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Kenneth Frampton (born 1930, Woking, UK), is a British architect, critic, historian and Professor of Architecture at the Graduate School of Architecture and Planning, Columbia University, New York.

Frampton studied architecture at Guildford School of Art and the Architectural Association School of Architecture, London. Subsequently he worked in Israel, with Middlesex County Council and Douglas Stephen and Partners (1961-66), during which time he was also a visiting tutor at the Royal College of Art (1961-64), tutor at the Architectural Association (1961-63) and Technical Editor of the journal Architectural Design (AD) (1962-65).

Frampton has also taught at Princeton University (1966-71) and the Bartlett School of Architecture, London, (1980). He has been a member of the faculty at Columbia University since 1972, and that same year he became a fellow of the Institute for Architecture and Urban Studies in New York -- (whose members also included Peter Eisenman, Manfredo Tafuri and Rem Koolhaas) -- and a co-founding editor of its magazine Oppositions.

Frampton is a permanent resident of the USA.

Frampton is well known for his writing on twentieth-century architecture. His books include Modern Architecture: A Critical History (1980; revised 1985 and 1992) and Studies in Tectonic Culture (1997). Frampton achieved great prominance (and influence)in architectural education with his essay "Towards a Critical Regionalism" (1983) - though the term had already been coined by Alex Tzonis and Liliane Lefaivre. Also, Frampton's essay was included in a book The Anti-Aesthetic. Essays on Postmodern Culture, edited by Hal Foster, though Frampton is critical of postmodernism. Frampton's own position attempts to defend a version of modernism that looks to either critical regionalism or a 'momentary' understanding of the autonomy of architectural practice in terms of its own concerns with form and tectonics which cannot be reduced to economics (whilst conversely retaining a Leftist viewpoint regarding the social responsibility of architecture).

In 2002 a collection of Frampton's writings over a period of 35 years was collated and published under the title Labour, Work and Architecture.

• Studies in Tectonic Culture: The Poetics of Construction in Nineteenth and Twentieth Century Architecture. MIT Press, Cambridge, Mass., 2001.
• Modern Architecture: A Critical History (World of Art), Thames & Hudson, London, Third edition (1992).
• Le Corbusier (World of Art). Thames & Hudson, London, 2001.
• Labour, Work and Architecture. Phaidon Press, London, 2002.
• The Evolution of 20th-Century Architecture: A Synoptic Account. Springer, New York, 2006.

• Professor Frampton responds to Alexander Stille's Preserving the Past, the Impossible and Necessary Task at the Carnegie Council

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