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Lindsay Gordon Anderson (April 17, 1923 - August 30, 1994), was an Scottish film and documentary director. The son of a British Army officer, he was born in Bangalore, India, and educated at Cheltenham College and Oxford University.

Contents 1 Career 2 Filmography 3 Documentary and TV 4 Bibliography 5 External links

Before going into film-making, Anderson was a prominent film critic writing for Sequence magazine (1947-52), which he co-founded with Gavin Lambert, and later for the British Film Institute's Sight and Sound and the left-wing political weekly the New Statesman. In one of his early and most well-known polemical pieces, "Stand Up, Stand Up", he outlined his theories of what British cinema should become. Anderson developed an acquaintance from 1950 with John Ford, which led to him writing one of the standard books on that director, About John Ford (1983). As seen in his writings, another major influence was Humphrey Jennings, the great wartime documentary film maker.

Following a series of screenings which he organized at the National Film Theatre of independently-produced short films by himself, Karel Reisz and others, he developed a philosophy of cinema which found expression in what became known as the Free Cinema Movement in Britain by the late-1950s. This was the belief that the cinema must break away from its class-bound attitudes and that the working classes deserved to be seen on Britain's screens. Along with Karel Reisz, Tony Richardson, and others he secured funding from a variety of sources (including Ford of Britain) and they each made a series of socially challenging short documentaries on a variety of subjects.

These films, made in the tradition of British documentaries in the 1930s by such men as John Grierson, foreshadowed much of the social realism of British cinema which emerged in the 1960's with Anderson's own film This Sporting Life, Reisz's Saturday Night and Sunday Morning, and Richardson's The Loneliness of the Long Distance Runner. One of Anderson's early short films, Thursday's Child, won an Oscar for Best Documentary Short in 1954. Anderson reconnected with his roots as a documentary maker in 1985 when he was invited by producer Martin Lewis to chronicle the first-ever visit to China by Western pop artists Wham! resulting in Anderson's film Foreign Skies: Wham! In China.

Anderson is best remembered internationally for his "Mick Travis" trilogy of feature films, all of which star Malcolm McDowell as Travis: If..., O Lucky Man! and Britannia Hospital.

Anderson was also a significant British theatre director; he was long associated with London's Royal Court Theatre, directing premiere productions of plays by David Storey, among others.

• This Sporting Life (1963)
• The White Bus (1966)
• If... (1968)
• O Lucky Man! (1973)
• In Celebration (1974)
• Britannia Hospital (1982)
• The Whales of August (1987)

• Meet the Pioneers (1948)
• Idlers that Work (1949)
• Three Installations (1951)
• Wakefield Express (1952)
• Thursday's Children (1953)
• O Dreamland (1953)
• Truck Conveyor (1954)
• Foot and Mouth (1955)
• A Hundred Thousand Children (1955)
• The Children Upstairs (1955)
• Green and Pleasant Land (1955)
• Henry (1955)
• £20 a Ton (1955)
• Energy First (1955)
• Every Day Except Christmas (1957)
• March to Aldermaston (1959)
• The Singing Lesson (1967)
• The Old Crowd (1979)
• Foreign Skies: Wham! In China (1985)
• Glory! Glory! (1989)
• Is That All There Is? (1993)

• About John Ford (1983) ISBN 0-85965-014-6
• The Diaries of Lindsay Anderson ed. Paul Sutton (2004) ISBN 0-413-77397-3
• Never Apologise: The Collected Writings of Lindsay Anderson (2004) ISBN 0-85965-317-X

• SEE ALSO: Lindsay Anderson Bibliography (via UC Berkeley)

• Lindsay Anderson at the Internet Movie Database

• The Lindsay Anderson Memorial Foundation

• Watch O Dreamland on FourDocs

• The BFI's "screenonline" on Free Cinema

• The BFI's "screenonline" for Lindsay Anderson

• The Lindsay Anderson Archive at Stirling University, Scotland