravo, a spoof was made as one of three episodes in which Johnny explores The Zone Where Normal Things Don't Happen Very Often. The title of the episode was "Johnny Real Good", and featured Bravo babysitting a small boy whose parents, much like the people of the town, are always overly happy and positive. As a reference to Anthony's wishing people into the cornfield, every time Johnny did something to annoy or displease him, the boy would teleport him into a thick cornpatch just outside the home (though for Johnny this is only a minor annoyance, as he simply has to walk back into the house). The episode concludes with Johnny waking up in bed, only to find himself once again in the middle of an immense cornfield.
  • In the episode "I Can't Stan You" of the FOX animated comedy American Dad, a reference to this episode is made when Stan becomes fed up with people criticizing him and evicts his neighbors to the Cornfield Motel, the name being a reference to the cornfield that Anthony Fremont sends his victims to in "It's a Good Life." His family must then act nice around him to avoid being sent there too.
  • In Disney's California Adventure, there is a small dedication to Anthony Fremont (and his orchestra) in a poster inside the The Tower of Terror themed after The Twilight Zone episode. Several other episodes have a dedication inside the attraction as well.
  • In Star Trek episode "Charlie X" the Enterprise crew confronts a mutant human boy with "The Power".
  • A similar episode of The Justice League featured a mutated child with similar powers, who recreated his favorite superheroes' adventures. However, in this episode, the Justice Leaguers sent to that world discover the boy's manipulation and domination and with the help of the Justice Guild, they defeat him and free that world.

  • Zicree, Marc Scott: The Twilight Zone Companion. Sillman-James Press, 1982 (second edition)

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