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Macedonian art
From Wikipedia, the free encyclopedia
Macedonian art (sometimes called Macedonian Renaissance) was a period in Byzantine art which began with the reign of the Emperor Basil I of the Macedonian dynasty in 867. The period followed the lifting of the ban on icons (iconoclasm) and lasted until the fall of the dynasty in the mid-eleventh century. It coincided with the Ottonian Renaissance in Western Europe. In the ninth and tenth centuries, the Empire's military situation improved, and art and architecture revived. New churches were again commissioned, and the Byzantine church mosaic style became standardised. The best preserved examples are at the Hosios Lukas Monastery in mainland Greece and the Nea Moni Katholikon in the island of Chios. There was a revival of interest in classical themes (of which the Paris Psalter is an important testimony) and more sophisticated techniques were used to depict human figures.
Although sculpture is not popularly associated with Byzantine art, the Macedonian period saw the unprecedented flourishing of the art of ivory sculpture. Many ornate ivory triptychs and diptychs survive, with the central panel representing either deesis (as in the Harbaville Triptych pictured at right) or the Theotokos (as in a tryptich at Luton Hoo, dating from the reign of Nicephorus Phocas). On the other hand, ivory caskets (notably the Veroli Casket from Victoria and Albert Museum) often feature secular motifs true to the Hellenistic tradition, thus testifying to an undercurrent of classical taste in Byzantine art.
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