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M. Night Shyamalan
Birth name	Manoj Nelliyattuu Shyamalan
Born	August 6, 1970 (1970-08-06) (age 37) Mahé, Pondicherry, India
Spouse(s)	Bhavna Vaswani (1993-)
Awards Academy Awards Best Director 1999The Sixth Sense (nominated) Best Original Screenplay 1999 The Sixth Sense (nominated) Golden Raspberry Awards Worst Supporting Actor 2006 Lady in the Water Worst Director 2006 Lady in the Water

Manoj Nelliattu Shyamalan (born August 6, 1970), known professionally as M. Night Shyamalan, /'ʃæ.mæ.lɔːn/^{[citation needed]}, is a notable writer-director of major studio films, well known for making movies with contemporary supernatural plots that usually end with a twist ending. He is also known for filming his movies (and staging his plots) in and around Philadelphia, Pennsylvania. He has also performed as a minor character in most of his movies.

Contents 1 Early life and career 2 Movies 2.1 Praying With Anger 2.2 Wide Awake 2.3 The Sixth Sense 2.4 Unbreakable 2.5 Signs 2.6 The Village 2.7 Lady in the Water 2.8 Avatar: The Last Airbender 2.9 The Happening 2.10 Other projects 3 Other media 3.1 Sci Fi Channel hoax 3.2 American Express commercial 3.3 References in other media 4 Criticism 5 References 6 External links

Shyamalan was born in Pondicherry, India^[1] . His father, Nelliattu C. Shyamalan, a physician, is a Malayalee, and his mother, Jeyalakshmi (called Jaya), is a Tamilian and an obstetrician and gynecologist by profession.^[2] In the 1960s, after medical school (in JIPMER Pondicherry) and the birth of their first child, Veena, Shyamalan's parents moved to the United States. Shyamalan's mother returned to India to spend the last five months of her pregnancy with him at her parents' home in Chennai (Madras)

Shyamalan spent his first six weeks in Pondicherry and then was raised in Penn Valley, Pennsylvania, an affluent Main Line suburb of Philadelphia. He attended the private Catholic grammar school Waldron Mercy Academy, which his parents chose for its academic discipline,^[3] followed by The Episcopal Academy, a private Episcopalian high school also in Lower Merion. Shyamalan went on to New York University's Tisch School of the Arts, in Manhattan, graduating in 1992. It was here that he made up his middle name.

Shyamalan had an early desire to be a filmmaker when he was given a Super-8 camera at a young age. Though his father wanted Shyamalan to follow in the family practice of medicine, his mother encouraged Shyamalan to follow his passion.^[4] By the time he was 17, Shyamalan, who had been a fan of Steven Spielberg, had made 45 home movies. Beginning with The Sixth Sense, he has included a scene from one of these childhood films on each DVD release of his films, which he feels represents his first attempt at the same kind of film (with the exception of Lady in the Water).

Shyamalan made his first film, the semiautobiographical drama Praying with Anger, while still an NYU student, using money borrowed from family and friends.^[5] It was screened at the Toronto Film Festival on September 12, 1992,^[6] and played commercially at one theater for one week.^[6] When the film debuted at the Toronto Film Festival, Shyamalan was introduced by David Overbey who predicted that the world would see more of Shyamalan in the years to come. Praying with Anger has also been shown on Canadian television. Filmed in Chennai, it is his only film to be shot outside of Pennsylvania.

Shyamalan wrote and directed his second movie, Wide Awake, in 1995, though it was not released until 1998.^[7] His parents were the film's associate producers. The drama dealt with a ten-year-old Catholic schoolboy (played by Joseph Cross) who, after the death of his grandfather (Robert Loggia), searches for God. The film's supporting cast included Dana Delany and Denis Leary as the boy's parents, as well as Rosie O'Donnell, Julia Stiles, and Camryn Manheim. Wide Awake was filmed in a school Shyamalan attended as a child^[8] and earned 1999 Young Artist Award nominations for Best Drama, and, for Cross, Best Performance.^[9] Only in limited release, the film grossed $305,704 in theaters.^[10]

That same year Shyamalan wrote the screenplay for Stuart Little.

In 1993, Shyamalan married Indian psychologist Bhavna Vaswani, a fellow student whom he had met at NYU^[11] and with whom he has had two daughters. As of mid-2006, the family resides in Wayne, Pennsylvania, near Shyamalan's usual shooting site of Philadelphia.

Main article: Praying With Anger

Praying With Anger was Night's first work as a young director and was released in 1992. The movie deals with the story of a young man returning to India to explore his heritage. The young man's name is Dev Raman and is played by Night himself. During the course of the movie, Dev learns that his cold and distant father, now deceased, actually cared for him a great deal before his passing. The title of the movie comes from a moment in the film when the protagonist learns that he is able to pray to Hindu deities with almost any emotion except indifference. Upon realizing this, Raman finds he is only able to pray with anger.^[12][13]

Main article: Wide Awake

Wide Awake, Shyamalan’s first major feature film, came from a screen play written by Shyamalan that was purchased by the then up-and-coming independent film studio Miramax. A provision was added to the sale that Shyamalan could direct the film and shoot it in Philadelphia. It was produced by Cary Woods and Cathy Konrad. The film starred Joseph Cross, Rosie O'Donnell, Dana Delaney, Denis Leary, and Robert Loggia. Wide Awake also featured Julia Stiles in one of her earliest roles as Josh's teenage sister, Nina. The film follows a young boy’s search for God after his grandfather dies, a story told quietly, driven by dialogue.

The film is similar to later Shyamalan films with a theme of crises of belief, a supernatural sub-plot, and a twist ending that sums up the ideas presented in the film^[14]. It is the only Shyamalan-directed film to date in which the director does not make a cameo appearance. Although Wide Awake was made in 1995, it was not released until 1998 where it grossed a total of only $288,000 against a production budget of $7 million.

Main article: The Sixth Sense

Shyamalan achieved commercial success in 1999 when he wrote and directed The Sixth Sense, a supernatural drama about a psychologist (Bruce Willis) who blames himself for a patient's suicide and his own broken marriage. Upon meeting a disturbed child (Haley Joel Osment) who claims to see people who have died, the psychologist feels he has a chance to redeem himself. According to the book DisneyWar, David Vogel of The Walt Disney Company read Shyamalan's script and, without obtaining approval from his superiors, bought the rights to it for a high $2 million and allowed Shyamalan to direct.^[15] Vogel's bosses, disagreeing with his decision, sold the profits to Spyglass Entertainment and kept only a 12.5 percent distribution fee for itself.^[15]

The film had a $40-million budget, and grossed over $600 million at the box office worldwide.

The Sixth Sense was nominated for six Academy Awards, including Best Editing, Best Supporting Actor for Osment, Best Supporting Actress for Toni Collette, Best Director, Best Picture, and Best Original Screenplay. The Science Fiction and Fantasy Writers of America awarded it a Nebula Award for Best Script of 1999.

Main article: Unbreakable (film)

Unbreakable is a drama about David Dunn (Bruce Willis), the sole survivor of a train crash, and his encounters with comic book collector Elijah Price (Samuel L. Jackson), who is convinced that Dunn has latent superpowers. The movie opened to mixed reviews with many comparing it to "The Sixth Sense" and noting its slow pace and somber atmosphere.^[16] With a budget of $75 million, the movie failed to make a net profit domestically^{[citation needed]} with a total box office gross of $95 million. It went on to collect another $154 million worldwide.^[17]

Main article: Signs (film)

Opening in August 2002, Signs is a science fiction drama of a rural Pennsylvania pastor (Mel Gibson) who has lost his faith after his wife's death and regains it with his family as they witness the worldwide events of an alien invasion. Joaquin Phoenix, Rory Culkin, and Abigail Breslin also star. Budgeted at $72 million, Signs grossed $227 million domestically and $408 million worldwide.^[18] It was the highest-grossing film as well as the highest opening-weekend gross ($60 million) of Gibson's career as an actor.

The film received a generally positive reception. Most notably of which was Roger Ebert's four-star review, stating, "M. Night Shyamalan's Signs is the work of a born filmmaker, able to summon apprehension out of thin air. When it is over, we think not how little has been decided, but how much has been experienced".^[19]

Shyamalan said in an interview with Science Fiction Weekly that his choice of Gibson was based in part by the actor's emotional role in the film Lethal Weapon: "I was on my parents' sofa watching the video of Lethal Weapon, and then this guy did stuff emotionally that had no business being in an action movie. ... I completely believed the humanity of a man who was so torn by the loss of his wife that he wasn't afraid of dying, which made him a lethal weapon. ... [W]hen I wrote the movie about a guy who loses faith because his wife has passed away, I felt like that was the guy. And I also like taking an action guy and not letting him be The Guy."

Shyamalan also said that originally, there was going to be very little music in the film, but that composer James Newton Howard's intense and emotional compositions reminded him of a Bernard Herrmann (Alfred Hitchcock's frequent composer) score and prompted him to change his mind.^[20]

Main article: The Village (film)

Drawing on Wuthering Heights after being offered to pen a screen adaptation, Shyamalan went to work on what was originally titled The Woods.^[21] The Village was released in July 2004. A drama starring Joaquin Phoenix, William Hurt, Sigourney Weaver, Bryce Dallas Howard, and Adrien Brody, it tells of a small, 19th-century community (we see the tombstone of a boy is being laid to rest in the opening of the film that reads 1890–1897) run by a group of "Elders" who seem to be content in their isolation from the outside world. The village is encircled by a forest said to be filled with mysterious and threatening creatures. Even as an uneasy truce between the villagers and the creatures seems to be falling apart, one villager (Phoenix) starts to question their forced isolation.

With total production costs of $71.6 million,^[22] the film grossed $114.2 million domestically ($50 million in its opening weekend) and a further $142 million in non-USA receipts. Its successful opening weekend in America was followed by a severe dropoff of 67%, and the film is generally considered to be a commercial disappointment. Critical response was mostly negative:^[23] Desson Thomson of The Washington Post called it "a bewildering disappointment";^[23] Kevin Thomas of the Los Angeles Times said, "It's tedious instead of provocative and so unconvincing as to be preposterous."^[23] Roger Ebert, who had previously praised Shyamalan, called the film "a colossal miscalculation, a movie based on a premise that cannot support it, a premise so transparent it would be laughable were the movie not so deadly solemn. . . . He is a director of considerable skill who evokes stories out of moods, but this time, alas, he took the day off." [1]

Shyamalan expressed a great deal of regret in the way the film was marketed, telling producing partner Sam Mercer, while overseeing the editing of the teaser trailer for Lady in the Water, that he had wished for the The Village to have been sold as a period romance with a scare only at the end of the trailer. Shyamalan is also said to have thought that the shift in the main theme of faith from his previous films to that of deception resulted in the mixed-negative response. Citing that his other movies set out to make an audience believe in the supernatural, The Village set out to do the opposite.^[24]

The Village earned an Academy Award nomination for Best Original Score.

Main article: Lady in the Water

Lady in the Water, released on July 21, 2006, is a fantasy about a Philadelphia apartment-complex maintenance man, Cleveland Heep (Paul Giamatti), who discovers a young woman named Story (Bryce Dallas Howard) in the swimming pool. Gradually, he and others in the complex learn that she is a water nymph who has come to "the world of man" to bring inspiration to someone in the complex. Her life is in danger from a vicious, wolf-like, mystical creature that tries to keep her from returning to her watery "blue world".

The proposal for this film highlighted a severe rift between Shyamalan and Disney, the studio for which he had done his biggest previous films. In the book The Man Who Heard Voices: Or, How M. Night Shyamalan Risked His Career on a Fairy Tale by Sports Illustrated writer Michael Bamberger, Shyamalan said that he felt Disney "no longer valued individualism ... no longer valued fighters."^[25] Shyamalan left the studio after production president Nina Jacobson and others became highly critical of his script, which Warner Bros. eventually produced.^[26] Critical response was again negative — Frank Lovece of Film Journal International saying simply, "this Lady is the Showgirls of fantasy film"^[27] — disparaging both the inclusion of a film-critic character (one element of Shyamalan's screenplay that Disney found troublesome) and Shyamalan's decision to take such a large and personal role in the film as a writer whose work would change the world. The New York Post wrote that the film was "dead in the water", criticizing Shyamalan as a "crackpot with messianic delusions".

Lady in the Water went on to receive four Golden Raspberry Award nominations, three of which were for Shyamalan himself (worst Supporting Actor, worst Director and worst Screenplay), as well as worst Picture. Shyamalan later "won" two of the awards, worst Supporting Actor and worst Director.

As of September 14, 2006, the film made $42.285 million domestically and $30.5 million in the foreign box office, totaling $72.785 million. Combined production and marketing costs amounted to approximately twice this figure. DVD rentals of the film have earned it another $19.96 million as of February 18th, 2007.

On January 8, 2007, it was announced^{[citation needed]} that Shyamalan would write, direct and produce the live-action adaptation of Avatar: The Last Airbender, an animated TV series on the children's cable channel Nickelodeon, a series influenced by Asian art, mythology and fighting styles. The movie will be produced for Paramount Pictures' MTV Films and Nick Movies. The trade paper Variety later reported Shyamalan would film Avatar after The Happening.^[28]

According to an interview with the co-creators in SFX Magazine, Shyamalan came across Avatar when his daughter asked him for a "Waterbender necklace" one Christmas. Intrigued, Shyamalan researched and watched the series with his family. "Watching Avatar has become a family event in my house ... so we are looking forward to how the story develops in season three," said M. Night Shyamalan. "Once I saw the amazing world that Mike and Bryan created, I knew it would make a great feature film."^[29]

Main article: The Happening (2008 film)

On January 28, 2007, Variety reported that Shyamalan showed a new script titled The Green Effect to movie studios' executives while visiting Hollywood but no major studios were interested enough in green lighting the film.^[30] A little over a month later, the same magazine reported that Shyamalan's spec script (now titled The Happening) had been sold to 20th Century Fox after having gone through a comprehensive rewrite. The film is scheduled to be released in June 2008 and will be produced by Shyamalan, Sam Mercer, and Berry Mendel. It is reported that The Happening will be Shyalaman's first R-rated effort.^{[citation needed]}

The plot of the film involves Earth's vegetation unleashing an invisible neurotoxin causing all those who breathe it to be brutally killed. The protagonist, a science teacher named Elliot Moore, goes on the run with his wife and friends as hysteria grips the planet.

In July 2000, on The Howard Stern Show, Shyamalan said he had met with Spielberg and was in early talks to write the script for the fourth Indiana Jones film. This would have given Shyamalan a chance to work with his longtime idol, Steven Spielberg^[31]. After the project fell through Shyamalan later said it was too "tricky" to arrange and "not the right thing" for him to do.^[32]

Shyamalan's name was linked with the 2001 film Harry Potter and the Philosopher's Stone, but the project seemed to conflict with the production of Unbreakable. In July of 2006, while doing press tours for Lady in the Water, Shyamalan said he is still interested in directing one of the last two Harry Potter films. "The themes that run through it...the empowering of children, a positive outlook...you name it, it falls in line with my beliefs," Shyamalan said. "I enjoy the humor in it. When I read the first Harry Potter and was thinking about making it, I had a whole different vibe in my head of it".^[33][34]

After the release of The Village in 2004, Shyamalan had been planning a film adaptation of Yann Martel's novel Life of Pi with 20th Century Fox, but later backed out so that he could make Lady in the Water. "I love that book. I mean, it's basically [the story of] a kid born in the same city as me [Pondicherry, India] — it almost felt predestined," Shyamalan said. "But I was hesitant because the book has kind of a twist ending. And I was concerned that as soon as you put my name on it, everybody would have a different experience. Whereas if someone else did it, it would be much more satisfying, I think. Expectations, you've got to be aware of them. I'm wishing them all great luck. I hope they make a beautiful movie".^[35]

Shyamalan has also appeared as an actor in small roles for most of his directed movies.

He has stated that Unbreakable was planned as the first film in a trilogy, but due to its underwhelming box office receipts, doubts the other two films will be made. However, he has never directly ruled out the possibility.

In 2004, Shyamalan was involved in a media hoax with the Sci Fi Channel, which when eventually uncovered by the press, prompted Sci Fi's parent company, NBC-Universal, to denounce the undertaking as "not consistent with our policy at NBC. We would never intend to offend the public or the press and we value our relationship with both."^[36]

Sci Fi claimed in its "documentary" special — The Buried Secret of M. Night Shyamalan, shot on the set of The Village — that Shyamalan was legally dead for nearly a half-hour while drowned in a frozen pond in a childhood accident, and that upon being rescued he had experiences of communicating with spirits, fueling an obsession with the supernatural. The Sci Fi Channel also claimed that Shyamalan had grown "sour" when the "documentary" filmmakers' questions got too personal, and had therefore withdrawn from participating and threatened to sue the filmmakers.

In truth, Shyamalan developed the hoax with Sci Fi, going so far as having Sci Fi staffers sign non-disclosure agreements with a $5-million fine attached and requiring Shyamalan's office to formally approve each step. Neither the childhood accident nor the supposed rift with the filmmakers ever occurred. The hoax included a non-existent Sci Fi publicist, "David Westover", whose name appeared on press releases regarding the special. Sci Fi also fed false news stories to the Associated Press^[37] and Zap2It.com,^[38] among others. A New York Post news item, based on a Sci Fi press release, referred to Shyamalan's attorneys threatening to sue the filmmakers; the attorneys named were non-existent.

After an AP reporter confronted Sci Fi Channel president Bonnie Hammer at a press conference, Hammer admitted the hoax, saying it was part of a guerrilla marketing campaign to generate pre-release publicity for The Village. Despite his office's disclosure-agreement requirement and approvals of each marketing step, Shyamalan told the AP, "I was, of course, involved in the production of the special but had nothing to do with the marketing of it. If the Sci Fi Channel erred in their marketing strategy, it was totally out of enthusiasm."^[36] Other critics have since deemed viewers to be victim of a somewhat 'cheap' promotional trick which went too far^[39].

An American Express commercial directed by as well as starring M. Night Shyamalan debuted during the 2006 Oscars. The spot takes place in a restaurant with several eerie events happening in quick succession. After these events unfold, a waitress approaches Shyamalan, jolting him out of what seems to have been a daydream, and tells him how much she loves his films. Shyamalan, in a voice-over, says, "My life is about finding time to dream, that's why my card is American Express," as he goes to a different restaurant to find other things to dream about.^[40]

Shyamalan has been repeatedly spoofed on the stop-motion animation TV series Robot Chicken. A segment of episode nine, entitled "The Twist", is a fictional movie written by, directed by and starring Shyamalan (voiced by show co-creator Seth Green) consisting entirely of a string of plot twists, each one followed with an exclamation of "What a twist!" from Shyamalan - a jab at his perceived "trademark" surprise ending. The fictional Shyamalan also appears occasionally to end a segment with the "What a twist!" saying, and once appeared to review movies with Roger Ebert in a parody of the television show Ebert & Roeper, where he uses variations on his saying to criticize the films.

In the second episode of Code Monkeys, a young Shyamalan (using his first name, 'Manoj') bought Dave's ticket to the premier of E.T. for $30 and performed humiliating tasks such as performing 200 sit-ups and soiling himself. Dave called Manoj 'M' and gave him the idea for The Sixth Sense.

In The Simpsons episode "Homer's Paternity Coot", Homer Simpson, after learning that his biological father's name starts with M, asks "Who could my father be? Moleman? Mr. Burns? (gasps) M. Night Shyamalan? That would be a twist worthy of his increasingly lousy films!"

He appeared as himself on the July 8, 2007 episode of Entourage, "Sorry, Harvey." Shyamalan meets Ari Gold at a cemetery, where he's filming an American Express TV commercial. He gives Gold a 200-page script to read by the following morning and threatens to quiz him on it. The next morning, he gives Gold a revised script and forces him to read it on the spot.

On October 17, 2007, Shyamalan was caricatured on South Park, on the episode "Imaginationland", where he was criticized of having no ideas in his movies, only twists.

A common criticism of Shyamalan is that he is a better director than he is a screenwriter. Some critics have suggested that he would be more successful by hiring a screenwriter to help translate his stories to the big screen.^[41][42] He has also been labeled a "one-trick pony" for his continuous use of the "twist" element in his screenplays.^[43] After the release of The Village, Slate's Michael Agger noted that Shyamalan was following "an uncomfortable pattern" of "making fragile, sealed-off movies that fell apart when exposed to outside logic."^[44]

In recent years, M. Night Shyamalan has been accused of plagiarism. It has been noted that The Sixth Sense resembles the Orson Scott Card novel Lost Boys.^[45] Robert McIlhinney, a Pennsylvania screenwriter, sued Shyamalan over the similarity of Signs to his unpublished script Lord Of The Barrens.^[46] Margaret Peterson Haddix considered a lawsuit after it was noted that The Village had numerous elements found in her children's novel Running Out of Time.^[47]

• M. Night Shyamalan Online
• M. Night Shyamalan at the Internet Movie Database
• M. Night Fans
• boxofficemojo on Lady in the Water
• The Smoking Gun

v • d • e Films written and directed by M. Night Shyamalan
Praying with Anger • Wide Awake • The Sixth Sense • Unbreakable • Signs • The Village • Lady in the Water • The Happening