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Katherine Anne Porter (15 May 1890 – 18 September 1980) was a Pulitzer Prize-winning American journalist, essayist, short story writer, novelist, and political activist. She is known for her penetrating insight; her works deal with dark themes such as betrayal, death and the origin of human evil.

Contents 1 Biography 2 Quotes 3 Awards and honors 4 Works 4.1 Short stories 4.2 Short story collections 4.3 Novellas 4.4 Novel 4.5 Essays 5 References 6 External links

Katherine Anne Porter was born Callie Russell Porter in Indian Creek, Texas, the fourth of five children of Harrison Boone Porter and Alice (Jones) Porter. Her family tree can be traced back to American frontiersman Daniel Boone, a heritage of which she was proud.^[1]

In 1892, when Porter was two years old, her mother died two months after giving birth to her last child. Her father took his four surviving children (an older brother had died in infancy) to live with his mother, Catherine Ann Porter, in Kyle, Texas. The depth of her grandmother's influence can be inferred from Porter's later adoption of her name. Her grandmother died while taking 11 year-old Callie to visit relatives in Marfa, Texas.

After her grandmother's death, the family lived in several towns in Texas and Louisiana, staying with relatives or living in rented rooms. She was enrolled in free schools wherever the family was living, and for a year in 1904 she attended the Thomas School, a private Methodist school in San Antonio, Texas. This was her only formal education beyond grammar school.

In 1906, at age 16, she ran off and married John Henry Koontz, the son of a wealthy Texas ranching family, and subsequently converted to their religion, Roman Catholicism. Her husband was physically abusive; once while drunk, he threw her down the stairs, breaking her ankle. On another drunken occasion, he beat her to unconsciousness with a hairbrush.

In 1914 she escaped to Chicago, where she worked briefly as an extra in movies. She then returned to Texas and worked the small town circuit as an actress and singer, divorcing Koontz in 1915. As part of her divorce decree, she asked that her name be changed to Katherine Anne Porter.

Also in 1915, she was diagnosed with tuberculosis and spent the following two years in sanatoriums, where she decided to become a writer. In 1917, she began writing for the Fort Worth Critic, critiquing dramas, and writing society gossip. In 1918, she wrote for the Rocky Mountain News in Denver, Colorado. She almost died there that year during the influenza pandemic (the Spanish flu). When she was discharged from the hospital months later, she was frail and completely bald. When her hair finally grew back, it was white, and remained that color for the rest of her life. Her experiences during treatment provided the background for her novella Pale Horse, Pale Rider.

In 1919, she moved to Greenwich Village in New York City and made her living ghost writing, writing children's stories and doing publicity work for a motion picture company. The year in New York City had a politically radicalizing effect on her, and in 1920, she went to work for a magazine publisher in Mexico, where she became acquainted with members of the Mexican leftist movement, including Diego Rivera.

Eventually, however, she became disillusioned with the revolutionary movement and its leaders. During this period, she also became intensely critical of religion and remained so until the last decade of her life when she again embraced the Roman Catholic Church.

Between 1920 and 1930, she traveled back and forth between Mexico and New York City and began publishing short stories and essays. In 1930, she published her first short story collection, Flowering Judas and Other Stories. An expanded edition of this collection was published in 1935 and received such critical acclaim that it alone virtually assured her place in American literature.

In 1926, she married Ernest Stock and lived briefly in Connecticut before divorcing him in 1927. Although biographers have disagreed on the verity of Porter's conflicting statements regarding her reproductive abilities, the number of such reports and their incongruities indicate Porter's interest in female sexuality and reproduction and, at the very least, suggest that some biographers' research may be well-founded. For example, some suggest that Porter suffered several miscarriages, at least one stillbirth between 1910 and 1926, and an abortion, and after contracting gonorrhea from Stock, that she had a hysterectomy in 1927, ending her hopes of ever having a child. Yet, Porter's letters to her lovers suggest that she still intimated her menstruation after this supposed hysterectomy in 1927. As she once confided to a friend, "I have lost children in all the ways one can."

During the 1930s, she spent several years in Europe during which she continued to publish short stories. In 1930, she married Eugene Pressley, a writer 13 years her junior. In 1938, upon returning from Europe, she divorced Pressley and married Albert Russel Erskine, Jr., a graduate student who was 20 years younger. He reportedly divorced her (in 1942) after discovering her real age. She never remarried.

Between 1948 and 1958, Porter taught at Stanford University, the University of Michigan and the University of Texas, where her unconventional manner of teaching made her popular with students. In 1962, she published her only novel, Ship of Fools, which was the best-selling novel in America for that year; its success finally gave her financial security (she reportedly sold the film rights for $400,000).

Despite Porter's claim that after the publication of Ship of Fools she would not win any more prizes in America, in 1966 she was awarded the Pulitzer Prize and the National Book Award for The Collected Stories of Katherine Anne Porter, and that year was also appointed to the American Academy of Arts and Letters.

In 1977, Porter published The Never-Ending Wrong, an account of the notorious trial and execution of Sacco and Vanzetti, which she had protested fifty years earlier.

She died in Silver Spring, Maryland on September 18, 1980, at the age of 90, and was buried next to her mother in the Indian Creek Cemetery in Texas.

• "I shall try to tell the truth, but the result will be fiction."

• "I have a great deal of religious symbolism in my stories because I have a very deep sense of religion and also I have religious training. And I suppose you don't say, 'I'm going to have the flowering judas tree stand for betrayal,' but of course it does."

• "Truly the South and West and other faraway places have made and are making American literature. We are in the direct, legitimate line; we are people based in English as our mother tongue, and we do not abuse it or misuse it, and when we speak a word we know what it means. These others have fallen into a curious kind of argot, more or less originating in New York, a deadly mixture of academic, guttersnipe, gangster, fake-Yiddish and dull old worn-out dirty words--an appalling bankruptcy in language, as if they hate English and are trying to destroy it along with all other living things they touch."

• "In the most civilized houses, the best people in the world do the most horrible things to each other."

• "Sigmund Freud is the curse of the Western world. His mamma should have strangled him in his cradle."

• "The downtrodden minorities are organized into tight little cabals to run the country so that we will become the downtrodden vast majority if we don't look out."

• "Awful creatures like Erica Jong have been presumptuous enough to say they represent woman. They represent the lowest kind of woman there is. And the strange thing is that instead of making themselves equal with men, they have descended to the level of the vilest men we have."

• "Evil puts up a terrible fight. And it always wins in the end."

• 1966 - Pulitzer Prize for The Collected Stories (1965)
• 1966 - National Book Award for The Collected Stories (1965)
• 1967 - Gold Medal Award for Fiction (American Academy of Arts and Letters)
• Three nominations for the Nobel Prize in Literature
• 2006 - Porter was featured on a United States postage stamp. She was the 22nd person featured in the Literary Arts stamp series. [1]

• "Maria Concepcion", 1922
• "The Martyr", 1923
• "Virgin Violeta", 1924
• "He", 1927
• "Magic", 1928
• "Rope", 1928
• "Theft", 1929
• "The Jilting of Granny Weatherall", 1930 (American film, 1980)
• "The Cracked-Looking-Glass", 1932
• "Hacienda", 1934
• "The Downward Path to Wisdom", 1939
• "The Leaning Tower", 1941
• "The Source", 1944
• "The Journey", 1944
• "The Witness", 1944
• "The Circus", 1944 (American film, 1990)
• "The Last Leaf", 1944
• "A Day's Work", 1944
• "The Grave", 1944
• "The Old Order", 1958
• "The Fig Tree", 1960 (American film, 1987)
• "Holiday", 1960
• "A Christmas Story", 1967

• Flowering Judas and Other Stories, 1930
• The Leaning Tower and Other Stories, 1944
• The Old Order: Stories of the South, 1955
• The Collected Stories of Katherine Anne Porter, 1965

• Old Mortality, 1937
• Noon Wine, 1937 (American TV, 1966; American TV, 1985)
• Pale Horse, Pale Rider, 1939 (British TV, 1964)

• Ship of Fools (Porter novel), 1962

• "The Necessary Enemy", 1948
• "The Future is Now", 1950
• "The Days Before", 1952
• "The Never-Ending Wrong", 1977
• "The Charmed Life", 1942

1. ^ Unrue, Darlene Harbour (2006). Katherine Anne Porter: The Life Of An Artist. Jackson, MI: UP of Mississippi. ISBN 1-57806-777-4. OCLC 57531348. 

• Brief biography at Kirjasto (Pegasos)
• Brief biography at Perspectives in American Literature
• Katherine Anne Porter at American Masters (PBS)
• Brief biography at Famous Texans
• Katherine Anne Porter Timeline
• Biography of Katherine Anne Porter at The Literary Encyclopedia (limited access)
• US postage stamp at USPS
• A Tribute Site to Porter's Life, Work, & Legacy (includes an active literary discussion forum)
• Photos of the first edition of Porter's Pulitzer Prize winning book
• Official site of Porter's childhood home in Kyle, TX