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Johnny Craig (born 1926, Pleasantville, New York; died September 13, 2001), aka Jay Taycee and F.C. Aljohn, was an American comic book artist best known for his work with the influential EC Comics line of the 1950s. He was inducted into the Will Eisner Hall of Fame in 2005.

Craig studied at the Art Students League in New York City. While attending classes, he worked as an assistant to Harry Lampert, co-creator of All-American Comics' Golden Age superhero The Flash. After Lampert was drafted to serve to World War II, All-American editor Sheldon Mayer kept Craig on as art-department assistant, giving him progressively more responsible art duties. Between 1943 and 1945, Craig served in the Merchant Marines and the Army.

Contents 1 EC Comics 2 Later career 3 Legacy 4 Quotes 5 References 6 External links

Returning to comics after his discharge, he drew for Moon Girl and EC crime and Western titles beginning in 1947. When he teamed with Al Feldstein, they used the pseudonym F.C. Aljohn.

Craig later brought a clean, crisp, naturalistic approach to EC's legendary horror series — The Crypt of Terror, The Vault of Horror and The Haunt of Fear — plus Crime SuspenStories and Two-Fisted Tales. Unlike the majority of EC artists, Craig also scripted. He was responsible for the stories hosted by the Vault Keeper, and also drew that horror host in the framing sequences of stories by other EC illustrators. He eventually concentrated on The Vault of Horror and Crime SuspensStories, doing the lead story in each of these bimonthly titles. A slow and meticulous artist, Craig would take a full month to complete a story, whereas other EC artists typically required a week.

Craig became the editor of The Vault of Horror early in 1954, giving up his work for Crime SuspenStories at that time. Later that year, he created the Vault Keeper's attractive assistant, Drusilla. After the EC horror books came to an end, Craig edited EC's Extra! in 1955, writing and drawing two stories in each bimonthly issue.

Craig's story "...And All Through the House" in Vault of Horror #35 (March 1954) was adapted for the Joan Collins segment of the 1972 omnibus film Tales from the Crypt.

Craig's many covers included that of the infamous Crime SuspenStories #22, shown during the 1950s Senate hearings on juvenile delinquency. Senator Estes Kefauver asked EC publisher Bill Gaines whether the cover, depicting an ax-wielding man holding a woman's severed head, was in good taste. Gaines responded, "Yes, sir, I do, for the cover of a horror comic" — a remark that became an oft-quoted example of comic books' ostensible depravity. [1]. Ironically, Craig was known as one of the more wholesome EC artists, frequently choosing to show the reactions of characters rather than the horrific event himself.

After EC's collapse in the wake of the Kefauver hearings, Craig worked briefly for Atlas Comics, the 1950s predecessor of Marvel Comics, then spent several successful years at an advertising agency in Pennsylvania, though he lamented that his responsibilities there prevented him from drawing much. He returned to comics in the 1960s with art for ACG's Unknown Worlds and other titles.

His resurfacing prompted Warren Publishing editor Archie Goodwin to have Craig draw for Warren's magazines from 1966 to 1968, for which Craig (who still worked in advertising) used the pseudonym Jay Taycee, a phonetic pronunciation of his initials. Freelancing for Marvel, he inked Iron Man and other titles, and at DC drew an issue (eventually heavily retouched) of The Brave and the Bold, yet superheroes were not his forte. "Every so often, we'd try having him pencil an Iron Man or something," recalled Goodwin, who went to Marvel after Warren, "but it never worked out. He couldn't draw superheroes the way they wanted. and he couldn't hit the deadlines of a monthly book." [2].

On Friday, July 15, 2005, at Comic-Con International's 17th Annual Will Eisner Comic Industry Awards, he was postuhumously inducted into the Comic Book Hall of Fame.

Pierce Askegren, The Science Fiction and Fantasy Writers of America's SF/F & Publishing News [3]: "Craig was a meticulous craftsman and not a fast worker, but his stories are regarded as some of the best ever in comics. His art was relatively low-key and restrained, effectively staged and featured impeccable draftsmanship. The scripts he wrote tended to be literate and cerebral, and generally relied on solid construction and implacable internal logic, rather than on contrived snap endings. His horror work made more use of psychology and mood than of the supernatural, and his crime comics owned more to James M. Cain and Cornell Woolrich than to gangster movies".

• Lambiek Comiclopedia: Johnny Craig
• Mark Evanier on Johnny Craig
• SF/F & Publishing News Sept. 21, 2001: Obituary
• Crimeboss.com: "The Senate Investigation: Excerpt from Seal of Approval: The History of the Comics Code
• The Grand Comics Database
• The Comic Treadmill: "The Brave and the Bold 70-71, 73 (1967)"

• Fred Hembeck on The Vault of Horror #35
• Pictofiction.com: A Tribute to EC's Picto-Fiction Magazines