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Montague Rhodes James
Pseudonym:	M. R. James
Born	August 1, 1862
Died	June 12, 1936
Nationality	British
Influenced	Arthur Gray, John Betjeman, H. P. Lovecraft, Clark Ashton Smith, Fritz Leiber, Russell Kirk, John Bellairs, Stephen King, Ramsey Campbell

Montague Rhodes James, OM (August 1, 1862 – June 12, 1936), who published under the byline M. R. James, was a noted British mediaeval scholar and provost of King's College, Cambridge (1905–1918) and of Eton College (1918–1936). He is best remembered today for his ghost stories in the classic Victorian Yuletide vein, which are widely regarded as among the finest in English literature.

Contents 1 Early influences 2 Scholarly works 3 Ghost stories 3.1 Media adaptations 3.2 Influence 4 Family 5 Works 5.1 Scholarly works 5.2 Ghost stories 5.3 Travel 5.4 Children's books 6 Notes 7 References 8 External links

James was born in Goodnestone Parsonage in Kent, England, although his parents were closely connected with Aldeburgh, Suffolk. From the age of three (1865) until 1909 his home, if not always his residence, was at the Rectory in Great Livermere, Suffolk. This had also been the childhood home of another eminent Suffolk antiquary, "Honest" Tom Martin "of Palgrave." Several of the ghost stories are set in Suffolk, including "'Oh, Whistle, and I'll Come to You, My Lad'" (Felixstowe), "A Warning to the Curious" (Aldeburgh), "Rats" and "A Vignette" (Great Livermere). He lived for many years, first as an undergraduate, then as a don and provost, at King's College, Cambridge, which university provides settings for several of his tales. Apart from mediaeval subjects, James studied the classics and appeared very successfully in a staging of Aristophanes's play The Birds, with music by Hubert Parry. His ability as an actor was also seen when he read his new ghost stories to friends at Christmas time.

James is most widely known for his ghost stories, but as a mediaeval scholar his output was phenomenal and remains highly respected in scholarly circles. Indeed the success of his antiquarian ghost-stories is rooted in his life as an antiquary. His discovery of a manuscript fragment led to excavations in the ruins of the abbey at Bury St Edmunds, West Suffolk, in 1902, in which the graves of several twelfth-century abbots described by Jocelyn de Brakelond (a contemporary chronicler) were rediscovered, having been lost since the Dissolution. His 1917 edition of the Latin Lives of Saint Aethelberht, king and martyr (English Historical Review 32), remains authoritative.

He catalogued many of the manuscript libraries of the Cambridge and Oxford colleges. Among his other scholarly works, he wrote The Apocalypse in Art, which placed illuminated Apocalypse manuscripts into families. He also translated the New Testament Apocrypha. The fact that he was not a "dry" scholar is shown in his Suffolk and Norfolk (Dent, 1930), in which a great deal of knowledge is presented in a popular and accessible form, and in Abbeys (Great Western Railway, 1925).

James's ghost stories were published in a series of collections: Ghost-Stories of an Antiquary (1904), More Ghost Stories (1911), A Thin Ghost and Others (1919), and A Warning to the Curious and Other Ghost Stories (1925). The first hardback collected edition appeared in 1931. Following an English tradition, many of the thirty or so tales were penned as Christmas Eve entertainments and read aloud to gatherings of friends. This idea was used by the BBC in the mid-1990s when they filmed Christopher Lee reading four stories in a candle-lit room in King's College, just as James did so dramatically ninety years before.

James perfected a method of story-telling which has since become known as 'Jamesian'. The classic Jamesian tale usually includes the following key elements:

1. a characterful setting in an English small village, seaside town or country estate; an ancient town in France, Denmark or Sweden; or a venerable abbey or university;
2. a nondescript and rather naive gentleman-scholar as protagonist (often repressed in nature);
3. the discovery of an old book or other antiquarian object that somehow calls down the wrath, or at least the unwelcome attention, of a supernatural menace, usually from beyond the grave.

According to James, the story must "put the reader into the position of saying to himself: 'If I'm not careful, something of this kind may happen to me!'" He also perfected the literary technique of the genre: narrating supernatural events principally through implication and suggestion, letting his reader fill in the blanks, and focusing on the mundane details of his settings and characters in order to throw the horrific and bizarre elements into greater relief. He summed up his approach in his foreword to the anthology Ghosts and Marvels (Oxford, 1924): "Two ingredients most valuable in the concocting of a ghost story are, to me, the atmosphere and the nicely managed crescendo.… Let us, then, be introduced to the actors in a placid way; let us see them going about their ordinary business, undisturbed by forebodings, pleased with their surroundings; and into this calm environment let the ominous thing put out its head, unobtrusively at first, and then more insistently, until it holds the stage."

A further important point he made was: "Another requisite, in my opinion, is that the ghost should be malevolent or odious: amiable and helpful apparitions are all very well in fairy tales or in local legends, but I have no use for them in a fictitious ghost story."

Despite his suggestion (in the essay "Stories I Have Tried to Write") that writers employ reticence in their work, many of James's tales depict scenes and images of savage and often disturbing violence. For example, in "Lost Hearts", pubescent children are drugged by a sinister dabbler in the occult who then removes their hearts from their paralysed bodies. In a 1929 essay, James stated:

Reticence may be an elderly doctrine to preach, yet from the artistic point of view, I am sure it is a sound one. Reticence conduces to effect, blatancy ruins it, and there is much blatancy in a lot of recent stories. They drag in sex too, which is a fatal mistake; sex is tiresome enough in the novels; in a ghost story, or as the backbone of a ghost story, I have no patience with it. At the same time don't let us be mild and drab. Malevolence and terror, the glare of evil faces, 'the stony grin of unearthly malice', pursuing forms in darkness, and 'long-drawn, distant screams', are all in place, and so is a modicum of blood, shed with deliberation and carefully husbanded; the weltering and wallowing that I too often encounter merely recall the methods of M G Lewis.^[1]

Although not overtly sexual, plots of this nature have been perceived as unintentional metaphors of the Freudian variety. James's biographer Michael Cox wrote in M. R. James: An Informal Portrait (1983), "One need not be a professional psychoanalyst to see the ghost stories as some release from feelings held in check." Reviewing this biography (Daily Telegraph, 1983), the novelist and diarist Anthony Powell, who attended Eton under James's tutelage, commented that "I myself have heard it suggested that James's (of course platonic) love affairs were in fact fascinating to watch." Powell was referring to James' relationships with his pupils, not his peers.

Other critics have seen complex psychological undercurrents in James's work. His authorial revulsion from tactile contact with other people has been noted by Julia Briggs in Night Visitors: The Rise and Fall of the English Ghost Story (1977). As Nigel Kneale said in the introduction to the Folio Society edition of Ghost Stories of M. R. James, "In an age where every man is his own psychologist, M. R. James looks like rich and promising material.… There must have been times when it was hard to be Monty James."

In addition to writing his own stories, James championed the works of Sheridan Le Fanu, whom he viewed as "absolutely in the first rank as a writer of ghost stories", editing and supplying introductions to Madame Crowl's Ghost (1923) and Uncle Silas (1926).

Did James himself believe in ghosts? He wrote, "I answer that I am prepared to consider evidence and accept it if it satisfies me."

There have been numerous radio and television adaptations of James's stories, mostly in Britain. Two of the best-known of these TV dramas, Whistle and I'll Come to You (1968) and A Warning to the Curious (1972), are available on DVD from the British Film Institute. Starring Sir Michael Hordern and Peter Vaughan respectively, and directed by Jonathan Miller and Lawrence Gordon-Clarke respectively, they are masterly pieces of filmwork and show the interplay between human beings and sinister spirits. The BBC, in a long-standing tradition, used to broadcast a dramatisation of an M. R. James story each Christmas. This tradition was resurrected in December 2005, when BBC Four broadcast a new dramatised version of James's story "A View from a Hill", with "Number 13" following in December 2006. In December 2000, the BBC also produced a short series (M.R. James' Ghost Stories For Christmas) which starred Christopher Lee as James, who (in character) read adaptations of some of his most famous works. The featured stories were "The Stalls Of Barchester Cathedral", "The Ash Tree", "Number 13" and "A Warning To The Curious". The format was well received but was not revived the next year or indeed any year since, and with the BBC now having begun producing full-cast dramatisations of James stories again it seems unlikely that it will be.

In the 1980s, a series of four double audio cassettes was released by Argo Records, featuring nineteen unabridged M. R. James stories narrated by Michael Hordern. The tapes were titled Ghost Stories (1982), More Ghost Stories (1984), A Warning to the Curious (1985), and No. 13 and Other Ghost Stories (1988). ISIS Audio Books also released two collections of unabridged M. R. James stories, this time narrated by Nigel Lambert. These tapes were titled A Warning to the Curious and Other Tales (four audio cassettes, six stories, March 1992) and Ghost Stories of an Antiquary (three audio cassettes, eight stories, December 1992).

In the late 1980s the late BBC producer Sheila Hodgson authored and produced a series of plays for Radio Four which innovatively cast M. R. James as the diarist of a series of fictional ghost stories inspired by fragments referred to in his article 'Stories I Have Tried To Write'. The noted actor Michael Williams appeared in some of these as M. R. James.

In 1997–1998 BBC Radio 4 broadcast The Late Book: Ghost Stories, a series of 15-minute readings of M. R. James stories, abridged and produced by Paul Kent and narrated by Benjamin Whitrow (repeated on BBC 7, December 2003–January 2004, September–October 2004, February 2007). The stories were "Canon Alberic's Scrapbook", "Lost Hearts", "A School Story", "The Haunted Dolls' House" and "Rats".

In 2003, Radio 4 broadcast The House at World's End by Stephen Sheridan. A pastiche of James's work, it contained numerous echoes of his stories while offering a fictional account of how he became interested in the supernatural. James was played by John Rowe, with Jonathan Keeble playing his younger self.

The only notable film version of James' work to date has been the highly influential British adaptation by Jacques Tourneur of "Casting the Runes" as Night of the Demon (1957; U.S. title: Curse of the Demon). The film is generally considered one of the high points of the British horror film.

The first stage version of "Casting the Runes" was performed at the Carriageworks Theatre in Leeds, England on 9 June–10 June 2006 by the Pandemonium Theatre Company.*[1]

In 2006–2007, Nunkie Theatre Company toured 'A Pleasing Terror' round the UK and Ireland. This one man show was an atmospheric retelling of two of M. R. James's tales, "Canon Alberic’s Scrap-book" and "The Mezzotint". From October 2007 a sequel 'Oh, Whistle...', comprising "Oh, Whistle and I'll Come to You My Lad" and "The Ash Tree", will tour the UK.

In Spring 2007 UK-based Craftsman Audio Books released the first complete set of audio recordings of M. R. James's stories on CD, spread across two volumes. These were recorded with the actor David Collings (who appeared as Silver in the cult TV series Sapphire & Steel) as reader. The ghost story author Reggie Oliver acted as consultant on the project.

April 2007 also saw the release of 'Tales of the Supernatural' Volume One. An audio book presentation by Fantom Films, featuring the M.R. James stories "Lost Hearts" read by Geoffrey Bayldon, "Rats" and "Number 13" by Ian Fairbairn, with Gareth David-Lloyd reading "Casting the Runes" and "There was a Man Dwelt by a Churchyard". Volume Two follows in the summer.

H. P. Lovecraft was an admirer of James's work, extolling the stories as the peak of the ghost story form in his essay "Supernatural Horror in Literature." Another renowned fan of James in the horror and fantasy genre was Clark Ashton Smith, who wrote an essay on him. The author John Bellairs paid homage to James by incorporating plot elements borrowed from James's ghost stories into several of his own juvenile mysteries. Other writers in the Jamesian tradition include A. N. L. Munby, E. G. Swain, and R. H. Malden, although their stories are generally considered to be inferior to those of James himself.^[2] The stories of M. R. James continue to influence many of today's great supernatural writers, including Stephen King (The Shining, etc.) and Ramsey Campbell, who edited Meddling with Ghosts: Stories in the Tradition of M. R. James and wrote the short story "The Guide" in tribute.^[3]

Sir John Betjeman, in an introduction to Peter Haining's book about James, shows how influenced he was by Dr James's work: "In the year 1920 I was a new boy at the Dragon school, Oxford, then called Lynam's, of which the headmaster was C.C.Lynam, known as 'the Skipper'. He dressed and looked like an old Sea Salt, and in his gruff voice would tell us stories by firelight in the boys' room of an evening with all the lights out and his back to the fire. I remember he told the stories as having happened to himself.…they were the best stories I ever heard, and gave me an interest in old churches, and country houses, and Scandinavia that not even the mighty Hans Christian Andersen eclipsed." Sir John later discovered the stories were all based on those of M. R. James!

James was the uncle of Robert Rhodes James, a 20th century British historian and Conservative member of Parliament.

• Apocrypha Anecdota (1893–1897)
• A Descriptive Catalogue Of The Manuscripts In The Library Of Corpus Christi College Cambridge (1912)[2]
• The Biblical Antiquities of Philo (1917)
• The Wanderings and Homes of Manuscripts (1919)
• Henry the Sixth: A Reprint of John Blacman's Memoir (1919)
• The Lost Apocrypha of the Old Testament (1920)
• The Apocryphal New Testament (1924)

• Ghost Stories of an Antiquary (1904)
• More Ghost Stories (1911)
• A Thin Ghost and Others (1919)
• A Warning to the Curious and Other Ghost Stories (1925)
• Wailing Well (1928)
• The Collected Ghost Stories of M. R. James (1931)
• Best Ghost Stories of M. R. James (1944)
• The Ghost Stories of M. R. James (1986)—selection by Michael Cox, including an excellent introduction with numerous photographs
• Two Ghost Stories: A Centenary (1993)
• The Fenstanton Witch and Others: M.R. James in Ghosts and Scholars (1999)
• A Pleasing Terror: The Complete Supernatural Writings (2001)

• Abbeys (1926)
• Suffolk and Norfolk (1930)

• The Five Jars (1920)
• Forty-Two Stories, by Hans Christian Andersen, translated and with an introduction by M. R. James (1930)

• Bleiler, E. F. The Checklist of Fantastic Literature. Shasta Publishers, 1948.
• Cox, Michael. M. R. James: An Informal Portrait. Oxford University Press, 1983. ISBN 0-19-211765-3.
• James, M. R. A Pleasing Terror: The Complete Supernatural Writings, ed. Christopher Roden and Barbara Roden. Ash-Tree Press, 2001. ISBN 1-55310-024-7.
• Joshi, S.T. Introductions to Count Magnus and Other Ghost Stories. Penguin Classics, 2005. ISBN 0-14-303939-3 and The Haunted Dolls' House and Other Ghost Stories. Penguin Classics, 2006. ISBN 0-14-303992-X.
• Pfaff, Richard William. Montague Rhodes James. Scolar Press, 1980. (concentrates on his scholarly work)
• Sullivan, Jack. Elegant Nightmares: The English Ghost Story from Le Fanu to Blackwood. Ohio University Press, 1980. ISBN 0-8214-0374-5.
• Tolhurst, Peter. East Anglia—a Literary Pilgrimage. Black Dog Books, Bungay, 1996. ISBN 0-9528839-0-2. (pp. 99–101).
• Wagenknecht, Edward. Seven Masters of Supernatural Fiction. Greenwood Press, 1991. ISBN 0-313-27960-8.
• Peter Haining, M. R. James - Book of the Supernatural. (1979) Introduction by Sir John Betjeman Articles and rare items about MRJ. (ISBN 0-572-01048-6)

• A complete chronological bibliography of all of his writings hosted by the University of Pennsylvania School of Arts and Sciences
• Ghosts & Scholars - exhaustive online magazine devoted to James and related literature and writers
• A Guide to Supernatural Fiction - descriptions and images of James's books of fiction
• Works by M. R. James at Project Gutenberg
• A collection of scholarly essays on various aspects of M. R. James's supernatural fiction
• Nunkie Theatre Company - a Cambridge-based theatre company, presenting two M. R. James tales
• The Haunted River — essays on M. R. James and his ghost stories

Academic offices
Preceded by Edmond Warre	Provost of Eton 1918–1936	Succeeded by Lord Hugh Cecil