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Judith Hoffberg (Born in 1934) is a librarian, archivist, lecturer, a curator and art writer, and editor and publisher of Umbrella, a newsletter on artists' books, mail art, and Fluxus. She received a B.A. in Political Science from UCLA in 1956. She went on to get an M.A. in Italian Language and Literature in 1960 and an M.L.S. from the UCLA School of Library Service in June 1964.

She was a Special Intern at the Library of Congress after serving as a cataloger in 1964-65 at the Johns Hopkins University Bologna Center in Italy. At the Library of Congress, she was a cataloger in the Prints & Photographs Division of the Library of Congress until 1967, when she served as the Fine Arts Librarian at the University of Pennsylvania from 1967-1969. She went on to UCSD from 1969 to 1971 as art, literature and language bibliographer and to the Brand Library in Glendale, CA as Director from 1971 to 1973. From 1974 to 1976, she worked for the Smithsonian Institution as Archivist and Editorial Assistant for the Bicentennial Bibiography of American Arts.

In 1973, she co-founded Art Libraries Society of North America (ARLIS). She served as the Society's first Chairman, editor of ARLIS/NA Newsletter from 1972 to 1977 and its Executive Secretary from 1974 to 1977.

In 1978, Hoffberg founded Umbrella Associates. Her work includes consulting with archives and libraries. She edits and publishes Umbrella, a newsletter about artists' books and publications. Hoffberg also lectures widely throughout the US and abroad.

• National Endowment for the Arts, Service to the Field, 1980, 1981
• Australia & New Zealand Arts Council grants, lecture tour, 1982
• Dutch Government Research Trant, 1982
• British Council Grant, 1983
• Fulbright Research & Lecture Grant, 1984, (in New Zealand to work on Len Lye’s archives)
• Fluxus Research Fellow, Sonja Henie & Niels Onstad Foundation, Oslo, Norway

• Artwords & Bookworks, [LAICA], Los Angeles, which traveled to Herron Art School (Indianapolis) Contemporary Art Center (New Orleans ), [Franklin Furnace] (New York), Australia & New Zealand (1978-79), co-curator: Joan Hugo
• Book Exhibition, University of Massachusetts, Amherst, 1978
• The Umbrella Show, University of California, Riverside, 1979
• Art & Society: Bookworks by Women, [Beyond Baroque], Venice, CA, 1981
• Ex Libris, Bookworks by Artists, Traction Gallery, Los Angeles, CA, 1981
• Some Important Announcements, Santa Monica Public Library for the Santa Monica Arts Commission, 1985
• Editions & Additions: International Bookworks, Idea, Sacramento, CA, Northlight Gallery, Tempe, AZ, and UC Riverside, March 1986
• Undercover: The Book as Format, Fresno Arts Center, 1987
• Art from the Page: Bookworks, Salem Art Association, Bush Barn, Salem, OR and Texas W omen’s University, Denton, TX, 1987
• A Book of His Own: Men’s Visual Diaries, Woodland Pattern Book Center, Milwaukee, WI, 1987
• A Book in Hand, Arvada Center for the Arts & Humanities, Arvada, CO, 1989
• A Book of His Own: Man’s Visual Diaries, UCLA Art Library, 1990
• Cross <+> Currents: Books from the Edge of the Pacific, travelling artists’ books exhibition beginning in California and travelling 1991- 1993 to UCSB, Cal State Hayward, Ringling School of Art and Design, Oregon School of Arts & Crafts,
• Boundless Vision: Contemporary Bookworks, San Antonio Art Institute, 1991
• Freedom: International Mail Art Show, Armory for the Arts, Pasadena, CA, 1992
• The Amazing Decade: Women and Performancne Art in America, 1970-1980, New Gallery, Santa Monica, CA, 1993
• Shaped Structures: Bookworks in Form, Palos Verdes Art Center, Palos Verdes, CA, 1993
• Multiple World: An International Survey of Artists’ Books, co-curated b y Peter Frank, at Atlanta College of Art, Atlanta, GA, 1994
• John O’ Brien: Passe-partout: A Revised Study, New Gallery, Santa Monica, 1994
• Barbara Turner Smith: Who are We?..Hirokaz u Kosaka: Woman with Mole, New Gallery, Santa Monica, CA, 1994
• Journey/Journals: Elsa Flores & Gronk, New Gallery, Santa Monica, CA, 1994
• Boundless: Liberating the Book Form, San Francisco Center for the Book, 1998
• Women of the Book: Jewish Artists, Jewish Themes, travelling exhibition which opened in Finegood Art Gallery in 1997-1998 and has traveled to Kutztown, University of Pennsylvania, Florida Atlantic University, Brattleboro Art Museum, JCC of Minneapolis/Minnesota Center for Book Arts, Chicago, IL, La Jolla, CA and the La Sierra University, Riverside, CA

• Co-Editor, Directory of Art Libraries & Visual Resource Collections in North America (New York, Neal Schuman, 1978);
• "Bibliography of Women Artists’ Books", Chrysalis (Spring 1978)
• "Artists’ Books" in Art & Technology: The History & Method of Fine Papermaking (San Francisco, World Print Council, 1979)
• Editor & Publisher, Artists’ Publications in Print, 1980-83
• "Art Book Column" in High Performance Magazine, 1984-1994
• "Distribution and its Discontents" in Art Papers (Atlanta) May-June 1990
• Publisher, Cross<+>Currents: Books from the Edge of the Pacific (Pasadena, Umbrella Associates, 1992)
• "Learning to Read Art: The Art of Artists’ Books," The New Bookbinder, vol. 13, 1993
• Publisher, The Book Maker’s Desire: Writings on the Art of the Book by Buzz Spector (Pasadena, Umbrella Editions , 1995).
• Publisher, Umbrella: The Anthology (Santa Monica, Umbrella Editions, 2000)
• Editor and author, Women of the Book: Jewish Artists, Jewish Themes (Boca Raton, Friends of the Library, 2001).

• The Mail-Interview with Judith A. Hoffberg